Sentences with phrase «multiple arts forms»

We believe that the expressive arts approach [the integrated use of multiple arts forms] in particular is essential to many individuals» trauma recovery and are an important part of integrative health care.

We believe that the expressive arts approach [the integrated use of multiple arts forms] in particular is essential to many individuals» trauma recovery and are an important part of integrative health care.

On the topic of doing multiple art forms I think it's possible to juggle it all if all of your work goes towards one cause.

Developed by composer Richard Wagner, gesamtkunstwerk called for the merging of multiple art forms to create one «total art.»

Not exact matches

Michael Porten and Will Penny are the Lane Crawford's Creative Call Out winners behind POLLINATE: The video art utilising multiple video channels to create a digital collage filled with colour, light, form and motion.

The Art Directors Guild (ADG, IATSE Local 800) hands out its 22nd awards for Production Design multiple categories for Feature Film, Television and Short Form Media.

Just as students have different learning styles or multiple intelligences, they gravitate toward different forms of the arts.

«We are committed to providing multiple avenues of access to opera as an art form and to New York City Opera as an institution for teachers and students,» said King.

The process of Explain, Explore, Express provides building blocks of skills - building in, about and through an art form to strengthen understanding and provide multiple ways to demonstrate understanding.

Originally launched in 1997, the first - generation Toyota Sienna was a state - of - the - art sensation at the turn of the millennium, winning multiple J.D. Power quality awards during its run and, in the form of the 2003 Toyota Sienna, being named the «Most Reliable Minivan» of calendar - year 2002 by Consumer Reports.

Today, Sophia continues her journey as a healer in multiple forms of art to spread wisdom on our solutions and the power we all acquire.

The experience includes 4 theaters, multiple interactive stations and 7 floors of exhibits that tell the story of the world's most powerful art form.

Poised between the organic and the manmade, the practical and the poetic, Pardo's art playfully insists that form needn't necessarily follow function (or vice versa) instead suggesting multiple and mutating definitions and applications that toy with our expectations.

Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.

«Drawing together various art forms (video, sculpture, painting, and live performance) across the lines of race, multiple generations and interdisciplinary canons, Blues for Smoke places the idioms of blues, and other distinctly African - American traditions, at the center of the American tableau of creativity.»

Past exhibitions include New Media - New Forms, Martha Jackson Gallery, New York (1960); Found Forms, Cross Talk Intermedia, Japan (1969); Multiple Interaction Team, MIT, Cambridge, MA (1972); Machine Art: An Exhibit of «InterGraphic» by Professor Stanley VanDerBeek, University of Maryland, Baltimore (1976); Steam Screens, Walker Art Center, Minneapolis (1981); Whitney Biennial, Whitney Museum of American Art, New York (1983); and New American Video Art: A Historical Survey, 1967 - 1980, Whitney Museum of American Art, New York (1984).

Genzken, a former fashion model and the ex-wife of art - world demigod Gerhard Richter, is endlessly prolific in her efforts to create a true Gesamtkunstwerk — a «total art» that synthesis multiple forms of expression.

His canvases grew larger in scale, and his bright, abstract forms seemed to synthesize the multiple styles at the time, including minimalism and pop art.

These critiques came in multiple forms, including an approach to art that favored figural representation embedded in a politics of struggle and an assertion of identities misrepresented by or excluded from American culture.

Leigh's commitment to experimentation with traditional forms, and her embedding of a multiplicity of historical, social, and cultural references into her work, under - scores the necessity of reaching across multiple continuums in order to make an art that is truly by the people and for the people.

He developed an early interest in multiple forms of visual art — drawing, sculpting, taking and developing photographs, and shooting film all before the age of fifteen.

The second in a series of discussions on art practice and visual culture in the Middle East, this event explores the possibilities of thinking beyond geography, towards multiple and new forms of representation.

The «artist's multiple» was one of the first forms of «affordable art.»

To Make A Public parallels Temporary Art Review as an ever expanding project, a text in multiple forms, embedded within overlapping contexts and histories.

