Sentences with phrase «museum exhibition titled»

Known for his bold use of vibrant colors and clever shadow play, the Philadelphia artist is now taking his work to New York City in his very first solo museum exhibition titled Church of Broken Pieces, at the Richard Beavers Gallery in Brooklyn.

Her paintings and drawings that contain eerie tone of Frida Kahlo's self portraits in bed and Louise Bourgeois» empowering depictions of female sexuality find the recognition they deserve with a long - due New Museum exhibition titled Antibodies.

Rod Penner's hyperrealist paintings will be exhibited in a six - venue museum exhibition titled «Painted Illusions: Hyperrealism 1967 - 2012.

Not exact matches

Supervisor Title: VP of Exhibitions and the Museum Experience Position Overview: The Peggy Notebaert Nature Museum of the Chicago Academy of Sciences is seeking a full time Exhibit Designer / Project Manager to assist with the creation of new environments and displays.

He has also been an innovator in bringing neuroscience into the museum, initially in an exhibition titled Beauty and the Brain.

In 2005, the Metropolitan Museum of Art in New York City premiered an exhibition about her titled Rara Avis (Rare bird): The irreverent Iris Apfel.

The Square of the title is an art installation, the centrepiece of an exhibition supervised by museum curator Christian (Claes Bang).

As one would expect from the title of the Milwaukee Art Museum's summer exhibition «Posters of Paris: Toulouse - Lautrec and His Contemporaries» there is a generous sampling of Lautrec, including his first poster, Moulin Rouge La...

Six Senses Douro Valley supports Museu de Lamego, the historic Portuguese museum established in 1917, finance the restoration of a 16th - century painting titled, «Quo Vadis,» for a public exhibition.

The Gautreauxes organized an exhibition of selections from their collection titled «Piece by Piece» at the Kemper Museum in 2015, and have also lent works to the Nelson - Atkins Museum and the Venice Biennale.

Currently Taylor is hosting an exhibition titled «Camarillo State Hospital» at his other studio / open gallery on 3rd Street in Los Angeles, and has work featured in the group exhibition «A Shape That Stands Up,» organized by Jamillah James at the Hammer Museum in Los Angeles in conjunction with Art + Practice.

This fall, Lewis will teach a course titled Vision & Justice at Harvard, where she is a member of the art history and African - American studies departments, and she will organize a companion exhibition to her Aperture issue at the Harvard Art Museums.

For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.

This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.

The Museum's exhibition programme and collection focuses on contemporary Polish and International artists and its resources include the Filmoteka Muzeum — a collection of artists» films comprising of a few hundred titles, available online.

The catalog is published by ArtAsiaPacific and accompanies the touring exhibition of the same title being launched in New Zealand at the City Gallery Wellington, running from September 25, 2010 to January 16, 2011, and later traveling to the Tel Aviv Museum of Art from October 22, 2011 to April 14, 2012.

Organized by curator Jason Andrew, this exhibition presents major paintings from the»70s by Jack Tworkov featuring a seminal work titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.

The book was accompanied by an exhibition of the same title at the Akron Museum of Art, which will travel to The Queens Museum of Art in November 2011.

Titled «Chris Ofili: Night and Day,» the New Museum's offering represents the London - born artist's first major American solo museum exhibMuseum's offering represents the London - born artist's first major American solo museum exhibmuseum exhibition.

The exhibition «Wind» is accompanied by an exhibition of new wall objects under the same title at Neugerriemschneider, Berlin and coincides with the reconstruction of the historic Installation «3 Vollellipsoide Skulpturen» of the artist from 1978 at the Museum für Moderne Kunst MMK in Frankfurt a.M.

His latest group exhibition at The El Paso Museum of Art titled Text as Art: From the 1960's Onward brought together prints, photographs and sculpture that combine writing and images.

Aruna D'Souza's new book Whitewalling: Art, Race & Protest in 3 Acts (Badlands Unlimited) presents, in reverse chronology, three events that sparked protest against racism at New York art institutions: the inclusion of Dana Schutz's painting of Emmett Till in the 2017 Whitney Biennial, the white artist Donald Newman's solo show titled «The Nigger Drawings» at Artists Space in 1979, and «Harlem On My Mind,» an exhibition of all - white artists at the Metropolitan Museum of Art in 1969.

It is part of a yearlong series of Warhol exhibitions, collectively titled Warhol × 5, which will take place in academic museums across the Hudson Valley.

«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting new work including an immersive video installation from which the exhibition takes it title.

Featured as part of Museum of Contemporary Art Santa Barbara's group exhibition of nine artists from Santa Barbara, titled Shift, Stretch, Expand: Everyday Transformations at...

In 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»

The latest entry is the imaginatively titled exhibition «Fluxus and the Essential Questions of Life,» with works mainly selected from the George Maciunas Memorial Collection at the Hood Museum of Art, Dartmouth College, but with significant additions from MoMA and other sources.

The Atlantic Wire quoted recent digital arts graduate Ben Fino - Radin, a self described «media archeologist, archivist, and conservator of born - digital works of contemporary art,» in an article on a New Museum project and exhibition titled...

