Sentences with phrase «museum exhibition models»

Only a few museum exhibition models regularly supported local Los Angeles artists.

Not exact matches

Trenton Duerksen, exhibition maintenance manager at the American Museum of Natural History in New York, does the yearly clean - up of the 94 - foot - long blue whale model April 24, 2018.

Museums around the world are wrestling with the implications of a decision, by the National Gallery of Art in Washington, to indefinitely postpone a Chuck Close exhibition because of allegations of sexual harassment involving potential portrait models that have engulfed the prominent artist in controversy.

Don't miss the hidden San Diego Model Railroad Museum with exhibitions set up by several local model railroad cModel Railroad Museum with exhibitions set up by several local model railroad cmodel railroad clubs.

Be sure to check out the Channel Islands Maritime Museum with its ever - changing exhibitions, world - class maritime art, and ship models.

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the sMuseum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the smuseum window on open view from the street.

In part a celebration of the artist's 75th birthday, the show boasts drawings, sketches, and architectural models in addition to numerous large - scale works, and offers a unique viewing experience as well — Stella staged the exhibition himself, making the most of the museum's customizable, flexible wall system.

«ANNE TERESA DE KEERSMAEKER: WORK / TRAVAIL / ARBEID» This Belgian choreographer's five - day «exhibition» in the atrium of the Museum of Modern Art was a model of how to translate dance from the set format of a theater to the open spaces and schedules of a mMuseum of Modern Art was a model of how to translate dance from the set format of a theater to the open spaces and schedules of a museummuseum.

Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Looking beyond the Contemporary's first year of commissions, which will include works by Charles Atlas, Tom Friedman, Orly Genger and Charles Long, Grachos sees the museum eventually tapping Austin's festival culture to spearhead a citywide sculptural exhibition modeled after Sculpture Projects Muenster in Germany.

The Block Museum at Northwestern University's current exhibition «William Blake and the Age of Aquarius» posits Blake as a «model of non-conformity, self - expression and social and political resistance» during the 1940s and 1950s.

The museum recently held a press conference, announcing plans to bring exhibition space square footage up to 250,000 square feet, and in the process, introduce a largely new model of exhibiting art.

A colossal steel figure outside the museum entrance, Vater Staat (2010), observes visitors as they arrive, while the key work in the exhibition — the monumental bronze sculptures United Enemies (2011)-- originate in his small, sketchy figures with heads of modelling clay made nearly twenty years earlier.

21c Museum, a pioneering new model for contemporary art institutions, is opening exhibitions at 21c venues around the country this summer and fall.

A recent exhibition of the artist's work at the University of South Florida Contemporary Art Museum included architectural models, paper sculptures, light boxes, altered photographs and cut - tape drawings done on rubber cutting mats.

The MATRIX program has served as a leading model for contemporary exhibition practices, inspiring museums across the country to develop project series of their own, under different names, that spotlight leading contemporary artists.

Recent solo exhibitions include Duncan Campbell, Carnegie Museum of Art, Pittsburgh, Pennsylanvia (2012); Arbeit, HOTEL, London; Make it New John, Artists Space New York (2011) and Chisenhale Gallery, London, touring to Tramway, Glasgow (2009 — 11); The Model, Sligo; Belfast Exposed, Belfast; Bernadette, Scottish National Gallery of Modern Art; HOTEL, London and Baltic, Gateshead (all 2008 — 9).

The International is working with the artists to create an exhibition that puts forward a more sustainable model to boost the ability for artistic production and buoy the creative ecosystem among museum, artist, and public.

Major exhibitions include: Claes Oldenburg and Coosje van Bruggen: A History of Sculpture, Museo d'Arte Contemporanea, Castello di Rivoli, Turin, Italy (October 2006 - February 2007); Notebook Pages: A Dialogue, Chinati Foundation, Marfa, Texas (2003); Claes Oldenberg with Coosje van Bruggen: Drawings 1992 - 1998, Whitney Museum of American Art, New York (2002); On the Roof, Metropolitan Museum of Art, New York (2001); Claes Oldenberg, Coosje van Bruggen (sculptures, models and drawings together with the large scale project Lions Tail for the Piazza San Marco), Coner Museum, Venice, Italy (1999); Il Casa del Coltello (performance), Arsenale, Venice, Italy (1985).

Taken from the Ulrich Museum's extensive holdings of Grafly's sculpture, this exhibition highlights many of his models.

Sophia Vari: Recent Works August 17 - September 20, 1998 As part of the celebration of the dedication of Wichita State University's Plaza of Heroines, the Ulrich Museum has brought together an exhibition of maquettes, or small models, and drawings by Sophia Vari, the artist whose sculpture, Danseuse Espagnole, is the centerpiece of the plaza.

