Sentences with phrase «museum exhibitions come»

We have not found any another Stella print from that Whitney museum exhibition come to market.

Not exact matches

Religion News Service: Soldiers» Bibles exhibit a walk through American history The Museum of Biblical Art's exhibition, «Finding Comfort in Difficult Times: A Selection of Soldiers» Bibles,» is American religious history come alive.

And though there probably won't be much time for the happy couple to take in the exhibitions, you'll have a ready - made tradition: celebrating your anniversaries for years to come with museum visits.

These findings and others yet to come, including results from the synchrotron X-ray study of the Garrett mummy, will culminate in the Block Museum exhibition, «Paint the Eyes Softer: Mummy Portraits from Roman Egypt.»

Several of the pieces on display come in for easy laughs — check out the room full of perfectly arranged, identical - looking rock piles, or not — but the real exhibition here is the museum's curator, Christian (Danish actor Claes Bang), a divorced father of two girls and a proud, prominent member of his city's cultural elite.

Focusing on artifacts and activities based on the Museum's current special exhibition, The Pelican State Goes to War: Louisiana in World War II, discover the key themes that cross Louisiana's geographic and cultural diversity, review important individuals and events, and learn how the war changed the state for decades to come.

Simon Moore recounts the story / Calthorpe Minor / Vintage Revival Montlhéry 2011 — David Burgess-Wise soaks up the atmosphere of Montlhéry as this unique and historic circuit comes alive with the sights and sounds of prewar sporting cars and bikes / Motoring through Childhood: The Toy and Pedal Car Museum — Michael Ware visits this newly - opened exhibition of rare and interesting pedal cars in East Sussex / The Cars of Sammy Newsome — Many hopeful entrepreneurs entered the Motor industry after the Great war, some with links to the showbusiness celebrities of the time.

Exhibitions about Laura Aguilar, queer Chicanx networks, and Mexican painting will come to museums around the world.

«I wanted people to have a feeling of coming across something that was in some ways better prepared to survive than yourself,» Koons said of that debut exhibition, which showed at a former location of the New Museum at the corner of 5th Avenue and 14th Street.

The Museum of Broken Relationships is an entity that first came to life as a temporary exhibition that travelled around the globe.

This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.

Martha Cooper will represent the USA in an exhibition entitled, «Brighter Days are Coming» at the Street Art Museum in St. Petersburg, Russia.

RADICALS II At the Brooklyn Museum in April, a smaller exhibition, «We Wanted a Revolution: Black Radical Women, 1965 - 85,» organized by the museum's Elizabeth A. Sackler Center for Feminist Art, came with work by more than 40 artist - activists and a dynamite sourcebook - style caMuseum in April, a smaller exhibition, «We Wanted a Revolution: Black Radical Women, 1965 - 85,» organized by the museum's Elizabeth A. Sackler Center for Feminist Art, came with work by more than 40 artist - activists and a dynamite sourcebook - style camuseum's Elizabeth A. Sackler Center for Feminist Art, came with work by more than 40 artist - activists and a dynamite sourcebook - style catalog.

Recent group shows include the Cintas exhibition at Miami Dade College Museum of Art + Design; Self - Proliferation curated by Micaela Giovannotti at the Girls» Club, Ft. Lauderdale; and If You Leave Me, Can I Come Too, at Hunter College, NY among numerous others.

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

Born in Alabama, Roger Brown first came to prominence as an artist when his work was included in the 1969 exhibition, «Don Baum Says: Chicago Needs Famous Artists,» at Chicago's Museum of Contemporary Art.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

While New York City's museums have, of late, treated «painterly» and «young» as extreme opposites — the recently closed video - imbued exhibitions by Cory Arcangel (Pro Tools at the Whitney) and Ryan Trecartin (Any Ever at PS1) come to mind — some of the city's talent prove otherwise.

South Africa comes to London this autumn in two exhibitions — a historic British Museum survey of the country's art, and a major Whitechapel show of its leading contemporary artist, William Kentridge Hon RA.