For her exhibition at the Hammer Museum, titled The Tidy Kitchen, Van der Stokker may have created her most political work to date.

DIE WELT ALS LABYRINTH, the title of MAMCO's current exhibition on the Letterist and Situationist International movements, refers to an «unfulfilled project for a Situationist exhibition at the Stedelijk Museum in Amsterdam in 1960»: «How to exhibit in a museum people who were systematically opposed to cultural instituMuseum in Amsterdam in 1960»: «How to exhibit in a museum people who were systematically opposed to cultural institumuseum people who were systematically opposed to cultural institutions?

Lyrical Abstraction was the title of a circulating exhibition which commenced at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut from April 5 through June 7, 1970, [18] and ended at the Whitney Museum of American Art, New York, May 25 through July 6, 1971.

The often rewarding, sometimes exasperating «America Is Hard to See» (the title is a line from a Robert Frost poem) exhibition at the new Whitney Museum of American Art on Gansevoort Street was organized by an in - house team led by Donna de Salvo, chief curator of the mMuseum of American Art on Gansevoort Street was organized by an in - house team led by Donna de Salvo, chief curator of the museummuseum.

Mr. Leon organized his first exhibition of quilts from his collection in 1987 at the San Francisco Craft and Folk Art Museum under the title «Who'd a Thought It: Improvisation in African - American Quiltmaking.»

The animating conceit of Telepathic Improvisation, a film by Pauline Boudry / Renate Lorenz and the centerpiece of their first U.S. solo museum exhibition of the same title at the Contemporary Arts Museum Houston, on view through Jan. 7, is that viewers are invited to «participate» retroactively in the making of themuseum exhibition of the same title at the Contemporary Arts Museum Houston, on view through Jan. 7, is that viewers are invited to «participate» retroactively in the making of theMuseum Houston, on view through Jan. 7, is that viewers are invited to «participate» retroactively in the making of the film.

Political pop artist Qi Zhilong «s work is showing in a group exhibition titled, CHINAMANIA, taking place until January 3rd at ARKEN Museum for Moderne Kunst, in Ishoj, Denmark, not far outside Copenhagen.

Its seasonal New Prints exhibition, curated by Nicola López and titled «Somewheres and Nowheres,» will open on October 25 in its Chelsea gallery space (508 W 26th St / 10th Ave) with a reception and artist talk on Thursday, November 6 from 6 - 9 pm and breakfast artist talks on Saturday the 8th at 9:30 am (general public) and 10:15 am (IPCNY members and members of museum print groups).

Curates exhibition at MIT's Hayden Gallery titled The Narrative Impulse, which opens on 16 November and includes the work of Mazur, Mary Frank, Robert Birmelin, and Irving Petlin; joins the Robert Miller Gallery, New York (exhibits the Stoneham Zoo series of paintings, drawings, monotypes, and pastels); group exhibitions: Grafica Contemporanea Americana, Galleria Bevilacqua, La Massa, Venice, Italy; Nouvelle Sujectivité, Palais des Beaux - Arts, Brussels; Fifty American Works on Paper from the Collection of Mr. and Mrs. Stephen D. Paine, Williams College Museum of Art, Williamstown, Massachusetts.

A few other titles explore artists featured in her collection, among them, «Kerry James Marshall: Mastry,» Gordon Parks's «Segregation Story,» and «Alma Thomas,» the exhibition catalog documenting the artist's recent survey at the Tang Teaching Museum and the Studio Museum in Harlem.

Skin Fruit: Selections from the Dakis Joannou Collection at New Museum in New York is the title of the first U.S. exhibition of the Dakis Joannou Collection from Athens, Greece.

In 2007 the Parrish Art Museum mounted a solo exhibition of her work, titled «Remembering The Future».

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

The portrait, titled Hold It in Your Mouth a Little Longer, explores notions of identity while challenging gender and racial stereotypes, themes the artist continues to explore in her first solo museum exhibition in New York, «To Wander Determined,» opening today at the Whitney.

The central museum exhibition with the title Five Centuries of the Mercury Mine and the Town of Idrija presents the development of the town of Idrija and 500 years of the second oldest and the largest mercury mine in the world.

In his first L.A. museum exhibition, Simmons paints the titles of race films on five large walls as part of a site - specific installation in CAAM's grand entrance.

At the New York museum, an exhibition titled The Senses: Design Beyond Vision experiments with the way touch, smell, taste and sound can affect the perception of an object

The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.

THE EXHIBITION OCCUPIES ALL GALLERIES COMPRISING THE HISTORIC BUILDING OF THE MUSEUM AND FEATURES THE U.S. DEBUT OF SEVERAL WORKS, INCLUDING A NEW VARIANT OF THE ARTIST»S RECENT COMMISSION FOR SKULPTUR PROJEKTE MÜNSTER (2017) TITLED COSMIC GENERATOR.

Now he's back with a solo exhibition produced especially for the Migros Museum, titled Let's Make the Water Turn Black.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

The exhibition's title is taken from one of the inaugural exhibitions of the Minimalist movement: Primary Structures at the Jewish Museum in 1966.