Sentences with phrase «museum building on the site»

Not exact matches

Accordingly, at no small cost in money and effort, it was towed across the Atlantic Ocean on a specially constructed barge, unloaded, and transported through the streets of New York City on a specially built, very wide - tired truck, to its present site in Central Park near the Metropolitan Art Museum.

The district «s full board was to decide Tuesday on the building and grounds committee «s recommendation to make the museum pay its utility bills on its current site at the Vogelei Barn beginning July 1.

Bandshell at Forest Park in Woodhaven • $ 300,000 to improve lighting along the shorefront facing Queens in Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island • $ 1.5 million to renovate the baseball fields at Glen Oaks Playground in Glen Oaks • $ 1 million to renovate Hallets Cove Playground in Astoria • $ 975,000 to improve the asphalt field at Hoffman Park in Elmhurst • $ 1.3 million to construct a meditation garden and upgrade Rachel Carson Playground in Kissena Corridor Park in Flushing • $ 322,000 to construct a skate park at Laurelton Playground in Laurelton • $ 850,000 to upgrade Lannett Playground in Far Rockaway • $ 600,000 to renovate Maple Playground in Flushing • $ 1.5 million to install new play equipment and to upgrade the sprinklers and surface at Mauro Playground in Kew Gardens Hills • $ 350,000 for landscape improvements along the Merrick Boulevard Mall in Springfield Gardens • $ 700,000 to enhance the lawn area, install new walkways, decorate pavers, install new benches and plantings, create a new entry and repair the retaining wall at Newtown Playground in Elmhurst • $ 2 million to upgrade to existing benches and equipment in Norelli Hargreaves Park in Jamaica • $ 300,000 for a mall enhancement and tree plantings along the Northern Boulevard Mall between 62nd Street and 102nd Street in Woodside / Jackson Heights • $ 400,000 to renovate Kingsland Homestead in Flushing • $ 3 million for the preservation of the New York State Pavilion in Flushing Meadows — Corona Park • $ 480,000 to replace the aviary mesh and marsh bridge at the Queens Zoo in Flushing Meadows — Corona Park • $ 2 million to renovate the asphalt field at the World's Fair Playground in Flushing Meadows — Corona Park • $ 800,000 to formalize the picnic grove, add gravel pads and grills, install new fences and benches and upgrade the basketball courts in Rainey Park in Astoria • $ 1.5 million for turf and track upgrades at Roy Wilkins Park in Jamaica • $ 1.4 million to renovate Sandpiper Playground in Rockaway Beach • $ 600,000 to renovate the museum building at Socrates Sculpture Park in Long Island City • $ 500,000 construct a dog run at Triborough Bridge Playground B in Astoria • $ 375,000 for pavers and accent lighting at Tribute Park in the Rockaways • $ 250,000 for site acquisition to add to Udalls Cove in Little Neck • $ 175,000 to improve sidewalk and perimeter of Veterans Grove in Elmhurst • $ 1.6 million to resurface the baseball field and upgrade the play equipment at Vleigh Playground in Flushing • $ 300,000 to support the borough's Tree Stump Removal Program.

This year categories could include Gotham gangsters on film McKim, Mead and White architectural sites questions based on the Grammys, the movie Wonderstruck and the exhibit Never Built New York at the Queens Museum.

They were also able to spend time learning about the history of the farm in the on - site farm museum, and, as a final treat, they were given time to explore the farm's purpose built strawberry - shaped maze.

Built between 1974 and 1976, the new basilica was designed by Pedro Ramirez Vasquez (who also designed the National Museum of Anthropology), constructed on the site of a 16th Century church, the «old basilica.»

Previously, she was associate director of education and community engagement at the children's museum, which is sited on the ground floor of a mixed - use building designed by architect David Adjaye.

Rather than create immersive or site - specific installations — as he did for the Venice Biennale in the summer of 2017 (representing the United States), and more recently at the Hirshhorn Museum in Washington, D.C. — Bradford presents ten colorful paintings built over nine months in the studio, on layers of comic book pages that he uses as a point of departure.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Designs revealed for new home of Harlem's Studio Museum The Studio Museum in Harlem has released images of Adjaye Associates» designs for its new building, located on the site of its present home.

Starting this month, the Whitney, in collaboration with TF Cornerstone and High Line Art, will install a series of large - scale works by American artists on the façade of the TF Cornerstone building, located at 95 Horatio Street, across from the museum's new site.

Recent site - specific installations and architectural interventions have been on view at «Equitable Vitrines» in the Equitable Life Building, Los Angeles, CA; satellite exhibition space for the Museum of Contemporary Art, Santa Barbara, CA; the Hammer Museum; the Los Angeles County Museum of Art; and at Night Gallery, Los Angeles.