Mickalene Thomas's rejoinder - the crux of her first solo museum exhibition, «Origin of the Universe,» which opened at the Santa Monica Museum of Art and is currently on view at the Brooklyn Museum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed lmuseum exhibition, «Origin of the Universe,» which opened at the Santa Monica Museum of Art and is currently on view at the Brooklyn Museum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed lMuseum of Art and is currently on view at the Brooklyn Museum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed lMuseum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed linens.

Recent group exhibitions include «Legacy: Highlights from the Roanoke College Permanent Collection,» Olin Gallery, Roanoke College, Salem, VA; «La lama di Procopio,» Nuovo Spazio di Casso, Casso, Italy; «2 Years of Looking,» New Art Projects, London, England; «Dynamic Pictorial Models,» 101 / EXHIBIT, Los Angeles, CA; «Rock, Paper, Scissors, and String,» Weatherspoon Art Museum, Greensboro, NC; «Abstraction,» Fondation pour l'art contemporain Salomon, Annecy, France; «Premio Lissone 2014,» Museo d'arte contemporanea di Lissone, Lissone, Italy; «Material Images,» Johannes Vogt, New York, NY; «Paint Things,» deCordova Sculpture Park and Museum, Lincoln, MA; «Decenter: An Exhibition on the Centenary of the 1913 Armory Show,» Abrons Arts Center, New York, NY; «Greater New York 2010,» MoMA PS1, Long Island City, NY; «Collision,» RISD Museum, Providence, RI; and «El Museo's Bienal: The (S) Files 007,» El Museo del Barrio, New York, NY.

«Operating in the legacy of Marcel Duchamp, Chin allows his ideas to dictate the form of his art, yet he looks toward biological and evolutionary models as the underlying framework for his practice,» writes exhibition curator Miranda Lash, curator of contemporary art at the Speed Art Museum in Louisville, Kentucky.

Ranging from intricately woven textiles to painted ceramic vessels and modeled effigies, the exhibition was conceived by the Blanton and guest - curator Dr. Kimberly L. Jones, while she served as a UT Austin lecturer and curator of UT's Art and Art History Collection before her recent hire by the Dallas Museum of Art.

Nick Cave Pays His Dues to Artadia 5 Must - See Gallery Shows in London During Frieze Week Studio Museum Unveils Plans for New Building to Mark 50th Anniversary Gallerist Bill Powers Tries Out «One Night Only» Exhibition Model Find the Taxidermy Bird You've Been Searching for at the Oddities Flea Market

Recent group exhibitions include: «Model Kits,» Museum of Contemporary Art of Castilla and Léon, Spain (2010); «A Terrible Beauty is Born,» 11th Lyon Biennial, France (2011); «The Peripatetic School,» the Drawing Room, London, England (2011); and «Illuminations,» 54th Venice Biennial, Italy (2011).

In his review, the critic Will Heinrich called the museum's exhibition «Never Built New York,» a «thought - provoking tour of models, drawings and newspaper headlines» that brings to light «plenty of grand ideas to be regretted.»

In this exhibition the museum has invited the artist Mamma Andersson to show her role models and sources of inspiration, the works of other artists.

Ranging from intricately woven textiles to painted ceramic vessels and modeled effigies, the exhibition was conceived by the Blanton and guest curator Dr. Kimberly L. Jones, while she served as a UT Austin lecturer and curator of UT's Art and Art History Collection (before her recent hire by the Dallas Museum of Art).

Recent and upcoming museum exhibitions include America in View: Landscape Photography 1865 to Now at the RISD Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,museum exhibitions include America in View: Landscape Photography 1865 to Now at the RISD Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,Museum in Providence, RI; Into the Sunset: Photography's Image of the American West at the Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,Museum of Modern Art, NY; and Role Models: Feminine Identity in Contemporary American Photography at the National Museum of Women in the Arts in Washington,Museum of Women in the Arts in Washington, D.C..

Studio Museum Unveils Plans for New Building to Mark 50th Anniversary Gallerist Bill Powers Tries Out «One Night Only» Exhibition Model Find the Taxidermy Bird You've Been Searching for at the Oddities Flea Market How Can a Dealer Avoid Exorbitant Gallery Costs?

Current projects include «Models and Prototypes,» an exhibition dedicated to the growing importance of structural and conceptual models since the early 20th century, which is scheduled to open in the museum's new building thisModels and Prototypes,» an exhibition dedicated to the growing importance of structural and conceptual models since the early 20th century, which is scheduled to open in the museum's new building thismodels since the early 20th century, which is scheduled to open in the museum's new building this fall.

