Sentences with phrase «museum exhibitions formed»

Public collections indebted to her efforts include: Bibleotheque Nationale, Paris; Australian National Gallery; Cleveland Museum of Art; Detroit Institute of Art; Cincinnati Museum of Art; Getty Museum of Art; RISD... A full list of photography catalogues and museum exhibitions formed in whole or in part by Janet Lehr Inc is available here

Not exact matches

The work at Happisburgh forms part of a new major exhibition at the Natural History Museum Britain: One Million Years of the Human Story opening on February 13.

A selection of Bentley's photos form part of the Sixfold Symmetry exhibition, currently on at the Tang Museum in Saratoga Springs, New York.

Alfie and Raiya's winning designs will form part of a special exhibition at the Roald Dahl Museum and Story Centre in Buckinghamshire later this year.

In Shaped by the Wind, Delwyn Mallett travels to the Zeppelin Museum to visit an exhibition dedicated to streamlining in all its forms

In Dellow: uncompromisingly a sports car, John Warburton, a former owner, tells the story of these distinctive sporting specials from Birmingham / In Shaped by the Wind, Delwyn Mallett travels to the Zeppelin Museum to visit an exhibition dedicated to streamlining in all its forms / Douglas Blain savours an opportunity to stretch the legs of his rebuilt Ballot 2LS along Australia's Great Ocean Road... A Vintage Adventure / In this months Back on the Road, Michael Ware reports on the restoration of» Goff» Imhof's 1946 Allard J1, which has been off the road for half a century

In the museum, in our publications and in our online and physical exhibitions we give concrete form to one of our two core tasks: providing information to the public.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

Designed by architect Moshe Safdie, this museum cradles its frequent traveling exhibitions in the form of a giant lotus flower.

Notable group exhibitions include L'usage des forms, Palais de Tokyo, Paris (2015); Triennial: Surround Audience, New Museum, New York (2015); and Art Post-Internet, Ullens Center for Contemporary Art, Beijing (2014).

The exhibition Creation in Form and Color: Hans Hofmann is a collaborative project by the Berkeley Art Museum, the Pacific Film Archive at the University of California (BAMPFA), and the Kunsthalle Bielefeld.

A solo exhibition featuring Laura Letinsky's newest series, Ill Form & Void Full, will open at the Museum of Contemporary Art, Chicago on February 7.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

SKG artist Teju Cole is one of 13 artists featured in the Museum of Contemporary Photography's current exhibition, In Their Own Form.

The first U.S. museum exhibition of Rimini Protokoll, a Berlin - based artist collective formed of Helgard Haug, Stefan Kaegi and Daniel Wetzel, features two major works:...

She participated in numerous group exhibitions, including Disturbing the Peace at Museum Marta Herford in 2013 and Minimal Forms of Reality at Bunkier Sztuki in Krakow in 2015.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

In cooperation with the University of California Berkeley Art Museum and Pacific Film Archive, Kunsthalle Bielefeld will present the exhibition Creation in Form and Color, dealing with the work of the German - born painter, Hans Hofmann.

1960 Neue Malerei: Form, Struktur, Bedeutung, Städtische Galerie in Lenbachpalais, Munich (June 10 — August 28) 16 Salon de Mai, Musée d'Art Moderne de la Ville de Paris (May 8 — 20) Sixty American Painters, 1960: Abstract Expressionist Painting of the Fifties, Walker Art Center, Minneapolis, Minnesota (April 3 — May 8) Business Buys American Art: Third Loan Exhibition by the Friends of the Whitney Museum of American Art, Whitney Museum of American Art, New York (March 17 — April 24) Some Younger American Artists, Southern Illinois University, Carbondale, Illinois (February 1 - 28, 1960).

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.

His work was included in some of the most historically important exhibitions of the 1960s, including Live in Your Head: When Attitudes Become Form (Kunsthalle Bern, 1969); Anti-Illusion: Procedures / Materials (Whitney Museum of American Art, 1969); Nine at Leo Castelli (Castelli Warehouse, 1969); Information (Museum of Modern Art, 1970) and the Whitney Museum Annual of 1971 and Biennial of 1973.

1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan

Throughout the duration of the exhibition, her performers continuously enact a form of live installation in the gallery and the museum's outdoor spaces, bridging the conceptual and physical divide between performer and object, bystander and viewer, while addressing the ways in which dance and the spectacle of performance are presented in theatrical and exhibition contexts.

Recent group exhibitions include When lives become form: Contemporary Brazilian Art, 1960s to the present, Museum of Contemporary Art MOT, Tokyo (2009); Flower Myth - Van Gogh to Jeff Koons, Foundation Beyeler, Basel (2005).