Taye Akinola, an American Sign Language (ASL) guide at the Gallery, introduces the museum's two buildings and collection and also shares information about on - site programs and online features.

The Museum of Nature & Science also is building a new $ 185 - million museum on a 4.7 - acre site in Victory Park to complement the Fair Park facilMuseum of Nature & Science also is building a new $ 185 - million museum on a 4.7 - acre site in Victory Park to complement the Fair Park facilmuseum on a 4.7 - acre site in Victory Park to complement the Fair Park facilities.

The High Museum of Art, Atlanta, site plan with the building by Meier on the left, the Woodruff Arts Center main building on the right, and the Renzo Piano expansion at the bottom (in yellow); image courtesy RPBW

The Design Museum will close at its current site on 30 June 2016 and will relocate to the former Commonwealth Institute building in Kensington later in 2016.

Before deciding to renovate its building on 125th Street, the Studio Museum in Harlem considered moving to other sites, but ultimately determined that the «in Harlem» was integral to its identity.

«Value and Viability,» Chicago Architecture Foundation, Chicago, IL, December 10, 2015 «Theaster Gates «Sanctum»,» St. George's, Bristol, UK, October 31, 2015 «The Gail Silver Memorial Lecture: Theaster Gates,» Rhode Island School of Design Museum, Providence, RI, October 14, 2015 «To Build a Bank: Notes from the Construction Site,» Wayne State University, Detroit, MI, October 8, 2015 «Panel Discussion: The Art of Architecture — David Adjaye's Collaborations with Artists,» The Art Institute of Chicago, Chicago, IL, September 19, 2015 «Theaster Gates: Trustees» and Governors» Speaker,» Skowhegan School of Painting & Sculpture, Skowhegan, ME, July 15, 2015 «The Most Inspired Among Us, a conversation with Carrie Mae Weems,» Opening Celebration: Radical Presence, Yerba Buena Center for the Arts, San Francisco, CA, June 15, 2015 «San Francisco Art Institute Commencement,» Nourse Theater, San Francisco, CA, May 17, 2015 «Theaster Gates + Lisa Lee on Doris Salcedo,» Museum of Contemporary Art Chicago, Chicago, IL, May 16, 2015 «Learning from Roofers: Theaster Gates in conversation,» Tate Modern, London, UK, April 27, 2015

Built and designed during the 1970s, the museum is situated on a site which formerly housed allied gun batteries during the WWII.

Closed because of the seismic unsoundness of its building on Grove Street, the gallery will reopen at 401 Van Ness Ave. in the site previously occupied by the San Francisco Museum of Modern Art bookstore.

Built in two phases, Phase One (2014 - 15) focused on the renovation and conversion of the museum's original 56 Broadway site into a new three - zoned environment featuring a public entry and retail sales area with an adjoining Black Mountain College (BMC) orientation center, an expanded and updated BMC exhibition gallery, and a new BMC library, research and study center.

(The Whitney Museum of American Art is now building its downtown home on that site.)

A narrated video takes the viewer on a journey around a future Wysing; one that has become a museum to one of the first works built on the site, Ben Wilson's Tree Keep, 1992.

Denver, Colo. — Spurred by the enthusiastic response of the Denver community, and building on its commitment to expand its collection with new works, the Denver Art Museum (DAM) will acquire six site - specific installations from its monumental exhibition Embrace!.

Art Camera enables on - site and online visitors to explore their favorite works in stunning detail The Virginia Museum of Fine Arts recently had 42 works in its collection captured by the Google Art Camera, a robotic camera custom - built to produce ultra-high resolution gigapixel images.

In 1993 Zumthor won the competition for a museum and documentation center on the horrors of Nazism to be built on the site of Gestapo headquarters in Berlin.

The Whitney Museum of American Art raised its profile when it opened its new building and the exhibit «Dreamlands» capitalizes on the site's possibilities.

Site of Criticism presents twenty - one paintings by Jörg Immendorff, made between 1970 and 2002, plus documentation of a specially - built platform where visitors to the exhibition (at Museum Ludwig) could contribute their thoughts on art in general and art by Immendorff in particular.

The Museum of Contemporary Art San Diego is looking for sites in the downtown San Diego area that can be used by artists — featured in the upcoming exhibition Viva la Revolución: A Dialogue with the Urban Landscape — to create murals and other site - specific works on exterior building walls.

The works inside the Museum Building include photographs shot by Stettner, and found photographs, as well as a sculpture that the artist created on site.

