Sentences with phrase «museum as an independent curator»

She assumed her new role in April 2017 and will continue to curate shows at the Long Island art museum as an independent curator, said Giacummo - Lachacz.

Not exact matches

The Hammer Museum in Los Angeles has named Anne Ellegood, a senior curator at the museum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial inMuseum in Los Angeles has named Anne Ellegood, a senior curator at the museum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial inmuseum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial inmuseum's next Made in L.A. biennial in 2018.

Previously, he worked as an independent curator, co-curating Basquiat (2005) at the Brooklyn Museum and One Planet Under a Groove: Hip - Hop and Contemporary Art (2002) at the Bronx Museum of the Arts, among many others.

Sketchy as the final outcome often is, they and Independent Curators International are to be commended for tackling a job that a flush New York museum should have taken on about 10 years ago.

He has mounted exhibitions as an independent curator at museums in Europe, Asia and the U.S., including the Bronx Museum of the Arts, Comune di Milano in Italy and the Museum Villa Stuck in Munich.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art muMuseum in Exposition Park (prior to LACMA's existence as an independent art museummuseum).

The exhibition is organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and organized as a traveling exhibition by Independent Curators International (ICI).

Subsequently I worked in museums and then as an independent curator.

The exhibition is accompanied by a catalogue, with essays on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.

The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.

Presently, Kotik works as a writer, lecturer, and independent curator, and facilitates various project for galleries, alternative spaces, and museums.

Currently he is the Director / Senior Curator for the Torrance Art Museum as well as Founder and Curatorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exhibitions.

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

The publication includes an introductory essay by Elizabeth Armstrong as well as short entries on each of the Biennial artists by the curators and several additional writers: New York - based art historian Cary Levine, Los Angeles - based independent curator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of Contemporacurator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of ContemporaCurator of Exhibitions at the Madison Museum of Contemporary Art.

During that time she was part time registrar at a small commercial gallery in the LES, followed by a production intern at Creative Time, completed a fellowship at Independent Curators International and moved on to the Museum of the City of New York as their Registrar for Exhibitions and Loans.

Prior to joining the Brooklyn Museum, she taught contemporary art history at Tufts University, wrote art criticism for Art in America, and organized a number of international exhibitions as an independent curator.

Ever since Mark Rosenthal left his job as head of 20th - century art at the National Gallery in Washington to become an independent curator, museums around the country have sought his talents.

Bonnie Rychlak is Executive Curator for citydrift / Detroit as well as an independent curator and museum consCurator for citydrift / Detroit as well as an independent curator and museum conscurator and museum consultant.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

Kook - Anderson was most recently the Curator of Contemporary Art at the Laguna Art Museum in Laguna Beach, California, and has spent the last year as an independent curator and freelance writer in PoCurator of Contemporary Art at the Laguna Art Museum in Laguna Beach, California, and has spent the last year as an independent curator and freelance writer in Pocurator and freelance writer in Portland.

The Noguchi Museum has named independent curator Dakin Hart as its new senior curator.

In 1974 he was appointed Curator and Head of the Film and Video Department at the Whitney Museum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installatioMuseum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installatiomuseum's collection to include video installation art.

As part of the 13/14 McKnight Visual Artists Fellowship program, over the next few months the fellows will be meeting with Dean Daderko, curator at the Contemporary Art Museum Houston; David Humphrey, a New York - based painter and writer; and Candice Hopkins, a Canadian independent curator who is co-curating the 2014 SITE Santa Fe Biennial.

While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.

Beatrix Ruf, the director of Amsterdam's Stedelijk Museum, has been selected as the 2015 recipient of Independent Curators International's Agnes Gund Curatorial Award, which «is presented every other year to an established curator for their outstanding contribution to the world... Read More

The collection also lends its works to independent curators, museum directors and galleries as a part of its global lending program.

Max Presneill is currently the Executive Director and Head Curator for the Torrance Art Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitions.

Müller's extensive experience with museums and collections in France and as an independent curator has led to the curation and contribution to more than 100 exhibitions worldwide, including the 2012 Yves Saint Laurent: The Retrospective exhibition for which the DAM was the exclusive U.S. venue.

Six artists / curators were selected on the basis of their relevant knowledge and experience as mentors in a six month mentoring programme: Michelle Cotton (then independent curator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (acurator and writer and holder of Cubitt Gallery curator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (acurator's bursary, now Curator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (aCurator at Firstsite), Harriet Godwin (curator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (acurator of Modern and Contemporary Art, Norwich Castle Museum and Art Gallery), Andrew Hunt (director, Focal Point Gallery), Simon Liddiment (artist), Sally O'Reilly (writer and event organiser and now Wysing Ambassador), Jamie Shovlin (artist).

They included Geetha Mehra, Director of Sakshi Gallery, and curator of Finding India, an exhibition of Indian art that was concurrently on view at the Museum of Contemporary Art in Taipei, Taiwan; Pooja Sood, a New Delhi - based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for artistic practice.