After being shown at prestigious museums such as Moderna Museet in Stockholm, and the Hamburger Bahnhof in Berlin, the exhibition comes to Museo Picasso Málaga, presenting for the first time in Spain the work of this unusual artist, with more than 200 works that summarize her complex, consistent and radical career.

2008 Sobey Art Award Exhibition, Royal Ontario Museum, Toronto, Canada The Temptation to Exist, Yvon Lambert, London, UK Gravity: Selected Works from the Ernesto Esposito Collection, Museo Artium, Viatorai, Spain Fragile, Julia Stoschek Collection, Dusseldorf, Germany Political Minimalism (curated by Klaus Beisenbach), Kunst Werk, Berlin, Germany Materialized: New Video in the Third Dimension, Bergen Kunsthalle, Bergen, Norway Meet Me Around the Corner, Astrup Fearnley Museum of Mordern Art, Oslo, Norway Expenditure: Busan Biennale 2008, Busan Museum of Modern Art, Busan, Korea The Boys of Summer, The Fireplace Project, East Hampton, New York Shape of Things to Come, Saatchi Gallery, London, UK Yokohama Triennial, Various Locations, Yokohama, Japan Eurasia.

The first breakthrough of Houseago's work came in 1996 with his exhibition in the Bureau Amsterdam at the Stedelijk Museum where he showed a group of highly expressive and colourful figures.

A group of portraits by Nicole Eisenman, for example, came across as rather middling despite the artist's otherwise sizeable intrigue, particularly because, at the time, there was a much better painting by Eisenman up the road in a Seder - themed exhibition at the Jewish Museum.

The Portland Art Museum's sprawling new exhibition, «Riches of a City: Portland Collects,» announces its intention the moment you walk in the door: It's about the warmth and pleasures of domestic life — if not always in the art itself, at least in where it comes from.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

Jennine Culligan, Director of the Eleanor D. Wilson Museum, writes in the exhibition catalog, «Since 1987, the first floor of her home, her large studio a few steps away, and the daily comings and goings of her family have been her main source for compositions based on observation and imagination.

The Cuban artist's work can be seen at the Tate in London, MoMA in New York, and she has an exhibition coming to the Whitney Whitney Museum of American Art in September.

In the fall, more than 60 Southern California museums and other cultural institutions will come together to produce exhibitions and events related to Latin American and Latino art.

Many many more memories of so much art, thanks for the memories, and goodbye Whitney Museum of American Art at the Marcel Breuer Building, it's been swell, and I hope the Whitney comes to regret its decision to leave it, and returns when the Met's lease is up, to have a second, more intimate and experimental space for its collection and special exhibitions.

The influential museum selected 28 up - and - coming artists for its «Freestyle» exhibition (April 28 to June 24, 2001)-- introducing a new generation of visionaries emerging at the dawn of the new century.

Recent institutional exhibitions and in situ paintings include Atoms Outside Eggs, Serralves, Porto, Portugal (2007); Hello Little Butterfly I Love You What's Your Name, ARKEN Museum for Moderne Kunst, Copenhagen (2009); One Floor Up More Highly, MASS MoCA, North Adams, MA (2010); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art Cleveland, OH (2012); Two younger women come in and pull out a table, De Pont Museum of Contemporary Art, Tilburg, The Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); psychylustro, Philadelphia Mural Arts Program (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); Untitled Trumpet, 56th Biennale di Venezia (2015); Museum Frieder Burda, Baden - Baden, Germany (2016); Rockaway!

Notable solo exhibitions have included This Much at Galerie Krinzinger in Vienna, Austria; no I didn't go to any museums here I hate museums museums are just stores that charge you to come in there are lots of free museums here but they have names like real stores at Maryam Nassir Zadeh in New York City, NY; attainable excellence at AMOA - Arthouse in Austin, TX; and, most recently, somebody place at Lisa Cooley in Dallas, TX.