A House of Leaves tells multiple narratives and asks its viewer to become co-author in order to present a collective effort to define an art form — in this instance the contemporary art museum, from its collection, displays, special commissions and loans, to its educational and interpretation system.

The fiercely un-curated show blurred the boundaries between art and real life: the store, consisting of readymades and multiples, proved that the distance between artworks and everyday objects is established by the art market, and the 24/7 access suggested new forms of social interaction.

Owen specialises in handcrafted illustration, set design and art direction, and his illustration work often plays with light and shadow, frequently combining multiple layered paper - cuttings with graphical forms and hand - rendered typography.

Spliced together to create multiple iterations of the maps, the images on the walls serve as an hommage to the artist and form a literal backdrop or framing device onto which other art works will be hung.

The exhibition focuses on over four decades of cartoons created during presidential election years, from past races to 2016, through multiple perspectives, examining the art form as a conduit for awareness about political and social issues.

A Multiple / Print Show, Galerie Hubert Winter, Vienna, AT The Castelli / Sonnabend Tapes and Films, Ausstellungsraum Kunstlerhaus Stuttgart, Stuggart, DE Art Conceptuel / Formes Conceptuelles, Galerie 1900 - 2000, Paris, FR Construction in Process, Lodz, PL Multiples, Anthony Reynolds Gallery, London, UK Hommage aan Vincent van Gogh, Haags Gemeentemuseum, The Hague, NL Art for War Resister's League, Houghton Gallery, Cooper Union, New York, US Le Diaphane, Musée des Beaux - Arts, Tourcoing, FR Languages: Conceptual Forms, S. Bitter - Larkin, New York, US Group Show, Berland Hall, New York, US Rhetorical Image, The New Museum of Contemporary Art, New York, US Out of Site, P.S. 1, Long Island City, New York, US Small is Quite Beautiful, Galerie Hubert Winter, Vienna, AT Inquiries / Language in Art, Art Gallery of Ontario, CA; McMaster University Art Gallery, Hamilton, CA; Thunder Bay Art Gallery, Thunder Bay, CA; Laurentian University Museum and Arts Centre, Sudbury, CA; Rodman Hall Arts Centre, St. Catherines, CA Real Life Magazine, (layout), number 20, New York, US

Inspired by Fuller's domes and Cage's crash - collision of art forms, VanDerBeek began work on a 9.5 - metre - high geodesic dome, planning for its interior to be awash in multiple film projections.

As with real art, time expanded, slowed down; viewers became aware of complex interplays between realities; logic was bypassed, multiple patterns of meaning formed.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

After having been one of the most important representatives of Minimal Art, in 1974 Frank Stella turned to multiple and trimmed forms, confectioned with very diverse materials and using a wide range of fluorescent, metallic and acid colours.

From New York, throughout the 1990s and 2000s, her work has been positioned in multiple platforms, reinforcing the globalized art world's questions of geography, cultural and national identity, discipline, and form.

The Chinese and international artworks featured in this exhibition span multiple periods, mediums and forms, presenting the expanding dimensions and imaginational space for contemporary art through the intersection of «Myth» and «History,» while also interpreting the character and cultural environment of the city of Shanghai through multiple perspectives.

This depersonalization and mechanization of art's form and content did more than simply complicate the claims of authorship and authenticity so dear to high modernist aesthetics; it inserted the idea of the multiple into the once autonomous space of the unique, and introduced the plural into the singular in a way that dramatically impacted our conceptual appreciation of these binary terms.

Thomas Miles (Philadelphia, PA) works at the nexus of multiple visual art forms, including sculpture, photography, and video.

As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form.

The gallery has garnered a reputation for supporting artists working across multiple disciplines with new and challenging forms of creative expression and artists whose work has had a significant impact on contemporary art and culture.

Much like in the novel, A House of Leaves borrows different languages, tells multiple narratives in different ways, and asks its viewer to become co-author in order to present a collective effort to define an art form — in this instance the contemporary art museum, from its collection, displays, special commissions, and loans, to its educational and interpretation system.