Sentences with phrase «museum loan exhibition»

Unlike the limited duration of the average museum loan exhibition, this collective exhibition continues indefinitely, on view in the «greater museum of Southern California» — a term coined by Scott Schaefer, senior curator of paintings at the J. Paul Getty Museum to refer to the communal holdings of art in the region.

Not exact matches

Chalk & Vermilion Fine Arts has loaned two oil paintings — La Dialectique appliquée and Les Grands rendez - vous — and a 1950 sketch by renowned Belgian surrealist René Magritte to «The Pleasure Principle,» a traveling exhibition that just completed a run at the Albertina Museum in Vienna.

His work can be found in many of the country's leading public and private collections, such as the Museum of Modern Art in New York, Brooklyn Museum and the San Francisico Museum of Modern Art, all of which have loaned work for our exhibition.

The exhibition at the Denver Art Museum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local colleMuseum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local collemuseum's collection of contemporary art as well as loans from local collectors.

Two for the Metropolitan Museum of Art, one for a private collector, one for Colby College Museum of Art, and one on loan to Museum of Modern Art for this exhibition.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

Works included in the exhibition include those on loan from SFMOMA, the Whitney Museum of American Art and the Smithsonian American Art Museum, and span De Forest's entire career.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Organized by curator Jason Andrew, this exhibition presents major paintings from the»70s by Jack Tworkov featuring a seminal work titled Diptych II (NY - Q1 - 71 # 1)(1971) on loan from the collection of the Solomon R. Guggenheim Museum, New York.

Evening Storm, Schoodic, Maine, 1942, oil on masonite, 30» X 40» Framed by Gill & Lagodich for the Museum of Modern Art exhibition loan.

Framed by Gill & Lagodich for the Museum of Modern Art exhibition loan.

Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.

This exhibition, which includes works from the Museum's permanent collection and some local loans, explores the diversity of Post-War abstraction in Southern California.

To realize the show, the curators secured dozens of loans from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Light sensitive works from the museum's collection are regularly rotated, included in temporary exhibitions and sent on loan.

1960 Neue Malerei: Form, Struktur, Bedeutung, Städtische Galerie in Lenbachpalais, Munich (June 10 — August 28) 16 Salon de Mai, Musée d'Art Moderne de la Ville de Paris (May 8 — 20) Sixty American Painters, 1960: Abstract Expressionist Painting of the Fifties, Walker Art Center, Minneapolis, Minnesota (April 3 — May 8) Business Buys American Art: Third Loan Exhibition by the Friends of the Whitney Museum of American Art, Whitney Museum of American Art, New York (March 17 — April 24) Some Younger American Artists, Southern Illinois University, Carbondale, Illinois (February 1 - 28, 1960).

Part 6 of the Tribunals, Courts and Enforcements Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.

This landmark exhibition brings together a stunning array of works loaned from museums and private collections throughout the U.S. and Europe to follow the trajectory of Diebenkorn's long and successful career with some of the powerful works by Matisse that the younger artist would have seen.

All of the paintings in the exhibition are on loan from the collection of Preston H. Haskell III, Princeton class of 1960, a longstanding Museum benefactor and former chair of its Advisory Council.

The Mead Art Museum holds an important collection of Mazur's work, and this exhibition combines the Mead's collection with generous alumni loans to illustrate the sweeping range of Mazur's oeuvre.

The exhibition features a total of eleven works on loan from the Museum of Illustration at the Society of Illustrators, the Illustrated Gallery, the Salmagundi Club, and two private collections.

Bronx Museum of the Arts forced to postpone exhibition after Cuba halts loans The Bronx Museum has had to postpone an exhibition of contemporary art from Cuba after the country delayed arrangements to allow loans to the US.

Robert Gober's untitled series of photographs (1978 — 2000) and an untitled drain (1993 — 94), newly pledged long - term loans to the museum from Irma and Norman Braman, are on special view, as well as exhibitions of newly commissioned works by Chris Ofili and emerging Miami - based artist Tomm El - Saieh.

The critical reconstruction of the historical exhibition includes loans from the State Russian Museum in St. Petersburg, the State Tretyakov Gallery in Moscow, 17 other Russian Museums, the Centre Pompidou in Paris, the Stedelijk Museum in Amsterdam, the Museum Ludwig in Cologne, and MoMA in New York.

Drawn primarily from the Grunwald Center for the Graphic Art's Frank Lloyd Wright Japanese Print Collection, the exhibition will also include rare loans from the Norton Simon Museum, the Art Institute of Chicago, the Getty Research Institute, and the Beverly Hills Public Library.

