Sentences with phrase «museum presents a discussion»

2 The Exploratorium science museum presents a discussion of art, emotion and the mindfgbk — the third in a series of five Saturday afternoon mind - themed lectures.

Not exact matches

On October 6, 1996, American Abstract Artists presented a panel discussion entitled Abstract / Meaning at the Museum of African Art in New York City.

An issue of its magazine also titled Pointing Machines continues the reproduction and circulation of the displayed objects beyond the Museum's walls and includes essays, artist projects, discussions, and performances that will be published and presented online and offline in the next year.

FotoFocus has provided support to the Cincinnati Film Society project presented at the Cincinnati Art Museum; the Fractured Atlas lens - based project in Havana, Cuba; the screening of the film Punctured by artist, William E. Jones, at the Arles Photography Festival in southern France; the FotoFocus Symposium «Mapplethorpe + 25» held this past fall at the Contemporary Arts Center; and the symposium's follow up discussion at the New Museum in New York.

The Mütter Museum presents a panel discussion on how the museum is incorporating contemporary art into its historical and scientific curatorial appMuseum presents a panel discussion on how the museum is incorporating contemporary art into its historical and scientific curatorial appmuseum is incorporating contemporary art into its historical and scientific curatorial approach.

The Philadelphia Museum of Art presents a series of discussions and workshops addressing social and community issues.

As an introduction to the project «L'Europe des Artistes» which will end up as a large exhibition where artists from all over Europe will be presented the Astrup Fearnley Museum initiated what will be a series of presentations, discussions and related events with a presentation of the contemporary art scene in France.

Presented by Museum of Contemporary Art Santa Barbara's Executive Director and Chief Curator Miki Garcia, this discussion will outline best practices for emerging artists from...

The PMA is pleased to welcome Director and Chief Curator of the Smith College Museum of Art and former Chief Curator of the Portland Museum of Art Jessica Nicoll and the Carolyn Muzzy Director and Chief Curator of the Colby Museum of Art Sharon Corwin in a discussion with PMA Director Mark Bessire about museum collections and how they are presented to the pMuseum of Art and former Chief Curator of the Portland Museum of Art Jessica Nicoll and the Carolyn Muzzy Director and Chief Curator of the Colby Museum of Art Sharon Corwin in a discussion with PMA Director Mark Bessire about museum collections and how they are presented to the pMuseum of Art Jessica Nicoll and the Carolyn Muzzy Director and Chief Curator of the Colby Museum of Art Sharon Corwin in a discussion with PMA Director Mark Bessire about museum collections and how they are presented to the pMuseum of Art Sharon Corwin in a discussion with PMA Director Mark Bessire about museum collections and how they are presented to the pmuseum collections and how they are presented to the public.

Presented by Museum of Contemporary Art Santa Barbara's Executive Director and Chief Curator Miki Garcia, this discussion will outline best practices for emerging artists from how to create a stunning portfolio to pursuing your first exhibition.

Next week, The Samuel Dorsky Museum presents Tibetan Arts Week, a series of public programs and discussions with leading artists and scholars.

But one theme that cropped up repeatedly in the shortlisting discussion of the judging panel for the 2014 Art Fund Prize for Museum of the Year was the very evident impact of particular individuals (be they curators or directors) on the quality and originality of what was being newly presented to the visiting public.

Artis and the Tel Aviv Museum of Art are pleased to present a panel discussion in the «Case in Point» series focusing on curatorial methods of connecting contemporary art with experimental literature and poetry.

Artis and the Tel Aviv Museum of Art presented a panel discussion in the «Case in Point» series, focusing on unique programming strategies for specific urban engagement.

The discussion is part of an ongoing series of events that have been presented in conjunction with the exhibition «Through Our Eyes 2015: Wouldn't Take Nothing for My Journey (An Artistic Revolution),» on view through July 28 at the Ritz Theatre & Museum.

The National Academy Museum and School will host a discussion with Pace artist Joel Shapiro about the evolution of his work from the late 60s / early 70s to the present, focusing on the development of form, its possible meaning, and the relationship between sculpture and drawing to the plane.

With support from a Andrew W. Mellon Foundation grant, the museum has launched a digital archive, making available videos of artist talks and panel discussions, artist biographies, images of artworks presented, installation views of the exhibition at the three venues where it appeared, and all eight essays published in the now - out - of - print exhibition catalog (at right), among other material.

