Sentences with phrase «museum as a public institution»

Not exact matches

Chicago Children's Museum offers two - hour field trips to a variety of community - based organizations and educational institutions, such as public and private schools, daycares, preschools, day camps, community facilities, charitable organizations, and church / religious groups.

«This idea of having a museum — and it was his vision, at that time, that it be a contemporary - art venue — as part of public education at a higher institution is really a pretty amazing and significant contribution, and has been a lasting contribution to this campus, certainly,» said Corinna Ripps Schaming, curator and interim director.

Joint educational programs were created between the Chicago Public Schools and other institutions, such as museums, the Parks District, the Chicago Housing Authority, and city colleges.

Having held the first major museum survey of the artist earlier this year as part of its «Recognition of Art by Women» series, it was at the head of a queue of more than a dozen public institutions waiting to buy Ms Crosby's painstakingly crafted works.

As Alter wrote in 2010, «My hope was to find a museum emphasizing inclusion and diversity, one working toward greater representation of art by women and artists of color in its permanent collection, exhibitions and outreach programs; where the art by women would be fully accessible to students, teachers, scholars and the general public; and where my collection would be enthusiastically welcomed because it embodied the institution's vision.»

SUPERFLEX are represented in several public art institutions, such as MoMA, New York; Queensland Art Gallery, Brisbane; Louisiana Museum of Modern Art, Denmark; FRAC Nord - Pas de Calais; and Coleccion Jumex, Mexico City.

His work is included in the public collections of leading institutions such as: the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and Tate, London.

The exhibition brings together works from institutions such as the Museum of Modern Art in New York, the Centre Pompidou in Paris, and the Joan Mitchell Foundation as well as works from private collections which have never or only seldom been shown in public.

It amounts to many a postmodern critique of art institutions and arts funding — starting well before Jeffrey Deitch took over LA MOCA, the New Museum sold out to the Joannou collection, or the New York Public Library unloaded a great American landscape to Wal - Mart as, in time, the core of a new mMuseum sold out to the Joannou collection, or the New York Public Library unloaded a great American landscape to Wal - Mart as, in time, the core of a new museummuseum.

The figure of paint, once removed from the ground of the canvas used the world — including the architecture and institution of the museum as well as the social relations of its public — as its ground.

Now, starting April 13, art pilgrims will find the institution vastly changed as the result of a 10 - year, $ 500 million renovation project — one that both modernized the museum, including the creation of a 24,000 - square - foot, Turbine Hall - sized public space (a current must - have for art capitals), and brought it back to its original grandeur by stripping away ill - considered additions and ornaments incurred over the years.

The client list of Jackson Fine Art, Inc. includes public institutions such as The Metropolitan Museum of Art, The Los Angeles County Museum of Art, and The Museum of Fine Arts in Houston.

CSMRC Fellows will have an opportunity to access materials from the CSM archives and art collection, as well as other collections, including materials from two adjacent institutions, the Denver Public Library (DPL) and the Denver Art Museum (DAM).

The gallery has also fostered ties with other prominent galleries, as well as major public institutions including MoMA, The Whitney Museum of American Art, San Francisco MoMA, The Walker Art Center, MoCA Los Angeles, Fogg Art Museum, Cooper - Hewitt National Design Museum and internationally The Serralves Museum, Porto, Portugal, as well as the Devi Art Foundation, New Delhi, to name a few.

Prior to this position, Raicovich worked in several of the top arts and cultural institutions, she previously served as the Director of Global Initiatives at Creative Time, the deputy director of the Dia Art Foundation, in addition to holding positions at the Solomon R. Guggenheim Museum, Public Art Fund, and NYC Department of Parks and Recreation.

His work is in the permanent collections of public institutions such as Albright - Knox Art Gallery, Buffalo, NY; The Baltimore Museum of Art, Baltimore, MD; The Denver Art Museum, Denver, CO; Indianapolis Museum of Art, Indianapolis, IN; Lehmbruck Museum, Duisburg, Germany; Museo de Arte Moderno, Bogota, Colombia; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Chicago, IL; The Museum of Modern Art, NY; Museo de Ponce, Ponce, Puerto Rico; Pasadena Museum, Pasadena, CA; Philadelphia Museum of Art, Philadelphia, PA; Rhode Island School of Design, Providence, RI; and Whitney Museum of American Art, New York, NY, and others.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

His numerous solo exhibitions include several in public institutions such as the Miami Art Museum, in 2001.

