Sentences with phrase «multiple artists whose»

Not exact matches

Fresh off wigging - and - accenting his way through the role of would - be auteur Tommy Wiseau in his The Room tribute film The Disaster Artist, James Franco is gearing up to portray another modern Renaissance man — one whose efforts to wear multiple creative hats resulted in wide - spread acclaim, rather than ironic appreciation: cartoonist, poet, and songwriter Shel Silverstein.

Along with Ligon, Anatsui, Ofili and Thomas, there are a number of other black artists whose works (several with multiple lots) are up for auction across the three major houses, familiar names including Jean Michel - Basquiat, Mark Bradford, Nick Cave, Rashid Johnson, Kerry James Marshall, Julie Mehretu, Oscar Murillo, Chris Ofili, Martin Puryear, Lorna Simpson, Carrie Mae Weems, Jack Whitten, Kehinde Wiley and Kara Walker.

«Double Down» is a group show featuring fifteen artists whose included works deal with associations of reciprocal relationship, establishing intrinsic dialogues within one, or between multiple complementary and oppositional objects, putting the viewer in a different relationship to the work.

Multiple and simultaneous shows are usually devoted to art - world hotshots, «major» artists whose work rarely deserves (or sustains) such attention.

(New York — June 22, 2017) Michael Rosenfeld Gallery proudly presents The Time Is Now, a group exhibition featuring thirty - two artists whose work the gallery has consistently championed for three decades through thematic group exhibitions as well as multiple solo shows.

Nicholas Marshall is a Rochester, NY - based conceptual artist whose works drift in and out of multiple mediums including photography, painting, and scu

Ho Tam is a media and visual artist whose practice spans multiple disciplines, including photography, video, painting, and print media.

Nicholas Marshall is a Rochester, NY - based conceptual artist whose works drift in and out of multiple mediums including photography, painting, and sculpture.

Like John McCracken, Kerry James Marshall, and Charlotte Posenenske, she is an artist whose work appeared at multiple locations throughout Documenta 12 this past summer — an ennoblement closely followed by her first solo exhibition in an American museum, currently on view at the Museum of Contemporary Art, Los Angeles.

Two of The Multiple Store's recent editions, Corinne Felgate's «Baby's got the Wedgwood Blues» and David Shrigley's Brass Tooth are currently on display at The Invisible Dog, Brooklyn's Pop Up Shop showcasing a works selected by Artspace whose mission is to make it easy for art collectors to discover and collect fine art from renowned artists, galleries, and cultural institutions worldwide

Compared to his contemporaries (meaning living artists whose careers began in the 1950s and 60s) Ellsworth Kelly and Alex Katz, Stella's prices are many multiples of Katz and on par with Kelly.

The monograph is intended as a future reference work on the artist, whose art, though apparently straightforward and essential, reveals multiple meanings and unexpected complexities.

There are multiple pieces by artists whose work is typically seen only in large museums.

Barbara Probst is a German photographer and contemporary artist, whose images use multiple points of view by employing as many as twelve cameras.

The Indestructible Lee Miller The exhibition considers Miller's life from multiple perspectives: assistant, collaborator and muse of surrealist artist Man Ray; and pioneering fine art, fashion, and war photographer whose images of the London Blitz, liberation of Paris, and Dachau and Buchenwald concentration camps were among the most powerful photographs of World War II.

The exhibition brings together a group of artists whose interest in the cultural significance of the cosmos leads in multiple directions, intersecting with the fields of aesthetics, anthropology, philosophy, and others grounded in different art - making strategies and material explorations.

JOE SCANLAN is an artist whose work takes multiple forms, from sculpture and design to publications and fictional personae.

Scanlan is an artist whose work takes multiple forms, from sculpture and design to publications and fictional personae.

Michael Rosenfeld Gallery proudly presents The Time Is N ♀ w, a group exhibition featuring thirty - two artists whose work the gallery has consistently championed for three decades through thematic group exhibitions as well as multiple solo shows.

Past recipients include Pulitzer Prize winning novelist Oscar Hijuelos, multiple Obie - winning playwright María Irene Fornés, visual artists José Bedia and Teresita Fernández, photographers Andrés Serrano and María Martínez Cañas, the late Felix Gonzalez - Torres, whose work represented the United States at the 52nd Venice Biennale and Guillermo Calzadilla, who together with Jennifer Allora represented the United States at the 54th Venice Biennale, architect and city planner Andres Duany, installation artist Teresita Fernandez, writer Cristina Garcia, sculptor Maria Elena Gonzalez, and composers Julián Orbón, Tania León and Orlando García.

One of the most influential artists whose artistic, cultural, and political motivations catalyzed the Chicano Art movement in the 1970s, Almaraz straddled multiple — and often contradictory — identities.

Other artists in the show were Rauschenberg, Warhol, Rosenquist, whose prices are, of course, now many multiples of Frankenthaler's.

According to the artist, his work is a «hand - eye parasite that grows and grows», likening it to «The Aristocrats» joke comedians only tell to fellow professionals whose aim is not the punch - line but a middle so filthy it can barely be told; to the visions experienced in the comedown of a trip when one's eyes and synapses see multiple realities; and to puzzles to which there are no wrong answers only a myriad of solutions.

Chelsea Culprit is a Chicago - based artist and curator whose practice spans multiple disciplines.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

Procession: The Art of Norman Lewis (1909 - 1979), is the first comprehensive museum overview of this influential artist, who explored multiple styles and whose extraordinary work spanned several decades of the 20th century.

Such as the other artist in the show, B. Wurtz, whose sculptures include blue ballpoint pen drawings on the bottom of them that explain how the work's multiple parts come together to form the piece.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

This edition is a wonderfully edgy and unexpected work by the great artist, who won the Golden Lion for Lifetime Achievement in the 2011 Venice Biennale, and whose works have been fetching staggering multiples of their estimates at auction in recent years, with a record of $ 710,000 set by one of her ersatz Lichtenstein paintings in 2011.

Intuitive pairings of works from a diverse range of artists, whose careers and lives span multiple generations, places, skills and training and practices both decontextualize and recontextualize our understanding of art and artistic practice, making connections where none seemed to exist and breaking with conventions that have historically limited dialogue.

The artists whose work is presented in Transformers speak in multiple voices and from shifting perspectives as they dismantle and reassemble conventional signs of gender, race, age, sexuality, and even species.

The gallery has garnered a reputation for supporting artists working across multiple disciplines with new and challenging forms of creative expression and artists whose work has had a significant impact on contemporary art and culture.

Working in installation, photography, video and sculpture, Marie - Jo Lafontaine is a conceptual artist whose practice spans multiple media and forms, often blurring the boundaries between them (as in her «video sculptures.»)