Sentences with phrase «museum solo exhibitions as»

Versions of the sculpture have been included in traveling museum solo exhibitions as well as important international group exhibitions, including the Asia Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Gallery of Modern Art, Brisbane (2002); Whitney Biennial in Central Park, New York (2004); and Louvre's Sculpture Programme for FIAC in the Jardin des Tuileries, Paris (2010); among others.

Not exact matches

He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».

«Tea Ceremony» is the first solo exhibition to be held at the museum since it opened more than 30 years ago as a site to house and exhibit Noguchi's work.

Cai has been the subject of numerous international solo exhibitions, including «Cai Guo - Qiang — An Explosion Event: Light Cycle Over Central Park» (2003) at Asia Society Museum, as well as a part of such seminal group exhibitions as Asia Society's «Inside Out: New Chinese Art» (1998).

As part of her residency and solo exhibition, Donegan will premiere a new fashion line in a presentation at the museum.

Recent exhibitions of Uecker's work include a large - scale retrospective at K20 am Grabbeplatz, Kunstsammlung Nordrhein - Westfalen, Düsseldorf, in 2015; and a solo exhibition, Tribute to Hafez, at the Imam Ali (AS) Religious Arts Museum, Tehran, in 2016.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

The selection includes major solo museum exhibitions such as Kerry James Marshall at MCA Chicago; Simone Leigh at the New Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in Hmuseum exhibitions such as Kerry James Marshall at MCA Chicago; Simone Leigh at the New Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum in Harlem.

Since then Marden has been the subject of numerous solo exhibitions at venues such as the Dia Center for the Arts, New York and the Fogg Art Museum, Cambridge, MA.

In 2004 he was the subject of a solo exhibition at the Kunsthalle Bremerhaven in Germany, as well as the Museum für Gegenwartskunst, Basel, Switzerland.

Scully has shown extensively, both nationally and internationally, including, most recently, at the Philadelphia Museum of Art (Sean Scully, 2012 - 13), and the Lentos Kunstmuseum Linz, Linz, Austria and Kunstmuseum Bern, Bern, Switzerland (Sean Scully: Retrospective, 2012), as well as in in several solo exhibitions in the United States, Ireland, England and Germany.

Since 2005, he has had 16 solo exhibitions in the United States and Europe in addition to numerous group exhibitions at venues such as MoMA PS1, the Nevada Museum of Art, The Drawing Center and Yerba Buena Center for the Arts.

His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).

As well as participating in several group exhibitions in the United States and abroad, she has held solo exhibitions at the Contemporary Art Museum St. Louis, the Museum of the African Diaspora (San Francisco), and, most recently, the Whitney Museum of American Art (New YorkAs well as participating in several group exhibitions in the United States and abroad, she has held solo exhibitions at the Contemporary Art Museum St. Louis, the Museum of the African Diaspora (San Francisco), and, most recently, the Whitney Museum of American Art (New Yorkas participating in several group exhibitions in the United States and abroad, she has held solo exhibitions at the Contemporary Art Museum St. Louis, the Museum of the African Diaspora (San Francisco), and, most recently, the Whitney Museum of American Art (New York).

Several renowned museums have presented Mori's solo exhibitions, as well as acquired Mori's works in their collections, including Centre Georges Pompidou, in Paris (France); The Prada Foundation, in Milan (Italy); The Museum of Contemporary Art, in Chicago (USA); The Los Angeles County Museum of Art, in Los Angeles (USA).

Selected solo and group exhibitions include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; and Radical Presence at The Studio Museum in Harlem among many others.

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

Several years later, in 2013, the Museum of Modern Art in Stockholm held the, as of yet, largest retrospective solo exhibition of the artist, featuring a collection of approximately 230 paintings.

E.V. Day has had numerous solo exhibitions, at such institutions as the Whitney Museum of American Art at Philip Morris, New York; Bellevue Art Museum, Bellevue, Washington; and a 10 - year survey at the Johnson Museum of Art, Cornell University.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Following numerous gallery and museum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there inmuseum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there inMuseum of Art, New York, with his career - spanning retrospective there in 1971.

His work can be seen today in solo exhibitions and the collections of major museums such as the Museum of Modern Art in New York, the Centre Pompidou in Paris and the Museo Nacional Centro de Arte Reina Sofía in Madrid.

She has had solo shows at the Moderna Museet, Stockholm; Cubitt, London; and Zach Feuer Gallery, New York, and has participated in group exhibitions at the Mori Museum, Tokyo; Museum of Contemporary Art, Los Angeles; Reina Sofia, Madrid; as well as the PERFORMA 05 and PERFORMA 07 Biennials, New York.

Raymond Pettibon: A Pen of All Work, the solo exhibition by «the enigmatic, fantastically erudite artist,» as Peter Schjeldahl wrote in his review in The New Yorker, traveled to the Bonnefantenmuseum Maastricht in The Netherlands following its critically acclaimed debut at the New Museum in New York.

