Sentences with phrase «museum following the exhibition»

The featured work was from his «Dark Landscape» series and was acquired by the museum following the exhibition.

Not exact matches

NUMBER OF BOTTLES TO BE SUPPLIED Depending on exhibition class, the number of bottles that must be supplied of each wine to be exhibited varies as follows: Classes 1 - 27 — 4 bottles Museum Class 28 — 2 bottles

Today you can visit this archive of our technological past at the Computer History Museum in Mountain View, California, which reopened this past January following a two - year, $ 19 million makeover that resulted in the 19 - gallery exhibition «Revolution: The First 2000 Years of Computing.»

Following its run at the AMNH, the stunning exhibition will travel to other locations, including the California Academy of Sciences, the Canadian Museum of Nature, and the Cleveland Museum of Natural History.

Following a major expansion, the museum has increased its range of programs to include film, as well as traveling exhibitions.

In addition to learning about her background, the cameras follow the 2005 exhibition at the Metropolitan Museum of Art that playfully showed off her unique collection of clothing and costume jewelry.

First Monday follows the creation of The Metropolitan Museum of Art's most - attended fashion exhibition in history, «China, Through the Looking Glass,» an exploration of Chinese - inspired fashions.

A middle - aged wanna - be groupie following an aging mega pop star who no longer performs... in a museum exhibition.

Following on the open - air theme, I was very impressed with the Topography of Terror exhibition, an open - air (and free) museum that tells the story of the city in the years before and during World War II.

We recommend visiting the following near the Duomo in the centre of Milan: the Duomo, the grandiose Gothic cathedral symbol of the city, Palazzo... Read more Reale, an 18th century palace now home to a museum and site for exhibitions, Galleria Vittorio Emanuele, with its original iron and glass roof.

His work has been include in the following selected exhibitions: Australian Perspecta, Art Gallery of New South Wales (1993); Fluxibelstructures, Kunsthaus Oerlikon, Zurich, Switzerland (1995); Preambles, Australian Perspecta, Museum of Contemporary Art, Sydney (1999); Art in the World, Pont Alexandre III, Paris, France (2000); Video - Salon, Week of Art and New Media, Brussels, Belgium (2000); 25th Bienale de Sao Paulo, Sao Paulo, Brazil (2002); Bitter Sweet, Art Gallery of New South Wales, Sydney (2002); Identity and Desire, Art Gallery of South Australia, Adelaide (2005); CRASH (and other worldly pleasures) Lawrence Wilson Art Gallery, University of Western Australia, Perth (2006); Bon Scott Project, Fremantle Arts Centre, Fremantle (2008) and Rough Trade, TANKS Art Centre, Cairns (1997) and Plimsoll Gallery, Hobart (1998).

You can unlock the following exhibition rooms by completing the 2 sections of the museum collection:

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

The preopening hype was intense: following in the footsteps of the museum's landmark exhibitions «Homo Video» and «Bad Girls,» «Trigger,» curated by Johanna Burton with Natalie Bell and Sara O'Keeffe, was a master class in today's art about identity, with a focus on how gender intersects with race, class, sexuality, and disability.

The following review was originally published in the October 1998 edition of The New Criterion and is posted here on the occasion of Yayoi Kusama, an exhibition opening this week at The Whitney Museum of American Art and continuing until September 30.

Following the Bronx Museum presentation, the exhibition will travel to the Jeu de Paume in Paris, France, the Kumu Art Museum in Tallinn, Estonia and the Rose Art Museum, in Waltham, Massachusetts.

He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.

The decades that followed saw him show work at numerous exhibitions mounted by New York galleries and American museums.

She Lay Down Deep Beneath the Sea was followed by the exhibitions The Last Great Adventure is You (8 October — 16 November 2014) at White Cube in London, and Tracey Emin / Egon Schiele: Where I Want to Go at Leopold Museum in Vienna (24 April 2014 — September 2015.

It followed a major touring European museum exhibition, «View from Above», which visited Hamburg, Turin, Paris, and Louisiana, Denmark, over 2001/2002.

A riveting follow - up to last year's Jay DeFeo retrospective at the Whitney Museum, this exhibition of drawings, photographs and photocopies finds this artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.

In 2009 Michal exhibited a solo show at Janko Dada Museum in Israel followed by a solo exhibition at Gallery Wolkonsky in Munich in 2014.

Following the 2017 Venice Biennale, Mark Bradford's «Tomorrow is Another Day» exhibition will be presented at the Baltimore Museum of Art (September 2018 - January 2019).

He has had individual exhibitions at the following institutions: Modern Art Museum of Fort Worth, Texas, United States (2014); Yerba Buena Center for the Arts, San Francisco, United States (2013); Tate Modern, London, United Kingdom (2013); Singapore Art Museum, Singapore (2012); Centre Pompidou, Paris, France, (2012); MoMA (Museum of Modern Art), New York, United States (2012); Bonnierskonsthall, Stockholm, Sweden (2011); Mildred Lane Kemper Art Museum, St. Louis, United States (2009); Drawing Center, New York, United States (2008), among others.