Ortiz - Torres's work has been collected by such prominent institutions as The Metropolitan Museum of Art, Museum of Modern Art, Brooklyn Museum, and the New York Public Library, NY; Los Angeles County Museum of Art, Museum of Contemporary Art, and the Grunwald Art Center for the Graphic Arts, UCLA Hammer Museum of Art & Cultural Center, Los Angeles, CA; Museum of Fine Arts, Houston, TX; Mexican Museum of Fine Arts, Chicago, IL; Instituto Nacional de Bellas Artes, Mexico City, Mexico; and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

Artistsʼ works have been acquired through LMAKgallery by such institutions as Public Library of New York; Museo del Barrio, New York; Contemporary Museum of Photography, Chicago; Guggenheim, New York; the Whitney Museum of American Art, New York; The Philbrook Museum, Tulsa OK; Kadist Art Foundation, Paris, France and San Fransisco, US; Rhode Island Museum of Art, RI; Minneapolis Institute of Art, MN; Bonnefanten Museum, Maastricht; William Benton Museum of Art, CT; Mott Warsh Collection, MI.

The weekend before this year's Art Basel, the Löwenbräu art center in Zürich (Switzerland) opened its doors so the public could see the renovated and restructured building that houses art galleries and institutions such as Kunsthalle Zürich, Luma Westbau / Pool etc., Migros Museum für Gegenwartskunst, Galerie Bob van Orsouw, Galerie Freymond - Guth, and Hauser & Wirth.

Public institutions include the Metropolitan Museum of Art, New York; The Guggenheim, The Museum of Contemporary Art, Los Angeles The Hirshhorn Museum and Sculpture Garden, Washington DC; and Tate, London, among others as well as collaborating with Merce Cunningham on the production of Ground Level Overlay.

While institutions like the Museum of Modern Art, the Art Institute of Chicago and the Stedelijk Museum in Amsterdam have substantial holdings, the closing in 2014 of the Hallen für Neue Kunst, a contemporary museum in Schaffhausen, Switzerland, with the largest public display of Mr. Ryman's painting, leaves Dia as the only remaining site with an extensive permanent grouping, featuring works made as early as the late 1950s and continuing up toMuseum of Modern Art, the Art Institute of Chicago and the Stedelijk Museum in Amsterdam have substantial holdings, the closing in 2014 of the Hallen für Neue Kunst, a contemporary museum in Schaffhausen, Switzerland, with the largest public display of Mr. Ryman's painting, leaves Dia as the only remaining site with an extensive permanent grouping, featuring works made as early as the late 1950s and continuing up toMuseum in Amsterdam have substantial holdings, the closing in 2014 of the Hallen für Neue Kunst, a contemporary museum in Schaffhausen, Switzerland, with the largest public display of Mr. Ryman's painting, leaves Dia as the only remaining site with an extensive permanent grouping, featuring works made as early as the late 1950s and continuing up tomuseum in Schaffhausen, Switzerland, with the largest public display of Mr. Ryman's painting, leaves Dia as the only remaining site with an extensive permanent grouping, featuring works made as early as the late 1950s and continuing up to 2003.

Maintaining gestural painting's relevance in contemporary culture while also rooting its chief sources of inspiration from within the Western canon is a Herculean task, particularly as the very practice of painting as a discipline continues to erode within the art market, art schools, and public art institutions like museums.

Select highlights include: Lisson Gallery's sale of an Anish Kapoor work listed as # 1.2 Million; David Kordansky Gallery sold out its booth of Tala Madani paintings, ranging from $ 22,000 to $ 110,000 each, to both collectors and public institutions; Hauser & Wirth placed paintings and sculptures by American artist Lorna Simpson with both museums and private collections, ranging from $ 150,000 to $ 300,000; David Zwirner sold out of works by American sculptor Carol Bove, including four sculptures and one work on paper at prices ranging from $ 50,000 to $ 550,000; Grimm Gallery completely sold out its stand, including works by William Monk ranging from $ 20,000 to $ 26,000; and Mendes Wood DM sold works ranging between $ 10,000 and $ 50,000.

Parallel to his career as an industrial designer, he has exhibited limited edition works and projects in galleries and public institutions since 1986, including Fondation Cartier pour l'art contemporain, Paris (1995, 2004), Powerhouse Museum, Sydney (2001); the Groninger Museum, Netherlands (2004); and London Design Museum (2004 - 2005).

Yangyang's work is widely collected in numerous private and public institutions such as Government of Ontario Art Collection, Apple (USA), The Rochester Museum of Fine Art (USA), The Sichuan Fine Art Institute (China) and retail giants including Holt Renfrew (Canada) and Anthropologie (USA).

His works are in the collections of numerous public institutions such as the Whitney Museum, the Neuberger Museum, and the San Francisco Museum of Modern Art among others.

He has also shown widely, including at the Venice Biennale and other notable international exhibitions and at the Metropolitan Museum of Art and the Museum of Modern Art in New York and the British Museum in London, as well as at other museums, galleries, public and non-profit spaces and academic institutions.

