Working from a brilliant screenplay by Steven Zaillian, Fincher's take on the story focuses more on what I've come to understand is really a classic
locked room mystery
in the Agatha Christie mode —
in the case of the
murder / disappearance of Harriet Vanger, the
locked room is an island whose sole entry point is blocked by an overturned tanker truck — that is concealed within a study of unlimited misogyny and sidetracked into the discovery of a serial killer.
Shot on 65 mm, the new adaptation of Agatha Christie's classic
Murder On The Orient Express is diverting and glitzy; one should expect no less from a
locked -
room mystery set on board a luxury train
in the mid-1930s.