Sentences with phrase «museum installations as»
Phillip Maberry and Scott Walker For over twenty - five years we have created one - of - a kind ceramic sculpture, reliefs and objects for gallery and museum installations as well having fulfilled numerous residential and commercial commissions.
http://www.williamhavugallery.com/ Not exact matches
With his schoolfriend - turned - business partner Harry Parr, he runs Bompas & Parr, a London studio best known for its wacky, food - centric installations, whether a cloud of gin and tonic known as Alcoholic Architecture, some megalith carving for Valentine's Day, or the Jump for Joy bouncy castle in New York's Museum of Sex.
This is hyper - reality to be enjoyed as fantasy leading up to a wondrous homage to THE LADY FROM SHANGHAI as bullets fly in a maze of mirrors installation inside the Metropolitan Museum of Art.
First of all, just to clarify: F I F T Y (yes, it's spelled like that, with the spaces and everything) is a «museum» in the Museum Of Ice Cream sense, in that it's an elaborate installation piece designed specifically to serve as Instagram -museum» in the Museum Of Ice Cream sense, in that it's an elaborate installation piece designed specifically to serve as Instagram -Museum Of Ice Cream sense, in that it's an elaborate installation piece designed specifically to serve as Instagram - bait.
As the museum's inaugural artist - in - residence, Ewing created an installation called «A Map Home,» which encompassed themes of place, childhood adventure, and how we make meaning of our everyday surroundings through text and image.
The project was exhibited as a large scale installation at the Les Nuits Photographiques in Paris, PMQ in Hong Kong, the CAFA museum in Beijing, and is currently in the permanent collection of the Museum of Contemporary Photography in Chmuseum in Beijing, and is currently in the permanent collection of the Museum of Contemporary Photography in ChMuseum of Contemporary Photography in Chicago.
The installation comes as part of a wave of smart signage on electronic paper ushering museums into the 21st century, be it through in - gallery digital labels or through visitor - led interactive screens.
Called the Museum of Compassion, the venue will house an installation of over 5,500 handpainted dog portraits created by Kentucky artist Mark Barone in what will be viewed as one sprawling, striking piece.
@Large is the latest installation in the Golden Gate National Parks» Art in the Parks program, a cooperative effort of the National Park Service, the Golden Gate National Parks Conservancy, and the Presidio Trust to work with community partners such as the Headlands Center for the Arts, the FOR - SITE Foundation, and the San Francisco Museum of Modern Art.
The Palazzo Grassi is a definite must see for culture vultures and art lovers alike as it offers world class installations and exhibitions, as is the Peggy Guggenheim Collection which is one of the city's most important museums.
With oceanfront vistas as pretty as a picture, it's no surprise that Santa Monica has become a major art hub, with more than 120 museums, galleries, and public art installations within the city's roughly 8 square miles / 21 square kilometers.
With ocean front panoramas as pretty as a photograph, it is no surprise that Santa Monica has become a major art hub, with more than 120 museums, galleries, and public art installations within the city's roughly 21 square kilometres.
With oceanfront panoramas as pretty as a photograph, it is no surprise that Santa Monica has become a major art hub, with more than 120 museums, galleries, and public art installations within the city's roughly 8 square miles / 21 square kilometres.
Her video installations of lecture - performances, such as Is the Museum a Battlefield?
Museum of Stones, a massive installation by Brancusi - influenced Isamu Noguchi, will be supplemented with fifty works by thirty other contemporary artists, as well as by fifteen ancient Chinese rock - related objects, which are on loan from the Met.
The foundation funds exhibitions of and projects by Russian contemporary artists, such as Ilya and Emilia Kabokov's 2014 installation at the Grand Palais, and the New Museum's 2012 exhibition «Ostalgia,» which focused on Eastern European contemporary art.
The other has been as a fine artist, which has seen his installation art, sculpture, painting and photography exhibited at galleries and museums around the world.
Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the sMuseum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the smuseum window on open view from the street.
For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.
Incorrect installation is unfortunately equally common in museums as in private collections.
The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.
Originally built as a temporary installation for «A View Through,» a 1975 exhibition organized by a Museum Studies class, Irwin gave permission to reconstruct it in permanent materials in 1976.
