Sentences with phrase «museum solo exhibition for»

In 2015, Mr. Uslip organized the first museum solo exhibition for Staniak, and he is one of the authors in the soon to be released monograph on the artist.

Not exact matches

The first ever American artist to receive a solo exhibition invitation from H.R. Giger, the Oscar - winning artist behind the design of Alien, to his H.R. Giger Museum Gallery, Castiglia is bringing his work to his native city of New York for the solo exhibition Resurrection, opening at Sacred Gallery NYC on October 4th.

There's an image in the exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three years before it would give her a solo retrospective — for failing to involve people of color in the making of its exhibition «Contemporary Black Artists in America.»

Filling one of the galleries at David Zwirner (the 519 West 19th Street space) will be a large - scale work that Flavin originally created for his first solo museum exhibition.

Solo exhibitions of his work have taken place at CAPC Musée d'Art Contemporain de Bordeaux, France; the Rubell Family Collection, Miami; Lincoln Center for the Performing Arts, New York; and the High Museum of Art, Atlanta.

Recent solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among othsolo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among othSolo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among others.

Impressionism is the artist's first solo museum presentation in the United States, and features a focused selection of extant pieces alongside new work made specifically for the exhibition.

Since then Marden has been the subject of numerous solo exhibitions at venues such as the Dia Center for the Arts, New York and the Fogg Art Museum, Cambridge, MA.

For his first museum solo exhibition, Gavin Kenyon presents his largest sculpture to date and debuts a new series of textile - based works.

SUPERFLEX has gained international recognition for projects and solo exhibitions around the world, including Kunsthalle Basel; the Mori Museum, Tokyo; Hirshhorn Museum, Washington DC; and the 21st Century Museum of Contemporary Art, Kanazawa.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

For his first solo museum exhibition, Arunanondchai presents 2012 — 2555, a large - scale installation which is the first in a trilogy of video - installations.

Since 2005, he has had 16 solo exhibitions in the United States and Europe in addition to numerous group exhibitions at venues such as MoMA PS1, the Nevada Museum of Art, The Drawing Center and Yerba Buena Center for the Arts.

He is represented by the Berta Walker Gallery in Provincetown and the Thomas Dean Fine Art, Atlanta GA He has had selected solo exhibitions at the A Gallery in Provincetown, MA, Moira Walsh Gallery, Kittery Maine, Museum School Provincetown Art Association and Museum, Center For Arts In Natick, Natick, MA, the Berta Walker Gallery, Provincetown, MA and the Prince Street Gallery, New York, NY.

Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New Museum, New York (2012); the Turbine Hall, Tate Modern, London (2011) and the Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.

BOOKSHELF «Thornton Dial: Image of the Tiger» is the exhibition catalog for Dial's first solo museum show which opened at the New Museum in New York inmuseum show which opened at the New Museum in New York inMuseum in New York in 1993.

His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).

The Museum of Art in History in Lancaster, California (MOAH Lancaster) is set to open a special exhibition, «The Forest For the Trees,» featuring a solo exhibition by Constance Mallinson and site sp

Recent solo and group exhibitions inclulde Hamburger Bahnhof, Castillo Corrales, Paris; Berlinische Galerie, Kunsthalle Nürnberg; Kunstverein Hamburg, Bergen Kunsthall, ICA, London, the Carnegie Museum of Art, Pittsburgh; the Australian Centre for Contemporary Art, Melbourne; Kunsthalle Baden Baden, Pro Choice, Vienna, Bundeskunsthalle Bonn; the Seattle Art Museum; ArtPace, San Antonio; Portikus Frankfurt am Main, Tokyo Wonder Site, Cubitt, London, Witte de With, Rotterdam; and White Columns, New York.

Katrina Carl, «SBMA Presents Painter Peter Halley for Artist Talk, First Solo Museum Exhibition in the Western U.S.,» Noozhawk, www.noozhawk.com, 27 Oct 2015.

Her works have been selected for solo and group exhibitions nationally and internationally including Annapolis Maritime Museum (MD), DC Arts Center (DC), Greater Reston Arts Center (VA), Hillyer Art Space (DC), The Painting Center (NY), and Gallery 175 in Seoul, Korea.

Recent solo exhibitions and screenings include the Contemporary Art Museum, St. Louis (2012); Museum Tinguely, Basel (2011); the Baltic Centre for Contemporary Art, Gateshead, United Kingdom (2011); and the CAPC, Musée d'Art Contemporain, Bordeaux (2010).