In addition to the Guild Hall show, which runs through Oct. 11, she has been commissioned by the Whitney Museum of American Art to install a monumental artwork, opening to the public on Sept. 10, at the construction site where it plans to build its new branch in the meatpacking district starting next spring.

Maybe — just maybe — there'll be some kind of intervention on the new site where the second Whitney Museum [designed by Renzo Piano] will be built, in Manhattan's Meatpacking District, but we're still working on it.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyon Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, BrooklyOn Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

Works from Lewben Art Foundations, Lithuanian Exhibition and Congress Centre LITEXPO, Vilnius 2017 «A Screen of Flesh», Coma Gallery, Rushcutters Bay 2017 «Body Language», Company Gallery, New York 2o17 «Tschabalala Self, Ellannah Sadkin, Mr Kiji», Red Bull House of Art, Detroit 2017 «Le Nouveau Voyeurisme», Hotel Contemporary, Milano 2016 «Desire», Moore Building, Miami 2016 «Life During Wartime», Diane Rosenstein, Los Angeles 2016 «Protuberances», LAXART, Los Angeles 2016 «Aiko Hachisuka, Tschabalala Self, Caroline Wells Chandler», 11R, New York 2016 «Sexting», Kate Werble Gallery, New York 2016 «Perfect Day», Roberts & Tilton, Culver City 2016 «WACKing the Piñata», Ltd los angeles, Los Angeles 2016 «A Being in the World», Salon 94 Bowery, New York 2016 «Look up here, I'm in heaven», BRIC, New York 2016 «Intimisms», James Cohan, New York 2016 «Mal Maison», Maccarone, New York 2016 «A Shape That Stands Up», Art + Practice (off - site Hammer Museum), Los Angeles 2016 «Intersections», Tensquared Gallery, Internet 2016 «Arachne's Woof», Litvak Contemporary, Tel Aviv 2016 «New Genealogies», Yale School of Art Green Gallery, New Haven 2016 «Duplify», Kate Werble Gallery, New York 2015 «Berg Matthams Self & Weaver», Thierry Goldberg Gallery, New York 2015 «A Constellation», The Studio Museum in Harlem, New York 2015 «The New New», Diane Rosenstein Gallery, Los Angeles 2015 «THATS ON ME», Paris Blues, New York 2015 «Yale MFA Painting and Printmaking Graduates», Garis & Hahn, New York 2015 «2,015 But Who's Counting», Yale School of Art Green Gallery, New Haven 2014 «13 Artists», 24/6 Space, New Haven 2014 «Swimming Pool», 24/6 Space, New Haven 2013 «For Ed: Splendor in the Grass with Olympic Lad & Lass», Yale School of Art Green Gallery, New Haven 2013 «Women Love the World», Launchpad, New York 2013 «Encounters», Harlem School of the Arts, New York 2012 «SUGGARHILL», Essie Green Galleries, New York 2012 «EdgeControl», UBS Exhibition Center, New York 2012 «NEO XL», Werehouse, New York 2008 «Radiant Minds», Queens Museum of Art, New York 2007 «Admission $ 2.00», Whitney at Altria, New York

During the SECA exhibition, Abdalian activates downtown Oakland with a sound installation of bells; Faught responds to the Neptune Society Columbarium in San Francisco's Inner Richmond neighborhood with textile - based sculptures; Herschend investigates SFMOMA's temporary art and office relocation through a film shot on site at the museum and presented online; and Wilson organizes a series of self - guided tours that lead to sites throughout San Francisco, starting from a trailhead at the front of the SFMOMA's currently closed Third Street building.