Coming Soon: First - Ever Exhibition of Sculptures by Jack Whitten Opening at Baltimore Museum of Art in April 2018

«I have spent 15 years trying to get an exhibition like this at a major American museum,» Katz told me, daring to dream that what he calls «the blacklist on queer representation in the US museum world» may be coming to an end.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

EXHIBITION» Betye Saar: Still Tickin»» @ Scottsdale Museum of Contemporary Art, Scottsdale, Ariz. (Jan. 20 - May 1, 2016): After originating in the Netherlands, Betye Saar «s first European solo museum show is coming to the United SMuseum of Contemporary Art, Scottsdale, Ariz. (Jan. 20 - May 1, 2016): After originating in the Netherlands, Betye Saar «s first European solo museum show is coming to the United Smuseum show is coming to the United States.

When it comes to his most recent exhibitions, a major solo show was held at the Albertina in Vienna in 2011 and a large museum retrospective of his work opened at the Crocker Art Museum in Sacramento, inmuseum retrospective of his work opened at the Crocker Art Museum in Sacramento, inMuseum in Sacramento, in 2012.

Excerpt — Queens Museum of Art The contemporary Middle Eastern and Central Asian works in the «Tarjama / Translation» exhibition mince no words when it comes to hot - button political issues (many of the featured artists hail from Iraq, Iran, Palestine, Afghanistan and Lebanon).

But the museum, known as MOCA, remains in flux organizationally, with major holes in its coming exhibition schedule and a skeletal staff compared with previous years.

Mr. Bessa, who goes by Sergio, is the director of curatorial and education programs at the Bronx Museum of the Arts (he organized, with Yasmín Ramírez, the acclaimed Martin Wong exhibition in 2015), but he came to art via the written word.

2015 Galerie de L'Epoque, Stephen Friedman Gallery, London, England For a New World to Come: Experiments in Japanese Art and Photography 1986 - 1979, Museum of Fine Arts, Houston, Texas, USA Geometries On and Off the Grid: Art from 1950 to the Present, The Warehouse, Dallas, Texas, USA Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England

[Editors» Note: This coming weekend, we'll be touring Brooklyn for GO open studios, an event in which visitors vote on which artist they feel deserves an exhibition at the Brooklyn Museum.

That came earlier this week, on Jan. 11, when the Whitney Museum announced the acquisition of Motley's «Gettin» Religion,» a 1948 Chicago street scene currently on view in the exhibition.

The principle has long been reflected in the museum's bold exhibition programming, and a collecting policy that keeps an eye firmly fixed on the future — facets that come together in the Whitney Biennial, its renowned invitational show of recent developments of contemporary art in America.

The Tang Teaching Museum was founded in 2000 and marks its 15th anniversary in 2015 with a series of exhibitions and programs to be announced in the coming months.

The height of the movement came in 1965 when the Museum of Modern Art showcased over one hundred and twenty Op Artists in their exhibition The Responsive Eye.

This aerial glass landscape, which continues Parrish's series of «mapping» America, came from his debut solo exhibition at the Rockwell Museum in 2015.

Organized by the Kunstmuseum in Bonn, where it opened in March 2007, and the Staatliche Graphische Sammlung in Munich, the exhibition traveled to the Louisiana Museum in Denmark and the Albertina in Vienna before coming to the Morgan, the only American venue.

The museum long ago decided on a populist approach to its exhibition program, so it should come as no surprise that it has chosen to introduce its audience to Diego Rivera and Frida Kahlo not from an art - historical perspective but through the lens of their love of Mexico, shared politics and tumultuous personal life.

2004 Eye of the Needle, Roberts & Tilton, Los Angeles, USA Glory, Glamour & Gold, The Proposition, New York, USA She's Come Undone, Greenberg Van Doren, New York, USA The New York Mets and Our National Pastime, Queens Museum of Art, Queens, New York, USA Beauty, Kravets + Wehby, New York, USA African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, USA