His recent work questions the relationship between humans and objects; exploring links between cinema, technology and
museology through archives of historical film props.
Not exact matches
Faux Guide extends the exploration of palaeontology,
museology and natural history in Morocco that Barrada launched in her Abraaj Group Art Prize show during Art Dubai and coincides with Salon Marocain, a solo exhibition of her work at the Serralves Museum of Contemporary Art, Porto, on view
through 20 September.
Through employing the Nefertiti bust as a metaphorical thread, and by interrogating the contested history of Egyptian Museum collections from the 19th century onwards, the exhibition is concerned with the critique of
museology, the staging of the artwork and the writing of art - historical narrative as a means of forming and informing cultural otherness.