Sentences with phrase «museum audiences»

Topics covered will include exhibition development and design, museum management and leadership and an analysis of the modern museum audience.

Research showed that museum audiences wanted more interaction with works of art and with each other.

to encourage new museum audiences and to support the arts during the 1970s fiscal crisis, the Museum Mile Festival has since become renowned the world over.

Schleuning has a strong and successful history working collaboratively with contemporary artists and designers on installations that expand knowledge, inspire the public, and diversify museum audiences while growing awareness of art and design.

just feel in another place... great imagination for museum audiences thx

A 2010 report commissioned by the American Alliance of Museums indicated that the racial composition of contemporary museum audiences has remained at a level of diversity reminiscent of the 1970s while the diversity of the general population has more than tripled during that time.

It is shared here with the Hammer Museum audience to accompany Harrell's January 2017 performance of Judson Church is Ringing in Harlem, the (Made - to - Measure) size of the series.

The mission was also expanded to create educational programming connected to the scholarly pursuits of Bates with the Lewiston - Auburn community and a much broader museum audience.

The Laboratory for Museum Innovation is established to test and develop digital projects, pioneering new ways of engaging Museum audiences and enriching visitor experience at the DMA and within the broader museum community.

• Judith Braun, who worked live before a Chrysler Museum audience in creating her Diamond Dust mural, got a really nice write - up in The London Daily Mail.

While the minority population of the United States will be almost the majority by 2034, the study says, only 9 percent of that group are a part of the core museum audience.

Many of the teaching artists represented in the exhibition will be familiar to Bellevue Arts Museum audiences.

MATRIX / REDUX samples from the history of this important program with selections from the Museum's collection and loans from local collections rarely seen by museum audiences.

Jeffrey Deitch has seen the future of American museum audiences.

«While the educated public of the 18th century would have been familiar with the themes and implications of the tales illustrated in so - called neoclassical works, this is not the case with museum audiences today, so the exhibition will be rich with didactic labels and wall texts.»

Initially started to encourage new museum audiences and to support the arts during the 1970s fiscal crisis, the Museum Mile Festival has since become renowned the world over.

Accomplished Curator Brings a History of Developing Successful Exhibitions and Programs That Expand Knowledge, Inspire the Public, and Diversify Museum Audiences

Her commitment to living artists is matched by a wealth of scholarship; her expertise in works on paper is informed by inventive multidisciplinary thinking; and her passion for collection stewardship is complemented by a deep regard for museum audiences.»

In 2012, Kelvingrove hosted a range of diverse temporary exhibitions and events, aimed at engaging both current and new museum audiences.

If some of the more obnoxious appeals to museum audiences have the simplicity of cartoons, they do not necessarily look like them.

While museum audiences have grown exponentially, museums have created elaborate social hierarchies through dozens of membership and support categories, from a full trustee, to a departmental committee, to different levels of members and friends.

What matters is the art, the artists and the museum audience.

Museum audiences are distinguished by the diversity of visitors, reflecting the variety of ethnicities living in the borough.

Museum audiences have so burgeoned with curiosity seekers since the»60s heyday of minimalism, and museums have shown them so much bizarrerie, that we barely can imagine someone today reacting as an angry visitor did in the»70s when London's Tate Britain bought and displayed Carl Andre's «Equivalent VIII,» a stack of firebricks.

Today, though, museum audiences are more diverse and better connected.

Many of the 34 participating artists, collectives, and partner organizations use performance - based and site - specific approaches to incorporate the museum's architectural and historical context and engage the diverse body of the museum audience.