The clear accord between the museum's new habitat and its collection has already inspired a major gift, in the form of some 500 works from the collection of Thea Westreich Wagner and Ethan Wagner, many of which will be displayed here in the autumn in an exhibition co-organised with the Centre Pompidou.

Earlier this year, her work could be seen at the Museum of Contemporary Art in Detroit as a part of CCA Wattis Institute's traveling exhibition, When Attitudes Became Form Become Attitudes, and will be included in a forthcoming publication.

After leaving the field of clinical psychology in the mid-1940s, Truitt began making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November 1961.

For her exhibition at the SCAD Museum of Art, Castillo Deball presents the most recent iteration of the project «To - Day,» which combines historical research about a specific site and a physical form that contains this research, which the artist calls a «fictional character.»

Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).

Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.

Press release for the exhibition «Nature's Forms / Nature's Forces: The Art of Alexandre Hogue,» February 3 - March 17, 1985, held at the Dallas Museum of Art.

From November 3, 2017, through February 18, 2018, the Guggenheim Museum will present Josef Albers in Mexico, an exhibition illuminating the relationship between the forms and design of pre-Columbian monuments and the art of Josef Albers (b. 1888, Bottrop, Germany; d. 1976, New Haven).

Major solo exhibitions include; «Henry Moore Outside», Rijksmuseum, Amsterdam, The Netherlands (2013); «Francis Bacon / Henry Moore», The Ashmolean Museum, Oxford, UK (2013); «Bronze», Royal Academy of Arts, London (2012); «Advancing Abstraction in Modern Sculpture» The Baltimore Museum of Art, Baltimore, USA (2010); «Henry Moore», Tate Britain, London (2010) and «Henry Moore: Natural Forms», Tate Liverpool, Liverpool, UK (2006).

In his first exhibition following the 2007 career retrospective, Thomas Chimes: Adventures in «Pataphysics, at the Philadelphia Museum of Art, Chimes will be exhibiting new works that continue to reflect his diverse interests in alchemy, James Joyce's Finnegan's Wake, astronomy, the writing of Alfred Jarry, and Greek poetry in the form of celestial, white and gold paintings.

Working with such institutions as the Carnegie Museum of Art, the Los Angeles County Museum of Art, The Metropolitan Museum of Art and the Museum of Applied Arts, Vienna, he organized more than 20 exhibitions, including «Modern Opulence in Vienna: The Wittgenstein Vitrine» (2015), «Form / Unformed» (2013), «Gustav Stickley and the American Arts and Crafts Movement» (2010), and «Modernism in American Silver: 20th - Century Design» (2005).

The first major art world recognition of Pop art came in the form of a 1962 exhibition «Symposium on Pop Art» at the Museum of Modern Art in New York, setting the stage for the next evolution of the movement in the United States.

After attending the San Francisco Art Institute (then known as the California School of Arts), Wiley, along with Robert Hudson, Bruce Nauman, Robert Arneson, and Roy DeForest, among others, formed the Bay Area Funk movement, which gained national notoriety after the infamous «Funk Art» exhibition in 1967 at the University Art Museum in Berkeley (now the Berkeley Art Museum and Pacific Film Archive).

This is why this exhibition constitutes a great space for the shared experience, to which the expansive spirit of the author contributes, as reflected in the way the organic forms of the works are projected throughout the Museum.

Six recent paintings by Bill Scott will be included in this group exhibition, Creative Hand, Discerning Heart: Form, Rhythm, Song, at the James A. Michener Art Museum, Doylestown, Pennsylvania.

A special exhibition of new photographs by acclaimed photographer Vera Lutter, Painting on Paper: Vera Lutter's Old Master Photographs, is on loan from the Los Angeles County Museum of Art (LACMA) and forms the centerpiece of the cultural programme at TEFAF New York Fall.

Past exhibitions include New Media - New Forms, Martha Jackson Gallery, New York (1960); Found Forms, Cross Talk Intermedia, Japan (1969); Multiple Interaction Team, MIT, Cambridge, MA (1972); Machine Art: An Exhibit of «InterGraphic» by Professor Stanley VanDerBeek, University of Maryland, Baltimore (1976); Steam Screens, Walker Art Center, Minneapolis (1981); Whitney Biennial, Whitney Museum of American Art, New York (1983); and New American Video Art: A Historical Survey, 1967 - 1980, Whitney Museum of American Art, New York (1984).

Museum of Contemporary Art Santa Barbara (MCASB) presents Then they form us, a new group exhibition that explores the precarious status of the «self» during its pixelated or roboticized evolution — as computers increasingly co-opt the human body during an age of ultra-connectivity.

Falkenstein's 1948 exhibition at the San Francisco Museum of Art demonstrated her move towards a freer, open - form language.

The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)