Sentences with phrase «museum photography departments»

Not exact matches

Before Stieglitz's death that year, he was able to introduce Webb to Beaumont Newhall, head of the photography department at The Museum of Modern Art in New York.

Dec. 10 Dinner Honored Late New York City Firefighter, Randy Wiebicke Click Here to Download High - Resolution Event Photography Pictured Above: Sanctuary on Camelback Mountain's Executive Chef Beau MacMillan with New York City Fire Department's Ladder Company 1 at the New York City Fire Museum.

Lecture by Sylvia Wolf, Adjunct Curator, Whitney Museum of American Art, and Adjunct Instructor, Department of Photography and Imaging.

Thousands more works dating since 1955 are held in the Museum's other departments including Prints and Drawings, Photography, Art of the Americas, Art of Asia, Art of Africa and Oceania, and Textiles and Fashion Arts.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Previously, Marley was Research Associate for the Agnes Martin Catalogue Raisonné of Paintings, a Collection Manager for a private estate and has held positions in the Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's inDepartment of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's indepartment at Christie's in New York.

Before joining the Joan Mitchell Foundation, Heather worked as the Registrar of Richard Gray Gallery, the Collection Manager for the Department of Photography at the Art Institute of Chicago, and Associate Registrar for Collections at the Solomon R. Guggenheim Museum.

Karolina Ziebinska - Lewandowska is the curator at the Photography Department at Centre Pompidou National Museum of Modern Art.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

The exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex Museum.

Following her RISD Graduate Studies» Artslink Residency and her internship in the Photography Department at the Museum of Modern Art, New York, curator and photographer Viera Levitt moved to Rhode Island in 2006 from Slovakia where she had been the director of the Jan Koniarek Gallery.

APPOINTMENT Isolde Brielmaier, executive director of arts, culture & community at Westfield World Trade Center, professor of critical studies in Tisch's Department of Photography, Imaging and Emerging Media at New York University, and curator - at - large at the Tang Museum, joins the New Museum Board of Trustees.

A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.

1977 Tokyo Gallery Exhibition, Tokyo Gallery, Tokyo, Japan Five Contemporary Artists Drawing and Watercolor, Kaneko Art Gallery, Tokyo, Japan Painting and Photography from 1980 to Today, Kunsthaus Zurich, Zurich, Switzerland Documenta 6, Kassel, Germany Drawings by Five Artists, Minami Gallery, Tokyo, Japan Forms Today Architecture and Sculpture, Tokyo Central Annex, Tokyo, Japan Contemporary Art in Japan Domestic Art and International Art, 5th Anniversary of Tochigi Prefectural Museum of Fine Arts, Tochigi Prefectural Museum of Fine Arts, Japan Artists Today»77 The Richness of Painting, Yokohama Civic Art Gallery, Kanagawa, Japan The 10th Japan Art Festival, Nihonbashi Takashimaya Department Store, Tokyo, Japan

This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of CulturPhotography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Culturphotography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

Eve Schillo, curatorial assistant, Wallis Annenberg Photography Department, Los Angeles County Museum of Art (LACMA);

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

Autograph ABP Urban Video Project Syracuse University Transmedia Department Everson Museum of Art AIPAD (The Photography Show)

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

Danny Lyon will join curators of the photography department at de Young museum in San Francisco on September 28th for an evening of conversation.

As Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.»

At VMFA her department is responsible for the museum's early 20th - century European holdings as well as the mid-to-late 20th - century and 21st - century collections, including photography and the sculpture garden.

After the two institutions were combined to form the Fine Arts Museums in 1972, the photography holdings were united at the Legion within the Museums» department of works on paper, the Achenbach Foundation for Graphic Arts.

Since March, the MoMA photography galleries have been closed for renovation, and although there has been no official announcement, the curators said last April at a photography department forum for curators and writers that the museum will be moving away from dedicated photography rooms.

In 1940, the Museum of Modern Art (MoMA) became the first museum in the country to establish a department devoted to photography, effectively cementing the importance of this art form in the eyes of the Museum of Modern Art (MoMA) became the first museum in the country to establish a department devoted to photography, effectively cementing the importance of this art form in the eyes of the museum in the country to establish a department devoted to photography, effectively cementing the importance of this art form in the eyes of the world.

Perfect Likeness: Photography and Composition is organized by Russell Ferguson, professor in the Department of Art, University of California, Los Angeles and adjunct curator at the Hammer Museum.

No Thing Dies is curated by Dr. Noam Gal, the Israel Museum's Horace and Grace Goldsmith Curator of the Noel and Harriette Levine Department of Photography.

DAM — Digital Asset Management, museum software for tracking digital images D.A.P. - Distributed Art Publishers, publish many museum and institutional catalogues and books on art, design, photography, and architecture DCA — Department of Cultural Affairs (New York City) DOF - Depth of field (from photography) DPI - Dots per inch (image - quality indicator) DSLR - Digital single - lens reflex camera

Beaumont Newhall, the first curator of MoMA's photography department, exhibited Gare St. Lazare in Cartier Bresson's 1947 solo show The photographs of Henri Cartier - Bresson at the museum in New York.

Britt Salvesen joined the Los Angeles County Museum of Art (LACMA) in 2009 as curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department.