The historical importance of McCall's work has been recognized in such exhibitions as «Into the Light: the Projected Image in American Art 1964 - 77,» Whitney Museum of American Art (2001 - 2); «The Expanded Screen: Actions and Installations of the Sixties and Seventies,» Museum Moderner Kunst, Vienna (2003 - 4); «The Expanded Eye,» Kunsthaus Zurich (2006); «Beyond Cinema: the Art of Projection,» Hamburger Bahnhof, Berlin (2006 - 7); «The Cinema Effect: Illusion, Reality and the Projected Image,» and Hirshhorn Museum, Washington DC (2008); and «Dreamlands», Whitney Museum of American Art (2017).
He also initiated the purchase and installation of Tony Smith's Gracehoper on the grounds of the DIA, organized trips to New York for collectors and friends of the museum, supported counterculture events, such as the staging of the play Hair, and particularly championed the work of Gordon Newton.
As part of the Lobby Artist Commission series, the Jewish Museum will present «Math Bass: Crowd Rehearsal,» an installation in the entrance lobby.
Sze's sculptures, installations and works on paper have also been exhibited at the Solomon R. Guggenheim Museum in New York, the Serpentine Gallery in London, the Museum of Modern Art in New York, the Museum of Contemporary Art in Tokyo, the High Museum of Art in Atlanta, the San Francisco Museum of Modern Art, and the Carnegie Museum of Art in Pittsburgh, as part of the 1999 Carnegie International.
On a recent Thursday, as the Whitney Museum revved into gear for the opening of its Frank Stella retrospective, the artist Rachel Rose flopped onto the carpet in front of the video installation she'd been tinkering with all week.
LORNA SIMPSON, «Easy to Remember,» 2001 (16 mm film, approximately 2:56 minutes), a video installation featuring 15 separately recorded voices all humming the same tune, was recently on view as part of the Baltimore Museum of Art's Black Box series.
The first major museum exhibition to explore graphite as a medium in works beyond drawings, Graphite includes sculpture, drawing, and installation works created over the past decade — including several newly commissioned works — by emerging and established contemporary artists.
The homeyness of their work is reinforced by the installation, with such midcentury touches as mint green walls and Eames chairs in the museum's wood - paneled second - floor galleries.
During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.
It ranges from Four Posters (1984) through celebrated performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003), and her audio installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to recent works such as Men on the Line (2012).
As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.
Among the works by Jian - Jun Zhang will be Sumi - Ink Garden of Re-Creation Installation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in DeInstallation Drawing # 2 (2002), a sumi - ink drawing — a preparatory sketch of his major installation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in Deinstallation in The Fourth Shanghai Biennale at the Shanghai Art Museum — depicting his scholar's rock sculptures, a variation of which was shown in Chinese Window at Kunstmuseum Bern in 2010 and will be featured in Ink Art: Past as Present in Contemporary China at the Metropolitan Museum of Art in New York opening in December 2013.
In 2014, the Tel Aviv Museum of Art in Israel installed Friedman's major work «Up in the Air» as part of a series of site - specific installations at the Lightfall.
Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.
Works from the same exhibition were presented the following year (July — September 2014) at the Watermill Center in New York, while the Hirshhorn Museum and Sculpture Garden featured one installation from the same series as part of Days of Endless Time, which ran from October 2014 — April 2015.
Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.
A lot, apparently, as is demonstrated in the most recent installation of testosterone - tinged excess at the New Museum.
NOMA unveils Automaton Clock, Re-opens Beloved Decorative Arts Galleries NEW ORLEANS, LA — The New Orleans Museum of Art (NOMA)'s automaton musical clock would have been viewed as a mechanical wonder when it was made in London around 1800, and it still charms today as the centerpiece of a new installation.