Katharina Fritsch represented Germany in the 1995 Venice Biennale and the following year the San Francisco Museum of Modern Art organized a major exhibition of her work.

The exhibition traveled later in the year to Centre Georges Pompidou in Paris, followed by Guggenheim Museum Bilbao in 2015.

«It was such a brilliant, mind - blowing exhibition,» says Lucy Mitchell - Innes of the Whitney's Museum of Amercan Art's lauded 2013 Jay DeFeo retrospective, «that we were quite intimidated to follow on that.»

Following her first individual and group exhibitions in Brisbane from 1986, Georgetti held solo shows at the Museum of Contemporary Art, Brisbane, 1988; Institute of Modern Art, Brisbane, 1989; Store 5, Melbourne, annually from 1990 - 93; 200 Gertrude Street (now Gertrude Contemporary Art Spaces), 1993; and Contemporary Art Centre of South Australia, Adelaide, 1994.

The following selections are drawn from two related bodies of work — the series Unbranded: Reflections in Black by Corporate America 1968 — 2008 (2005 — 08), and Unbranded: A Century of White Women 1915 — 2015 (2015), which are the focus of the exhibition Hank Willis Thomas: Unbranded currently on view at the Block Museum of Art, Northwestern University.

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

Nick Cave @ St. Louis Art Museum, St. Louis Oct. 31, 2014 — March 8, 2015 Following the September publication of Nick Cave's «Epitome,» the Midwest is in for a fabulous experience when «Currents 109,» the Missouri - native's exhibition of new colorful, embellished Soundsuits, wearable sculptures melding fashion and fantasy, and other works opens this week at the St. Louis Art Museum.

Following numerous gallery and museum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there inmuseum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there inMuseum of Art, New York, with his career - spanning retrospective there in 1971.

Raymond Pettibon: A Pen of All Work, the solo exhibition by «the enigmatic, fantastically erudite artist,» as Peter Schjeldahl wrote in his review in The New Yorker, traveled to the Bonnefantenmuseum Maastricht in The Netherlands following its critically acclaimed debut at the New Museum in New York.

Graves's breakout year of 1942 was followed by regular exhibitions at the Willard Gallery in New York and major museum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, inmuseum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, inMuseum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, in 1983.

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in Decmuseum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in DecMuseum of Contemporary Art in December.

The Denver Art Museum will mount a traveling mid-career survey in the Spring of 2018, to be followed by a smaller solo exhibition at the Ruth and Elmer Wellin Museum of Art in the fall of 2018.

Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

Following the ideas of impermanence and performance that are central to all of Hugo Crosthwaite's murals, the mural at the Museum of Social Justice will be created over a period of several weeks, and will be destroyed, section by section, as the exhibition draws to a close.

Collaborations include an exhibition with the Picker Art Gallery, Colgate University, followed by collaborations with the Reading Public Museum, Demuth Museum, Stetson University and New Art Centre in UK, among others have extended the ability to show artists of international scope.

On Friday, Feb. 3, a new show will be opening at the Gerhard Richter Archive in Dresden, to be followed by exhibitions at various museums, including the New National Gallery in Berlin and the Centre Pompidou in Paris.

This landmark exhibition brings together a stunning array of works loaned from museums and private collections throughout the U.S. and Europe to follow the trajectory of Diebenkorn's long and successful career with some of the powerful works by Matisse that the younger artist would have seen.

Teresita Fernandez and Tam Van Tran will be included in the group exhibition Pattern: Follow the Rules at Eli and Edythe Broad Art Museum at Michigan State University.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Over the twenty years that followed, manifestations of the project popped up in exhibitions around the world, from the most underground galleries to the most prestigious museums.

As a follow - up to a major retrospective exhibition In Infinity with the Japanese artist Yayoi Kusama (b. 1929) the Louisiana Museum of Modern Art produced a new illustrated edition of Hans Christian Andersen's tale The Little Mermaid (1837).

This exhibition follows from Opie's major solo exhibitions at MAK (Museum of Contemporary Art) in Vienna and MITO Arts Foundation in Tokyo.

Following his new appointment in Baltimore, the Rose Art Museum will continue as the organizer of the exhibition in Venice co-curated by Bedford and Katy Siegel, curator - at - large for the Rose, and the BMA will support Bedford's role as commissioner.

Yeong Gill Kim's solo show at API followed by his solo exhibition at the Kumho Museum of Art, Seoul, Korea gives rise easily to the question as to how this painter of Korean origin who now lives and works in New York has arrived at two places at once.

Following her death, Ana Mendieta's artistry was presented in solo shows around the world, including exhibitions at the Whitney Museum, New York; Tapiés Foundation, Barcelona; Hayward Gallery, London; and Berkeley Art Museum.