She has exhibited internationally at venues including the Liverpool Biennial, the San Francisco Museum of Modern Art; and P.S. 1, New York; and has had notable solo exhibitions at the University Art Museum at the University of Albany; the Center for Art, Design, and Visual Culture at the University of Maryland Baltimore County; and the Hirshhorn Museum and Sculpture Garden, Washington, DC.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

An installation view of «Untitled» by sculptor Chung Hyun on the first floor of Kumho Museum of Art (Kumho Museum of Art) At his solo exhibition at Kumho Museum of Art in Seoul, Chung, who is well known for his exhibition «The Standing Man» — a group of 47

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Blow by Blow Exhibition catalogue for Blow by Blow, a solo presentation of Arlene Shechet's work at the Tang Museum of Art in Saratoga Springs, NY, from Sept 26, 2009 - Jan 2, 2010.

He arrived in Europe around 1970, and after a period in Holland, settled in England where he became known for his conceptual work, with solo exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel Gallery, London; De Appel, Amsterdam; and the ICA, London.

Her solo exhibition «Carrie Mae Weems: Considered» is on view at the SCAD Museum of Art through June 12; She is directing «Grace Notes: Reflections for Now,» a special performance at Spoleta Festival USA in Charleston, S.C. (June 4 - 5); and her book «Carrie Mae Weems: Kitchen Table Series,» which explores one of her early and most acclaimed bodies of work, was published last month.

Since 2005, he has had twelve solo exhibition in the United States and Europe and numerous group exhibitions at venues that include, among others: MoMA PS1, New York, NY; Nevada Museum of Art, Reno, NV; de Cordova Sculpture Park and Museum, Lincoln, MA; DiverseWorks, Houston, TX; RISD Museum, Providence, RI; Weatherspoon Art Museum, Greensboro, NC; Futura, Prague, Czech Republic; El Museo del Barrio, New York, NY; The Drawing Center, New York, NY; Yerba Buena Center for the Arts, San Francisco, CA; Federico Luger, Milan, Italy; Sue Scott, New York, NY.

Opie created new work for the Wexner Center's presentation of Hard Targets (2010) and her work was featured solo exhibitions at the Institute of Contemporary Art, Boston (2011) and the Los Angeles County Museum of Art (2010).

The recipient of numerous honours and awards, Jonas's most recent solo exhibitions include the U.S. Pavilion at the 56th Venice Biennale 2015, Centre for Contemporary Art, Kitakyushu Project Gallery, Japan (2014); Kulturhuset Stadsteatern Stockholm (2013); Proyecto Paralelo, Mexico (2013); Contemporary Arts Museum, Houston (2013); Bergen Kunsthall, Norway (2011); and Museum of Modern Art, New York (2010).

«Mickalene Thomas: Origin of the Universe,» coincided with the artist's first solo museum exhibition and «Muse: Mickalene Thomas, Photographs» gathers her photography work for the first time.

Other important solo exhibitions include Asia Society in New York (2011 - 12), Baltic Centre for Contemporary Art in Newcastle, UK (2009), Malmo Konsthall in Sweden (2006), Whitney Museum of American Art in New York (2003), Museum of Fine Arts in Boston (2002), Walker Art Center in Minneapolis (2002), Museum of Contemporary Art in Chicago (1999), Foundation Cartier in Paris (1999), and the Institute of Contemporary Arts in London (1998).

Recently, he had solo exhibitions at Overgaden Institute for Contemporary Art, Copenhagen, Denmark; IKM Museum, Oslo, Norway; Fries Museum, Leeuwarden, Netherlands; Sprengel Museum, Hannover, Germany; and Devron Arts, Huntly, Aberdeenshire, Scotland.

For her first solo museum exhibition, B. Ingrid Olson has taken over the Albright - Knox's Gallery for Small Sculpture with a site - specific installatiFor her first solo museum exhibition, B. Ingrid Olson has taken over the Albright - Knox's Gallery for Small Sculpture with a site - specific installatifor Small Sculpture with a site - specific installation.

Selected solo exhibitions include: The High Museum, Atlanta; Guggenheim, Bilbao (2015 — 6); Tate St Ives; Turner Contemporary, Margate (both 2012); The National Portrait Gallery, London (2010); Irish Museum of Modern Art, Dublin (2007); Albertina, Vienna (2010); Saatchi Gallery, London (1998); P.S. 1 / Institute for Contemporary Art, New York (1997 - 8); Instituto Valenciano de Arte Moderno, Valencia (1996); Staatliche Kunsthalle, Baden - Baden (1995); Brooklyn Musuem (1988); Vancouver Art Museum (1977).