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africa.

Tags: Feature, Jenny Kendler, artists, environmental activists, paintings, Natural Resources Defense Council, NRDC, volcano rabbit, species, extinction, E.O. Wilson, Edward Abbey, conservation movement, Marfa Dialogues, climate change, Saint Louis, monarch butterflies, milkweed, CAC, Chicago Artists Coalition, lichen, installations, John F. Kennedy International Airport, U.S. Airways, Operation Migration, whooping cranes, Thomas Nagel, essays, philosophy, West Town, Los Angeles, foraging, mulberries, daylilies, saskatoons, Salt Point State Park, Richmond, Virginia, environmentalists, San Luis Obispo, Nature Conservancy, Salt Lake City, secular humanists, Mormons, solar power, naturalist artists, naturalists, David Abram, Maryland Institute College of Art, SAIC, School of the Art Institute of Chicago, Monterey Bay Aquarium Research Institute, collage, drawing, subjugation, natural world, female body, Endangered Species Print Project, Molly Schafer, ESPP, Peggy Notebaert Nature Museum, Caroline Picard, Gallery 400, Chernobylanimals, Expo Chicago, Brian Kirkbride, Other People's Pixels, Elizabeth Corr, Gordon Matta - Clark, Earth Day, Vaughn Bell, The Violet Hour, collaboration, nonprofits, artists in residence, public art, New York City Department of Transportation, Chicago Park District, acorns, photography, sea stars, Video

Dr. Anastasia Aukeman is an art historian, curator (formerly of Artists Space and in the photography department at the Museum of Modern Art), and professor at Parsons School of Design in New York City.

In Conversation: LaToya Ruby Frazier with Curator Dean Daderko, Contemporary Arts Museum, Houston, and Curatorial Associate Anna Stothart, ICA, Boston Thursday, January 16, 5:30 p.m. Grace Street Theater, 934 W Grace St Cosponsored by VCUarts Department of Photography & Film

Roxana Marcoci, Senior Curator in the Department of Photography at the Museum of Modern Art, however, kicked off FotoFocus with a keynote address about artist Louise Lawler, whose work sets the tone for what this year's FotoFocus theme, Photography: The Undocument, is all about.

Also included are text contributions by Mark Godfrey, Curator, Tate Modern and Thomas Seelig, Curator, Fotomuseum Winterthur, plus an interview with Eva Respini, Associate Curator, Department of Photography at the Museum of Modern Art.

Michelle came to Skinner from the Fogg Museum / Harvard Art Museums, where she first joined the Department of Photographs in 2004 and, beginning in 2008, served as the John R. and Barbara Robinson Family Assistant Curator of Photography.

Bloomfield Hills, Mich., August 29, 2017 — Christopher Scoates, the Maxine and Stuart Frankel Director of Cranbrook Academy of Art and Art Museum, and the Cranbrook Academy of Art Board of Governors, announced today that Danielle Dean has been named the Artist - in - Residence for the Academy's Photography department.

Otis College of Art and Design's Fine Arts Department and Los Angeles County Museum of Art's Wallis Annenberg Photography Department present this lecture.

(print / mount size) Signed and titled (bldg., diagonal fire escape) in pencil, and with the Museum of Modern Art, N.Y. Study Collection / Photography Department ink stamp, on mount verso

He is Chair of the Photography Department at the Glasgow School of Art, Scotland, and his work is included in the Victoria and Albert Museum, Dow Jones Company, and Navigator Foundation collections, among others.

The winner was determined by an outside panel of three jurors: Polly Apfelbaum, a New York - based artist; Isolde Brielmaier, an independent curator and writer; Lucy Gallun, a curatorial assistant in the Photography department of The Museum of Modern Art; and Tina Kukielski, a member of the team curating the 56th Carnegie International, a leading global survey of contemporary art.

Ms. Cotton, 45, has held positions as curator of photographs at the Victoria and Albert Museum in London and curator and head of the Wallis Annenberg Department of Photography at the Los Angeles County Museum of Art.

Eva Respini, curator, Department of Photography, MoMA, moderates the panel discussion with A. L. Steiner, artist and visiting assistant professor and MFA program director at USC; Luke Batten, director, Robert Heinecken Trust; Richard Meyer, Robert and Ruth Halperin Professor in Art History, Stanford University; and Rebecca Morse, associate curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art.

Sondra Gilman Gonzalez - Falla and Celso Gonzalez - Falla are longstanding supporters of the Whitney's photography department, and this month promised to expand the museum's collection with 75 iconic photographs from their own own.

The exhibition is organized by Eva Respini, curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, department of photography, The Museum of Modern Art.

Thomas Bangsted's Last of the Dreadnoughts was accepted into the permanent collection of the Metropolitan Museum of Art's Photography Department in July 2013.

Moderated by Kevin Moore, Artistic Director and Curator, FotoFocus, New York, with panelists: Jennifer Blessing, Senior Curator of Photography, Solomon R. Guggenheim Museum, New York; Paul Martineau, Associate Curator, Department of Photographs, The J. Paul Getty Museum, Los Angeles; and Britt Salvesen, Curator, Wallis Annenberg Photography Department, Los Angeles County Museum of Art