They are impeccably made, each gem - like (crystalline) letter crafted out of
multiple planes of colored glass.
Not exact matches
... And yes, that gives me comfort only in the sense that what viewers will see in the opening episodes is such a perversely wonderful hallucinogenic experience — dance numbers, shape - shifting, the creepy sound
of frozen people and their chattering teeth, explorations
of color, astral
plane hijinks and
multiple WTF moments — that there's comfort in knowing it's not all just cinematic showboating, a Pollock / Rothko virtual reality with no meaning.
The break in a form is determined by
multiple means: by an Albersian allusion to convex - concave manipulations
of volume and
plane, by a change in direction or by
color gradation.
In his
multiple and editioned works — what he calls his «cheap line» — John Baldessari often uses stock images, which he adapts by adding plains
of color that highlight some
planes and obfuscate select portions
of the image, therefore forcibly shifting a viewers attention and perspective.
In doing so, he used
multiple planes of solid
color to create the illusion
of depth, space, and movement amid smooth, uninterrupted surface textures.
Lindquist's obsession with a Claude - like sense
of view is magnified by his alienating sense
of color (much like that produced using a Claude glass), use
of multiple and layered identical images, and slightly off - kilter or literal frames painted into the picture
plane.