In 1948 Edward Steichen, then the director of photography at the Museum of Modern Art in New York, chose to include Croner in two exhibitions at the Museum: «In and Out of Focus» and «Four Photographers» which included three other photographers: Bill Brandt, Harry Callahan and Lisette Model.

Pursuing and intertwining visions of tomorrow and visions of the city across such projects as Do It and Cities on the Move, through a range of alternative museum and exhibition models, Obrist stresses their dynamic emergence and evolution through dialogues, collaborations and negotiations, between a shifting, international, interdisciplinary nexus of artists, architects, curators and historians.

Since an immense amount of labor would be rendered invisible, the artist decided to document the contents and curated a miniature exhibition in a scale model museum.

His 2008 award - winning show for The Jewish Museum, Action / Abstraction: Pollock, De Kooning, and American Art, 1940 - 1976 is an example of his rethinking of art and cultural history as well as exhibition models.

Other programming highlights of the fall include an exhibition curated by Tirdad Zolghadr, LUMA Fellow and CCS Bard Senior Academic Advisor, and Fionn Meade, Independent Curator, along with first - year CCS Bard students, at Family Business, Maurizio Cattelan and Massimiliano Gioni's exhibition space in New York City, opening on October 12, 2012; the CCS Bard Speakers Series, including Sarah Pierce, Gregg Bordowitz, and Julia Bryan - Wilson; and the Nova Benway Conference, Methods and Models: Experimental Education at the Hessel Museum of Art, on October 18, 2012.

This is all too apparent in «Frank Stella: Painting Into Architecture,» a small, insufficient exhibition at the Metropolitan Museum of Art that spans a 43 - year evolution with 25 paintings, reliefs, drawings, architectural models and sculptures enlarged from these models.

Within the architectural and programming context of Serralves, Gillick's exhibition as intervention will contribute to the Museum's aim of articulating new models for exhibition making that respond to the distinctive practices of artists in their sculptural, discursive and temporal dimensions.

Recent group exhibitions include «La lama di Procopio,» Nuovo Spazio di Casso, Casso, Italy; «2 Years of Looking,» New Art Projects, London, England; «Dynamic Pictorial Models,» 101 / EXHIBIT, Los Angeles, CA; «Rock, Paper, Scissors, and String,» Weatherspoon Art Museum, Greensboro, NC; «Abstraction,» Fondation pour l'art contemporain Salomon, Annecy, France; «Premio Lissone 2014,» Museo d'arte contemporanea di Lissone, Lissone, Italy; «Material Images,» Johannes Vogt, New York, NY; «Paint Things,» deCordova Sculpture Park and Museum, Lincoln, MA; «Decenter: An Exhibition on the Centenary of the 1913 Armory Show,» Abrons Arts Center, New York, NY; «Greater New York 2010,» MoMA PS1, Long Island City, NY; «Collision,» RISD Museum, Providence, RI; and «El Museo's Bienal: The (S) Files 007,» El Museo del Barrio, New York, NY.

In the past Mondro has lent her crocheting skills to build a replica of a Model T engine for the Love Lace exhibition at the Powerhouse Museum back in 2011, but anatomy is the continual focal point of her work.

Beattie has been included in numerous group exhibitions including In the Line of Beauty, Irish Museum of Modern Art, Dublin (2013), O Brave New World, Rubicon Projects, Brussels (2013) All Humans Do, The Model, Sligo and Whitebox, New York (2012); Holding Together, Douglas Hyde Gallery, Dublin (2010); La Part des Choses, Mains d'Oeuvres, Paris, and in Quiet Revolution, Hayward Touring, UK (2009).

In 1992, the museum presented a landmark exhibition titled «The Making of Virginia Architecture: Drawings and Models, 1719 - 1990.»

At Houston's Menil Collection, where he was an exhibitions assistant for 18 years, he made miniatures of artworks for the museum's scale model, which the curators would use to plan shows.

The next exhibition for the Museum of Modern Art and Western Antiquities will be Section II, Department of Carving and Modeling (2019).

In honor of the installation of the Skyspace in 2007, the Pomona College Museum of Art presented «James Turrell at Pomona College,» an exhibition that included «End Around,» one of the artist's Ganzfeld works; two LED Tall Glass works from 2006, «Gathered Light» and «Silent Leading»; and a selection of models and drawings.

Different curatorial models including solo and group exhibitions, film series, archives and commissions were considered and various contexts such as the museum, galleries or festivals were examined.

She is also part of a team of Cooper students building a model for the upcoming exhibition at the Museum of Modern Art about modernism in Yugoslavia, «Toward a Concrete Utopia.»