Sentences with phrase «multiple open narratives»

Not exact matches

Additional titles with multiple nominations are id Software and Bethesda Softworks» first - person shooter IP reboot DOOM (three nominations); Niantic's free - to - play, location - based augmented reality game Pokémon Go (three nominations); EA DICE / Electronic Arts» World War I inspired first - person shooter Battlefield 1 (two nominations); JAPAN Studio / Sony Interactive Entertainment's long - awaited single player action - adventure The Last Guardian (two nominations); Hello Games» open universe and action - adventure survival game No Man's Sky (two nominations); Night School Studio's narrative and dialogue - driven supernatural mystery graphic - adventure title Oxenfree (two nominations); Drool's fast - paced «rhythm violence» game Thumper (two nominations); and Thekla's 3D game set in an open - world filled with natural and man - made puzzles, The Witness (two nominations).

It's not always easy to enter the work: one must follow multiple strands of color before a narrative opens up and the viewer is absorbed by the sensual space Reafsnyder offers.

In alignment with this chance - driven approach, Steinmetz is committed to presenting the viewer with images that are open to multiple interpretations, as opposed to creating specific narratives or singular emotional effects.

Lexicon juxtaposes quotidian manifestations of language — including fragments of vintage signage, scrolling LED texts, neon signs, printed posters, cartoon and diary - like narratives — to create a kind of visual «chorus,» a polyphony of voices, in which language becomes more elastic and open to multiple readings and interpretations.

The Whitney Museum is made up of multiple narratives which have emerged over the course of its eighty - two year history, and which continue to develop as the Museum prepares to move downtown with a new building opening in spring 2015.

If these fractures remedy transparent mediation with immediate obstruction, the various interference patterns and suprematist graphics populating the multiple screens and projections do the same: shapes open like curtains or obstruct a view of the video's narrative, making certain images more present through their «redaction» (Huffman's term for this effect).

Together they make short films and photographs about the construction of narrative time and space, without the context of a traditional story line; their open - ended, enigmatic narratives elicit multiple readings.

Often unfolding like an intimate storyboard, Aran's configurations evoke fragments of a narrative, hinting at more open - ended and non-linear methods of communication that propose multiple routes through the work.

Recognizing the multiple perspectives made manifest by technology, Hybrid Layers investigates the different strands of a narrative, which is intrinsically open and multifaceted, emancipating the discourse on technology from any restrictive categorization.

In Dwellers on the Threshold, DeVincentis draws on myths emerging from her subconscious and upon art and literature from both east and west to create an open - ended humanist narrative, (less a formal or structured narrative than that of the Pre-Raphaelites); one which contains multiple readings, and which questions individual and collective morality in our time of great unease and dislocation.

These benefits may nonetheless come at a cost to the open court's normative functions, since multiple, non-linear courtroom narratives created by digital media can undermine the publication of clear, determinate norms around which people can structure their lives.