Her work can be found in notable private foundations and public institutions such as the Museum of Modern Art, New York; the Hammer Museum, Los Angeles; the Metropolitan Museum of Art, New York; Moderna Museet, Stockhom; Museum of Contemporary Art, Chicago; San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; Tate Modern, London; among many others.

Active in both the primary and secondary markets, the gallery's role extends to curatorial work, where it acts as a consultant to major museums and public institutions as well as an advisor to private and corporate collections.

Outside of the last 80 shows at Postmasters, Bebecka has also worked on over 40 contemporary art projects with institutions such as MoMA, The New Museum, Performa, ICP, Times Square Alliance, CUNY Segal Theatre, Socrates Sculpture Park, MoMA PS1, AICA, Public Art Fund, and The NYC Department of Parks and Recreation.

Her work is held in over sixty public collections in the United States, and has been the subject of over eighty solo exhibitions worldwide, including exhibitions organized by institutions such as the San Francisco Museum of Modern Art (1988) and the Wexner Center for the Arts, Columbus, Ohio (1991 — 92), among many others.

Uecker's work is included in numerous public institutions such as the Albright - Knox Art Gallery, Buffalo; Tate Modern, London; Museum of Modern Art, New York; Georges Pompidou Centre, Paris; and the Peggy Guggenheim Collection, Venice, Italy.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

If it makes the public or the museum as institution dictate to the art, so be it.

She is interested in understanding the strategic use of space (exhibition space, public space, virtual space) by contemporary artists and by cultural institutions such as museums.

Her works are held in the public collections of such prominent institutions as Art Institute of Chicago; Brooklyn Museum, New York; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; National Gallery of Art, Washington D.C.; and the Whitney Museum of American Art, New York.

The purpose of the Fund is two-fold: to support living, practicing artists by acquiring their work through the Fund's Acquisition Program, and to encourage museums and other public collecting institutions across the globe to accept the acquired works as gifts through the Fund's Museum Gift Program.

With countless works in the public space around the world, Alexandre's work has also been exhibited both in solo and group exhibitions in institutions such as Fundação EDP - Museu da Electricidade in Lisbon, Magda Danysz Gallery in Paris, Coa Museum in Portugal, Museum of Contemporary Art in San Diego, Centre Pompidou in Paris, Museu de Arte do Rio in Rio de Janeiro, Lazarides Gallery in London, among many others.

The client list of Jackson Fine Art, includes public institutions such as The Metropolitan Museum of Art; The High Museum of Art; The Los Angeles County Museum of Art; The Museum of Fine Arts in Houston; Maison Europeenne de la Photgraphie.

As institutions tailor themselves to keep up with the various and sometimes conflicting demands of employees, the public, and the art itself, the very notion of the museum is evolving.

Bendheim's work has been viewed and collected world - wide including such institutions as The Museum of Art & Design, NY; The San Francisco Museum of Modern Art; The Montclair Art Museum; The National Gallery of Costa Rica; The Instituto Veneto di Scienze, Lettere ed Arti, Venice, Italy; The Scottsdale Museum of Contemporary Art, The Plotkin Museum, The Brooklyn Public Library, NY; Denise Bibro Fine Art, NY; Jason Mccoy Gallery, Bradley International Airport, Los Angeles, CA; The Mayo Center for Humanities, Scottsdale, AZ..

His work is featured in many major public collections worldwide at institutions such as Tate Modern, London; Kunstmuseum Basel, Basel; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art and San Francisco Museum of Modern Art.

This installation was followed by several further manifestations of the «museum» that were exhibited in public institutions, such as the Städtische Kunsthalle, Düsseldorf (1970) and the Neue Galerie at Documenta 5 in Kassel (1972).

Since 2007 in England, she has continuously explored her carrier with working at various institutions such as art university, museum, gallery and consultancy for collectors, which eventually deepened her knowledge to overlook art scenes from different perspectives both from public and private sectors.

The included works also bear witness to the range of issues that cultural institutions such as museums should be examining — and thus opening up for debate — should they continue to play a central role in the formation of public opinion and sensibilities.

He has been the subject of many one - person exhibitions in prestigious public and private institutions such as The Museum of Modern Art, New York (2005), Serpentine Gallery, London (2006), the Neue Nationalgalerie, Berlin (2009), Fondazione Prada, Milan (2007, 2016), MOT, Tokyo (2012) and he has represented Germany at the Biennale of São Paulo in 2004.

Bencomo's work can be found permanently within public collections at institutions such as the Metropolitan Museum of Art in New York, Blanton Museum of Art at the University of Texas, The National Museum of Fine Arts of Havana in Cuba, and Art Museum of the Americas in Washington among many others.

His work has been featured in the press by The New York Times, The New Yorker, The Atlantic, Time Out, Hyperallergic, Brooklyn Magazine, PDN, and many others as well as collected by institutions such as the Brooklyn Public Library, Tufts University, and the Fitchburg Art Museum.