Selected solo and group exhibitions for 2013 - 2014 include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.

Her works have been selected for solo and group exhibitions nationally and internationally including Annapolis Maritime Museum (MD),...

@ Blaffer Art Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger Museum, University of Houston Houston, Texas For her first solo museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger museum exhibition, British - Nigerian video artist and filmmaker Zina Saro - Wiwa is presenting recent photography and video and sound installations produced in the Niger Delta.

Her work has been featured in solo exhibitions at NICC, Brussels (2017), the Palais de Tokyo, Paris (2016), Yerba Buena Center for the Arts, San Francisco (2015), The Wexner Center for the Arts, Columbus (2010), and Art in General, New York (2009), and in group exhibitions at Göteborg Konsthall, Sweden (2017), White Cube Bermondsey, London (2017), The Hammer Museum, Los Angeles (2014), ICA London (2012), Guangdong Times Museum, Guangzhou, China (2011), P.S. 1, New York (2010), and Oakville Galleries, Toronto (2010), among many others.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Solo museum exhibitions include «Paintings 1975 - 1995,» Metropolitan Museum of Art, New York (1995, traveled to Modern Art Museum of Fort Worth; Kunstverein Düsseldorf; and Hayward Gallery, London); Irish Museum of Modern Art, Dublin (2006, traveled to Tate Britain, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (museum exhibitions include «Paintings 1975 - 1995,» Metropolitan Museum of Art, New York (1995, traveled to Modern Art Museum of Fort Worth; Kunstverein Düsseldorf; and Hayward Gallery, London); Irish Museum of Modern Art, Dublin (2006, traveled to Tate Britain, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum of Art, New York (1995, traveled to Modern Art Museum of Fort Worth; Kunstverein Düsseldorf; and Hayward Gallery, London); Irish Museum of Modern Art, Dublin (2006, traveled to Tate Britain, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum of Fort Worth; Kunstverein Düsseldorf; and Hayward Gallery, London); Irish Museum of Modern Art, Dublin (2006, traveled to Tate Britain, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum of Modern Art, Dublin (2006, traveled to Tate Britain, London; and Museo Nacional Centro de Arte Reina Sofía, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum of Contemporary Art, Tilburg, The Netherlands; and San Diego Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (Museum of Art); and «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013).

Forthcoming solo exhibitions are scheduled for Castello di Rivoli (2015); and The Aspen Art Museum, Aspen (2016).

Wallinger has held solo exhibitions at institutional venues including Dundee Contemporary Arts, Dundee, Scotland (2017); The Fruitmarket Gallery, Edinburgh, Scotland (2017); Serlachius Museum / Art Museum Gösta, Mänttä, Finland (2016); BALTIC Centre for Contemporary Art, Gateshead, England (2012); Museum de Pont, Tilburg, Netherlands (2011); Kunstnernes Hus, Oslo, Norway (2010); Aargauer Kunsthaus, Aarau, Switzerland (2008); Museo de Arte Carillo Gill, Mexico City, Mexico (2005); Neu Nationalgalerie, Berlin, Germany (2004); Vienna Secession, Vienna, Austria (2000); Tate Liverpool, Liverpool, England (2000); Palais Des Beaux Arts, Brussels, Belgium (1999); Museum for Gegenwartskunst, Basel, Switzerland (1999); the Serpentine Galleries, London, England (1995).

This week, highlights include the long - awaited opening of the Smithsonian National Museum of African American History and Culture; the announcement of the MacArthur Foundation's 2016 fellows, including Kellie Jones and Joyce J. Scott; a new report from the National Endowment for the Arts; and solo exhibitions featuring Julie Mehretu and Willie Cole.

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Venues for solo exhibitions include: the Institute of Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal organized by Creative Time.

For many distinguished artists, including Richard Tuttle, Neil Jenney, Jon Borofsky, Daniel Buren, Sylvia Plimack Mangold, Nancy Spero, Louise Lawler, Barbara Kruger, Gerhard Richter, Lorna Simpson, Carrie Mae Weems, and Glenn Ligon, their MATRIX show at the Wadsworth Atheneum was their first solo museum exhibition in the United States.

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).