11 am Panel Discussion: Women of Influence in the Business of Art Artists Mickalene Thomas * and Shirin Neshat * will join Heidi Zuckerman, Director and CEO of the Aspen Art Museum for a panel discussion moderated by Stefano Tonchi, Editor - in - Chief of W Magazine, as part of Pratt Presents from the Pratt Discussion: Women of Influence in the Business of Art Artists Mickalene Thomas * and Shirin Neshat * will join Heidi Zuckerman, Director and CEO of the Aspen Art Museum for a panel discussion moderated by Stefano Tonchi, Editor - in - Chief of W Magazine, as part of Pratt Presents from the Pratt discussion moderated by Stefano Tonchi, Editor - in - Chief of W Magazine, as part of Pratt Presents from the Pratt Institute.

Wilmerding said discussions have involved National Gallery director Earl «Rusty» Powell and «a couple of» MOCA trustees besides Broad, and that the details could be firm enough within a week to be formally presented to each museum's board.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring international curators — Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston) will present her current research interests and curatorial projects.

«Thomas» work fits squarely into Block Museum's mission of presenting programming that sparks discussion about broader issues and ideas.

Their conversation will be presented in two parts: Part I, published here, delves into Official Welcome in - depth; Part II, to be published on October 23, includes a discussion of language, feminism, and museum architecture.

In addition to the site specific installations, FLUX is presenting programming (both free and ticketed) that includes tours, panel discussions, artist talks, Sip + Sketch evenings and performance, including those by the National Jazz Museum of Harlem and the Classical Theatre of Harlem.

«CONEY ISLAND: PAST PRESENT AND FUTURE» is a panel discussion that will be presented on Oct. 20 at 2 p.m. at the Long Island Museum in Stony Brook, NY.

The Irish Museum of Modern Art and the Goethe Institut present Lunch Bytes, an exciting new series of critical discussions that explore art and digital culture.

Media Replication Services and the installation at the Museum are components of Triple Canopy's contribution to the Whitney Biennial, an issue of its magazine also titled Pointing Machines, which continues the reproduction and circulation of the displayed objects beyond the museum's walls, and includes essays, artist projects, discussions, and performances to be published and presented online and IRL in the nextMuseum are components of Triple Canopy's contribution to the Whitney Biennial, an issue of its magazine also titled Pointing Machines, which continues the reproduction and circulation of the displayed objects beyond the museum's walls, and includes essays, artist projects, discussions, and performances to be published and presented online and IRL in the nextmuseum's walls, and includes essays, artist projects, discussions, and performances to be published and presented online and IRL in the next year.

The Hammer Museum in Los Angeles presents a discussion between T. Kelly Mason, Tyler Cassity, and George Baker on funerary objects and practices in early 21st - century Los Angeles and the relationship of these to private and collective ideas of memory, space, and the expression of desire, on May 24th 7:00 PM — 8:00 PM.

This first monograph on the oeuvre of Kon Trubkovich (born 1979) surveys the Russian artist's career in color reproductions and in - depth critical discussion, traversing the period from his first museum exhibition in 2006 to the present day.

In conjunction with the Whitney Museum's current exhibition «Rituals of Rented Island,» which explores the seeds of the performance - art movement in 1970s New York, curator Jay Sanders will present a screening of one of Squat Theatre's performances with original group members Eva Buchmuller and Anna Koos, with a discussion following the event.

On Saturday, April 4, from 4:00 - 5:00 pm, Nannette V. Maciejunes, Executive Director of the Columbus Museum of Art and a Charles Burchfield scholar, and Robert Gober, artist and curator of the forthcoming exhibition Heat Waves in a Swamp: The Paintings of Charles Burchfield, will present a lively discussion about the show.

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».

03 Mar 2014 Series of discussions exploring art and digital culture at IMMA The Irish Museum of Modern Art and the Goethe Institut present Lunch Bytes, an exciting new series of critical discussions that explore art and digital culture.

On Tuesday (Sept. 17), Santa Monica Museum of Art presents The Mobile Homestead Project: A Conversation with Mary Clare Stevens, Jim Shaw and Cary Loren, a discussion of the public sculpture Mobile Homestead, created...

The Underground Museum and Lucie Foundation present «Holding Court: Deana Lawson,» a roundtable discussion with Catherine Opie on the personal and public echoes of artistic process, Wednesday, August 31, 7PM at The Underground Museum.