/ thru 8/19 Hannah Beerman / Kimberly Klark / 788 Woodward Ave., Ridgewood / thru 7/27 Collect All Four / Songs for Presidents / 1673 Gates Ave., Ridgewood / thru 8/29 Opening 7/3 (6 - 9 PM) Anxious Spaces: Installation as Catalyst II / Knockdown Center / 52 - 19 Flushing / Flushing, Queens / thru 7/26 Opening 7/5 (5 - 10 PM) Conceived Without Sin curated by Culturadora / Radiator / 10 - 61 Jackson / Long Island City / thru 10/23 Opening 9/18 Simon Denny; S.Golden thru 9/7; Math Bass; Wael Shawky thru 8/31; etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Magali Reus thru 7/5; Erika Verzutti; Michael E. Smith thru 8/3; etc. / Sculpture Center / 44 - 19 Purves St. Long Island City New Ways of Seeing: Beyond Culture curated by J.Castro & E.Jeng / Dorsky Curatorial / 11 - 03 45th Ave., Long Island City / thru 7/12 Geometry: Anita Thacher; Arlene Slavin; John Schiff / VanDeb / 37 - 18 Northern Blvd. / Long Island City / thru 7/30 A.Denes; H.Fasnacht; G.Albergaria; V.Lutter; IK Studio / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 8/30 After Midnight: Indian Moderism; Studio Program thru 9/13; R.Seydel Opening 7/19, Etc. / Queens Museum / Flushing Meadows - Corona Park, Queens Lady Pink / Queens Museum @ Bulova / 75 - 20 Astoria Blvd., Queens / thru 8/14 Contours / BronxArtSpace / 305 E 140 / Bronx / thru 7/4 When You Cut Into the Present the Future Leaks Out curated by R.Basha / No Longer Empty / 878 Brook Avenue, Bronx / thru 7/19
This year Powhida's work was presented on the front page of the Village Voice; ARTINFO listed his New Museum drawing as one of the top 100 most iconic artworks of the last five years, and he was reviewed in Artforum magazine, the LA Times, New American Paintings, and Installation magazine.
For another thing, the installation takes the measure of the museum, just as with performance.
Architect David Adjaye serves as the lead designer for the museum which will include an important collection of visual art — paintings, sculpture, works on paper, installations, photography, and digital media — by and about African Americans.
Chicago gained broad public attention in the late 1970s for her monumental feminist installation The Dinner Party, now permanently installed as part of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum of Art.
Fletcher's contribution to the project involved casting the young man as the artist, helping him through museum negotiations, as well as overseeing the sketching, production, and installation of the new piece.
Public art of Julian Opie is spread around the globe, from continuous animations on LCD screens such as Suzanne Walking (2002) in Dublin or Galloping Horse (2012) in Yorkshire Park, or installation Public collections, including the Tate Gallery in London, the National Museum of Art in Osaka, and the Museum of Modern Art in New York poses Opie's works from different periods.Besides the institutional frame, he has been collaborating with the famous pop band Blur, creating the cover for their Best of the album, and with a rock star Bryan Adams.
The artist is responsible for the installation, shipment and delivery of his / her work to and from CICA Museum, as well as all related expenses.
Since 1987 Carsten Nicolai has been in over 50 international solo exhibitions, including Galerie EIGEN + ART's 1992 Leipzig exhibition, Carsten Nicolai: Running Sap; Carsten Nicolai: Corpus organized by the Städtische Kunstsammlungen Chemnitz, Germany in 1993, which traveled to the Museum Scloß Morsbroich, Leverkusen, Germany and Espace des Arts, Chalon - Sur - Saône, France until 1994; Carsten Nicolai: Light - Stencil - Installation for the Windows of The New York Kunsthalle at The New York Kunsthalle in 1996; Carsten Nicolai, Konstmuseum Ystad, Ystad, Sweden, October 2000; Carsten Nicolai: Auto Pilot, WATARI - UM, Watari Museum of Contemporary Art, Tokyo, Japan, 2002; Carsten Nicolai - Anti Reflex, Schirn Kunsthalle Frankfurt, Römerberg, Frankfurt, 2005; Carsten Nicolai: Syn Chron, Architectural Body as Interface.
Rather than create immersive or site - specific installations — as he did for the Venice Biennale in the summer of 2017 (representing the United States), and more recently at the Hirshhorn Museum in Washington, D.C. — Bradford presents ten colorful paintings built over nine months in the studio, on layers of comic book pages that he uses as a point of departure.