Beatrix Ruf, the director of Amsterdam's Stedelijk Museum, has been selected as the 2015 recipient of Independent Curators International's Agnes Gund Curatorial Award, which «is presented every other year to an established curator for their outstanding contribution to the world of art.»

Before joining ICI, Giarratano served as a research assistant for an independent curator, and worked at institutions including the Whitney Museum of American Art, Peggy Guggenheim Collection, Corcoran Gallery of Art, and Robert Miller Gallery.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.

2014 As I run and run, happiness comes closer, La Collection de Laurent Dumas vue par Jérôme Sans, Paris, France KIK Three Dizzyland, Kino International, Berlin, Germany GOLD, Bass Museum of Art, Miami, USA do it Moscow, Independent Curators International, Garage Museum of Contemporary Art, Moscow, Russia Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium Attention Economy, Kunsthalle Wien, Vienna, Austria

Gail R. Scott began her career as Assistant Curator of Modern Art at the Los Angeles County Museum of Art and subsequently has been active as an independent scholar, curator, and leCurator of Modern Art at the Los Angeles County Museum of Art and subsequently has been active as an independent scholar, curator, and lecurator, and lecturer.

ICI's newest public program series, Third Tuesday, kicks off on September 20 with a talk by Yandro Miralles, an independent curator, who has worked with institutions such as the National Museum of Fine Arts, Havana, Cuba, the Cuban National Ballet, as well as the Cuban Artists Fund, where he is currently the Curator in Rescurator, who has worked with institutions such as the National Museum of Fine Arts, Havana, Cuba, the Cuban National Ballet, as well as the Cuban Artists Fund, where he is currently the Curator in ResCurator in Residence.

Hailing from Glasgow, UK, she worked as a contributor for BBC Radio Scotland and as an artist's assistant for the sculptor Andy Goldsworthy before first coming to New York to work at the Solomon R. Guggenheim Museum, New York and, later, Independent Curators International (ICI).

Wimberly has served as Director of Communications for The Museum for African Art, New York, and most recently, Director of Strategic Planning at Independent Curators International, New York.

Collins has more than 25 years of experience in the arts, primarily working in museums and as an independent curator and arts writer.

As an independent curator for the Museum Ludwig in Cologne he carried out a project in 1997 with Sarah Lucas, while in 1999 he was responsible for the contemporary section of the exhibition «Kunstwelten im Dialog.

As an independent curator, she organized projects and exhibitions for many leading art institutions, including the Neue Galerie Graz, the CGAC in Santiago de Compostela, the Museo do Chiado in Lisbon and other museums in Great Britain, Iceland, Brazil and the United States.

Eva Wittocx (Curator of Museum M, Leuven and frequent contributor to art publications such as Flash Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and FlaCurator of Museum M, Leuven and frequent contributor to art publications such as Flash Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flacurator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flacurator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flacurator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flacurator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash Art)

Sydney, Australia: The Museum of Contemporary Art (MCA) announces the appointment of independent curator, art critic and lecturer Dr. Maura Reilly as the MCA's new Head of Education.

Following the close of the gallery, White continued to work for Whitney who, as an independent curator, organized retrospective exhibitions of Jasper Johns, Cy Twombly, and the first exhibition of Andy Warhol's portraits, all at the Whitney Museum of American Art.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA 2006 RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA 2006 Alien Nation, Institute of Contemporary Arts, London, England 2006 William Hogarth, Musée du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain 2006 Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA 2006 MASCARADA / MASQUERADE, DA2 — Domus Artium 2002, Centro de Arte de Salamanca, Spain 2006 DRESSCODE, Historisches und Völkerkundemuseum, St Gallen, Switzerland 2006 Space is the Place, Independent Curators International, New York, USA 2006 Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) 2006 Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA 2006 Africa Remix, Moderna Museet, Stockholm, Sweden 2006 Acting the Part: Photography as Theatre, National Gallery of Canada 2006 Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia 2006 A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA 2006 East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England 2006 Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England 2006 Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA 2006 Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

«Independent Curators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience deveCurators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience devecurators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.

Originally from Mexico, she has worked internationally as a curator of contemporary art, as well as in developing independent initiatives that range from teaching, writing and publishing, to organizing museum projects to serving as counselor for Fundación Alumnos47 and as board member of Creative Time.

Labaco has served as the Curator of Decorative Arts and Design at the High Museum in Atlanta since 2007, and previously worked as an independent curator and as an Assistant Curator of Decorative Arts at the Los Angeles County Museum Curator of Decorative Arts and Design at the High Museum in Atlanta since 2007, and previously worked as an independent curator and as an Assistant Curator of Decorative Arts at the Los Angeles County Museum curator and as an Assistant Curator of Decorative Arts at the Los Angeles County Museum Curator of Decorative Arts at the Los Angeles County Museum of Art.