She has had solo exhibitions at the New Museum, Storm King Art Center, Willard Gallery, Leo Castelli Gallery, Lennon Weinberg Gallery, and Betty Cunningham Gallery in New York City, as well as in galleries in Los Angeles and Chicago

He has been subject to numerous solo and group exhibitions in galleries across the country as well as abroad lending to most of his works becoming key pieces in many prominent private and public collections including The Metropolitan Museum of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC.

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

Selected solo and group exhibitions for 2013 - 2014 include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Throughout his distinguished career the artist's work was showcased in solo exhibitions worldwide at prominent venues such as The Museum of Modern Art, NY, the Stadtisches Kunsthalle, Düsseldorf, Germany, and the Fundació Antoni Tàpies, Barcelona, Spain, among many other places.

Michael Takeo Magruder, The Horse as Technology, part of De / coding the Apocalypse, solo exhibition, Panacea Museum, Bedford, UK, 2018.

His works have been exhibited around the world, in prestigious institutions and galleries, with solo exhibitions such as William Klein + Daido Moriyama, Tate Modern (London, 2012); On the Road, The National Museum of Art, Osaka (2011); Daido Retrospective 1965 - 2005 / Daido Hawaii, at the Tokyo Metropolitan Museum of Photography (2008), Centro Andaluz de Arte Contemporaneo, Sevilla (2007), Foam (Amsterdam, 2006), Fondation Cartier pour l'art contemporain (Paris, 2003), Fotomuseum Winterthur (Winterthur, 2000), San Francisco MOMA (1999, saw ell as the Metropolitan Museum, New York).

One Hour of Birds was exhibited in a two - person show at The Indianapolis Museum of Contemporary Art (iMOCA) from January 12 — March 20th, 2016, and as part of a solo exhibition at the San Luis Obispo Museum of Art (SLOMA) from April 1st — May 31st, 2016.

Michael Williams is published to accompany the artist's first US solo museum exhibition, at Carnegie Museum of Art, where he presents a new body of his large - scale paintings as well as drawings that mix collage and free - associative mark - mmuseum exhibition, at Carnegie Museum of Art, where he presents a new body of his large - scale paintings as well as drawings that mix collage and free - associative mark - mMuseum of Art, where he presents a new body of his large - scale paintings as well as drawings that mix collage and free - associative mark - making.

He subsequently had major retrospectives at the China National Museum of Fine Arts, Beijing, and the new Shanghai Museum, as well as a solo exhibition at the Musée Granet in Aix - en - Provence, France.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Rosner's exhibition history includes group and solo shows at The Newcomb Art Museum of Tulane (New Orleans, LA), The Aldrich Contemporary Art Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas Contemporary.

Martin, born in San Francisco in 1973 and based in London since 2002, has had solo exhibitions in international venues such as the New Museum, New York, Museum of Contemporary Art, Chicago, Kunsthalle Zürich, and the Stedelijk Museum, Amsterdam.

In addition to a decade - long run of solo exhibitions, Ebtekar's work has been featured at galleries such as Whatcom Museum, Bellingham, WA; Waterhouse & Dodd, London, UK; The Third Line, Doha, UAE; Yerba Buena Center for the Arts, San Francisco, CA; ordiska Akvarellmuseet, Skarhamn, Sweden and the Chelsea Art Museum, New York, NY.

Yeong Gill Kim's solo show at API followed by his solo exhibition at the Kumho Museum of Art, Seoul, Korea gives rise easily to the question as to how this painter of Korean origin who now lives and works in New York has arrived at two places at once.

Solo exhibitions of her work have been at institutions in Chicago, including Anchor Graphics and the Contemporary Arts Workshop, as well as the Krasl Art Museum (MI).

His recent solo exhibitions at the Museum of Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent work — a striking series of small works on paper and panels and an impressive collection of large scale paintings on canvas — work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

Joe Zucker's solo museum exhibitions include the Whitney Museum of Art and the Museum of Modern Art, New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worlmuseum exhibitions include the Whitney Museum of Art and the Museum of Modern Art, New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worlMuseum of Art and the Museum of Modern Art, New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worlMuseum of Modern Art, New York; Museum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worlMuseum of Contemporary Art, Chicago, as well as numerous gallery shows in New York (including Mary Boone, Leo Castelli, Nolan / Eckman, and Paul Kasmin) and in venues worldwide.

He has had solo exhibitions at institutions such as Deland's Museum of Art and The Butler Institute of Art in Youngstown.

«Often times the ideas are consistent, but the materials are reimagined and reapplied as she sees them through a different set of circumstances,» said Nancy on Macuga's work, some of which was lent from their collection to the Museum of Contemporary Art during her 2013 solo exhibition.

White has had solo gallery exhibitions at the Andrea Rosen Gallery, New York; FA Projects, London; Loock Gallery, Berlin; Brandstrom Gallery, Stockholm; as well as solo institutional exhibitions at The Santa Barabara Contemporary Arts Forum; Domus Artium in Salamanca, Spain; Oslo Kunstforening in Oslo, Norway; and the Aldrich Museum of Contemporary Art, in Ridgefield, CT..

Since, his work has been shown extensively in international photography zines, gallery exhibitions, and websites, as well as presented as a solo program at the Museum of Arts and Design (NYC) in 2011.