2009 The Open, Deitch Studios, Long Island City, NY Alternative Abstraction, Nina Freudenhiem Gallery, Buffalo, NY 2008 Hunter MFA Thesis Exhibition, Times Square Gallery at Hunter, New York, NY Come on Shake it Check it, Massimo Audiello Gallery New York, NY 2007 Dialogues, Times Square Gallery at Hunter, New York, NY 2006 Gimmicks, Paragraph, Kansas City, MO -LRB--LRB--LRB--LRB--LRB-(O)-RRB--RRB--RRB--RRB--RRB-, Paragraph Project Space, Kansas City, MO 2005 Impulse Art Fair, Miami, FL The Affordable Art Fair, New York, NY Nova, New Art Fair, Chicago, IL On Site and In Progress, The Bank Gallery at UCP, Kansas City, MO Y - Topia, Byron Cohen Gallery, Kansas City, MO Corporate Partnership Exhibition Program, Kansas City, MO 4 Pop, Gunnison Art Center, Gunnison, CO 2004 Ungood, Shaw Hofstra Associates, Kansas City, MO The Stray Show, 1418 N. Kingsbury, Chicago, IL KCAI Annual BFA Show, H and R Block Art Space, Kansas City, MO Hover Craft, Beth Alison Gallery, Kansas City, MO Kansas City Flat Files, H and R Block Art Space, Kansas City, MO 2003 The Digital Show, KCAI Painting Gallery, Kansas City, MO The Untitled Show, The Apex Gallery, Kansas City, MO 2002 1 +1 = 1, The Hobbs Building, Kansas City, MO Deconstruction, Leedy - Voulkos Art Center, Kansas City, MO Peter Demos continued Lectures: 2005 Kemper Museum of Contemporary Art Slide Lecture Series, Kansas City, MO Publications: 2005 «New American Paintings» No. 59 Open Studios Press, Illus and Bon Shake it Check it, Massimo Audiello Gallery New York, NY 2007 Dialogues, Times Square Gallery at Hunter, New York, NY 2006 Gimmicks, Paragraph, Kansas City, MO -LRB--LRB--LRB--LRB--LRB-(O)-RRB--RRB--RRB--RRB--RRB-, Paragraph Project Space, Kansas City, MO 2005 Impulse Art Fair, Miami, FL The Affordable Art Fair, New York, NY Nova, New Art Fair, Chicago, IL On Site and In Progress, The Bank Gallery at UCP, Kansas City, MO Y - Topia, Byron Cohen Gallery, Kansas City, MO Corporate Partnership Exhibition Program, Kansas City, MO 4 Pop, Gunnison Art Center, Gunnison, CO 2004 Ungood, Shaw Hofstra Associates, Kansas City, MO The Stray Show, 1418 N. Kingsbury, Chicago, IL KCAI Annual BFA Show, H and R Block Art Space, Kansas City, MO Hover Craft, Beth Alison Gallery, Kansas City, MO Kansas City Flat Files, H and R Block Art Space, Kansas City, MO 2003 The Digital Show, KCAI Painting Gallery, Kansas City, MO The Untitled Show, The Apex Gallery, Kansas City, MO 2002 1 +1 = 1, The Hobbs Building, Kansas City, MO Deconstruction, Leedy - Voulkos Art Center, Kansas City, MO Peter Demos continued Lectures: 2005 Kemper Museum of Contemporary Art Slide Lecture Series, Kansas City, MO Publications: 2005 «New American Paintings» No. 59 Open Studios Press, Illus and BOn Site and In Progress, The Bank Gallery at UCP, Kansas City, MO Y - Topia, Byron Cohen Gallery, Kansas City, MO Corporate Partnership Exhibition Program, Kansas City, MO 4 Pop, Gunnison Art Center, Gunnison, CO 2004 Ungood, Shaw Hofstra Associates, Kansas City, MO The Stray Show, 1418 N. Kingsbury, Chicago, IL KCAI Annual BFA Show, H and R Block Art Space, Kansas City, MO Hover Craft, Beth Alison Gallery, Kansas City, MO Kansas City Flat Files, H and R Block Art Space, Kansas City, MO 2003 The Digital Show, KCAI Painting Gallery, Kansas City, MO The Untitled Show, The Apex Gallery, Kansas City, MO 2002 1 +1 = 1, The Hobbs Building, Kansas City, MO Deconstruction, Leedy - Voulkos Art Center, Kansas City, MO Peter Demos continued Lectures: 2005 Kemper Museum of Contemporary Art Slide Lecture Series, Kansas City, MO Publications: 2005 «New American Paintings» No. 59 Open Studios Press, Illus and Bio

Glenstone, a museum for post-World War II art outside Washington, D.C., in rural Maryland, is a striking cultural facility, featuring eminent works of outdoor sculpture on a bucolic 200 - acre site and exhibitions in a 2006 building designed by Gwathmey Siegel.

The museum will finally have its first purpose - built space on the site of its current cramped home in a former bank building.

Fittingly, Turrell's first solo show since 1980 in a major New York venue, in which his new site - specific work, Aten Reign (2013)-- six years in the planning — will transform the rotunda of Frank Lloyd Wright's iconic building into one of his luminous and immersive Skyspaces, opens at the Guggenheim Museum on the summer solstice.

On a 4 1/2 - acre site between the Free Library and the Rodin Museum, a small, 12,000 - square - foot art building sits within a larger L - shaped structure, which houses the usual museum amenities (cafe, shop, auditorium, offices, Museum, a small, 12,000 - square - foot art building sits within a larger L - shaped structure, which houses the usual museum amenities (cafe, shop, auditorium, offices, museum amenities (cafe, shop, auditorium, offices, etc.).