Alongside this prestigious loan, the exhibition brings together the museum's magnificent selection of Damien Hirst works, which includes some of the most significant pieces to have emerged from the artist's extraordinary career.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

The loan exhibition from Japan of late works and the display of lanterns ran at the Isamu Noguchi Museum through the summer of 2001, the exhibitions of collaboration through January 26, 2014.

Press release from the exhibition, «The Loan Collection for the Vice President's Residence [April 1978 — April 1979],» March 7 — March 19, 1978, held at the Dallas Museum of Fine Arts.

Featuring works from the BCMA's robust collection of American art, as well as loans from 30 prestigious public and private collections across the United States — such as The Metropolitan Museum of Art; Phillips Collection; Philadelphia Museum of Art; and Museum of Fine Arts, Boston — the exhibition provides visitors with an opportunity to consider transformations in American art across generations and traditional stylistic confines.

Curated by Arne Glimcher, the founder of Pace Gallery, the exhibition evolved from the critically successful presentation of the series at Pace Gallery in London in 2017 and showcases several monumental paintings from that exhibition, as well as new loans from major museums including the Albright - Knox Art Gallery and the National Gallery.

Several museums and private collectors have loaned works to the exhibition, including the Museum of Modern Art, the Whitney Museum of American Art, and the Metropolitan Museum of Art in New York; the Tate in London; and Moderna Museet in Stockholm.

Its opening exhibition, «Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016,» is on par with the best museum exhibitions in ambition and quality, comprising many rare, big and fragile objects on loan from some of the major museums of the world.

Grants support the International Residency program of Artpace, CHRISpark, the public exhibition of Pace's contemporary art collection, and the work of contemporary artists.The Linda Pace Foundation publicly exhibits its collection through loans to museums and SPACE, its public exhibition gallery opened in April 2014.

(During the 1990s, he kept coming, both as an architecture aficionado and as a curator, borrowing Impressionist works from the DMA and other U.S. museums to supplement an exhibition with a trove of 41 loans from Paris's Musée d'Orsay, and Roy Lichtenstein's Head with Blue Shadow (1965), from Raymond Nasher for a Lichtenstein sculpture survey.

Marianne Boesky Gallery and Marlborough Chelsea would like to express their gratitude to the many individuals and institutions whose generous loans made this exhibition possible, including Cranbrook Academy of Art, Detroit Historical Society, Detroit Institute of Arts, The Henry Ford Museum, Mike Kelley Foundation for the Arts, New York Historical Society, Pewabic Society, and Wayne State University.

The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.

A special exhibition of new photographs by acclaimed photographer Vera Lutter, Painting on Paper: Vera Lutter's Old Master Photographs, is on loan from the Los Angeles County Museum of Art (LACMA) and forms the centerpiece of the cultural programme at TEFAF New York Fall.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

This exhibition celebrates the two - hundredth anniversary of Brontë's birth in 1816, and marks an historic collaboration between the Morgan, which holds one of the world's most important collections of Brontë manuscripts and letters, and the Brontë Parsonage Museum, in Haworth, England, which has loaned a variety of key items including the author's earliest surviving miniature manuscript, her portable writing desk and paintbox, and a blue floral dress she wore in the 1850s.

The Noguchi Museum has loaned artworks to the Philadelphia Museum of Art for the inaugural exhibition in its new landscaped sculpture garden overlooking Boathouse Row on the Schuylkyll River.

Animal Farm is a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.

The exhibition loans come from a wide variety of leading public and private collections, including: Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Philadelphia Museum of Art; Virginia Museum of Fine Arts; Mugrabi Collection; Berardo Collection; Robert B. Mayer Family Collection, Chicago; Frederick R. Weisman Art Foundation, Los Angeles, as well as from the Estate of Tom Wesselmann, New York.

There are two temporary exhibition spaces within the Museum; the curatorial department mounts three to five exhibitions centered on the collection, and one special masterpiece loan, per year.

Featuring 36 paintings and 53 drawings, many on loan from major museums and private collections, the exhibition draws together a compelling body of work that reveals the artist grappling to reconcile gestural and field painting, figuration and abstraction.

The foundation also maintains an internship program, an ongoing lecture series and an extensive artwork loan program to facilitate exhibitions at museums around the world.

In addition the museum presents international loan exhibitions such as Je Suis le Cahier: The Sketchbooks of Picasso (1988), German Expressionism After the Great War: The Second Generation (1989), and Picasso and the Age of Iron (1993).

Pictures, this exhibition featured four costumes on loan from the film In the Heart of the Sea with additional artifacts included from the Museum collection.

Beginning Sunday, May 14, 2017, The Brant Foundation Art Study Center will present a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.