Sentences with phrase «museum solo exhibitions with»

Not exact matches

Newhall set up Webb the same year with his first solo exhibition, at the Museum of the City of New York, entitled I See a City.

The second was when Frohawk Two Feathers (an artist we have been working with since day one at the gallery) opened a solo exhibition at the Museum of Contemporary Art in Denver this past summer.

Qatar Tourism Authority has joined forces with the Qatar Museums Authority to announce Relics, the first solo exhibition in the Middle East dedicated to the iconic British artist Damien Hirst.

Talk: «Art and Equity» at Barnard College At this event, Toyin Ojih Odutola — whose solo exhibition at the Whitney Museum is on view through February 25 — will be in conversation with South African artist Mary Sibande, who will discuss questions related to aesthetics, gender, race, justice, and the political role that artists can play.

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

Exhibition: Erika Vogt, «Stranger Debris Roll Roll Roll,» at the New Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&Museum For her first solo museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.&museum presentation, Los Angeles - based installation artist Erika Vogt will fill the lobby gallery with «a dense arrangement of cast plaster and found objects that float in the gallery space like a field of debris.»

There are solo exhibitions, museum shows, grants and awards, residencies, travel abroad with international exhibitions, private collectors and good collections, sales, perhaps even enough sales to support one's studio or actually pay the bills.

In collaboration with Portland Museum of Modern Art (PMOMA), Museum of Contemporary Art Santa Barbara (MCASB) presents Midori Hirose's first solo museum exhibition, Midori Hirose:Museum of Modern Art (PMOMA), Museum of Contemporary Art Santa Barbara (MCASB) presents Midori Hirose's first solo museum exhibition, Midori Hirose:Museum of Contemporary Art Santa Barbara (MCASB) presents Midori Hirose's first solo museum exhibition, Midori Hirose:museum exhibition, Midori Hirose: Of...

The artist's first U.S. solo museum exhibition, Volta Photo: Starring Sanlé Sory and the Good People of Bobo - Dioulasso in the Small but Musically Mighty African Country of Burkina Faso, is curated by Matthew S. Witkovsky and will open at the Art Institute of Chicago on April 27, 2018, with an accompanying catalog by Steidl Verlag.

Recent solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «Recent Sculptures», Lincoln Center, New York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore Museum of Art (2008 - 2009, traveled to Los Angeles County Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).

Recent solo and group exhibitions inclulde Hamburger Bahnhof, Castillo Corrales, Paris; Berlinische Galerie, Kunsthalle Nürnberg; Kunstverein Hamburg, Bergen Kunsthall, ICA, London, the Carnegie Museum of Art, Pittsburgh; the Australian Centre for Contemporary Art, Melbourne; Kunsthalle Baden Baden, Pro Choice, Vienna, Bundeskunsthalle Bonn; the Seattle Art Museum; ArtPace, San Antonio; Portikus Frankfurt am Main, Tokyo Wonder Site, Cubitt, London, Witte de With, Rotterdam; and White Columns, New York.

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Bloom Projects Exchange Series: Midori Hirose, Of The Unicorn (and the Sundowner Kids), Midori Hirose's first solo museum exhibition, is presented in collaboration with Portland Museum of Modern Art (Pmuseum exhibition, is presented in collaboration with Portland Museum of Modern Art (PMuseum of Modern Art (PMOMA).

Following numerous gallery and museum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there inmuseum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there inMuseum of Art, New York, with his career - spanning retrospective there in 1971.

1:30 — 2:30 pm Thomas J. Lax in conversation with Sondra Perry Sondra Perry, the subject of the solo exhibition Resident Evil at The Kitchen (2016) and Thomas J. Lax (Associate Curator, Museum of Modern Art) discuss legacies of media art, the role of appropriation, and the stakes of representing violence and social protest.

He arrived in Europe around 1970, and after a period in Holland, settled in England where he became known for his conceptual work, with solo exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel Gallery, London; De Appel, Amsterdam; and the ICA, London.

Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in Decmuseum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in DecMuseum of Contemporary Art in December.

His film Pacific Sun is on view at the Los Angeles County Museum of Art through April 2015 and will run concurrently with a solo exhibition of new work opening in January at Matthew Marks Gallery, Los Angeles.

«Mickalene Thomas: Origin of the Universe,» coincided with the artist's first solo museum exhibition and «Muse: Mickalene Thomas, Photographs» gathers her photography work for the first time.

Recent solo exhibitions include: Hierophanies, The Swiss Church, London, UK (2017); Unobservables, narrative projects, London, UK (2016); An Archaeology of Cinema, Dagestan Museum of Fine Art, Makhachkala, RU (2015); Object Interviews, Swiss Cottage Gallery, London, UK (2015); Once More, With Feeling!

In addition to receiving the award in the amount of $ 100,000, McMillian will receive a solo exhibition at the museum's downtown venue, the Jones Center, with the option to extend the exhibition to the museum's fourteen - acre outdoor site, the Betty and Edward Marcus Sculpture Park at Laguna Gloria.

For her first solo museum exhibition, B. Ingrid Olson has taken over the Albright - Knox's Gallery for Small Sculpture with a site - specific installation.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Marlborough has discreetly collaborated with, and assisted, museums in Britain and abroad with solo exhibitions or major retrospectives of their artists.

Wright has exhibited extensively in England and Ireland since 1994, with solo exhibitions at many venues including, Prayer Project, The Davis Museum at Wellesley College, Massachusetts, 2017; Emotional Archaeology, R.H.A Gallery, Dublin, 2017 and The Arnolfini, Bristol, 2016, Where Do Broken Hearts Go, Douglas Hyde Gallery, 2002, Nonsense with Death, Sligo Art Gallery, 2001, and Daphne Wright, Limerick City Art Gallery, 2006, Cornerhouse, Manchester, 1994, The New Art Centre Sculpture Park and Gallery and The Lowry, 2001.

His work has been shown widely, with solo exhibitions at the Hammer Museum in Los Angeles, the Whitney Museum of American Art in New York, and the Portland Art Museum in Oregon.

His works have been exhibited around the world, in prestigious institutions and galleries, with solo exhibitions such as William Klein + Daido Moriyama, Tate Modern (London, 2012); On the Road, The National Museum of Art, Osaka (2011); Daido Retrospective 1965 - 2005 / Daido Hawaii, at the Tokyo Metropolitan Museum of Photography (2008), Centro Andaluz de Arte Contemporaneo, Sevilla (2007), Foam (Amsterdam, 2006), Fondation Cartier pour l'art contemporain (Paris, 2003), Fotomuseum Winterthur (Winterthur, 2000), San Francisco MOMA (1999, saw ell as the Metropolitan Museum, New York).

Last exhibiting at the gallery five years ago, his Rome show coincides with the artist's participation in major international exhibitions, including this year's Venice Biennale, where he represented Finland together with Erkka Nissinen, and his upcoming solo show at the prestigious New Museum (New York) in February 2018.

It begins with «Born by the River,» her Gwendolyn Knight and Jacob Lawrence Prize solo exhibition at the Seattle Museum of Art and concludes with the publication of her first book, «The Notion of Family» with the Aperture Foundation.

Erik van Lieshout has participated in numerous important solo and group exhibitions at home and abroad including S.M.A.K, Ghent, Istanbul Museum of Modern Art, BAWAG Contemporary, Vienna, Witte de With Center for Contemporary Art, Ludwig Museum, Cologne, New Museum, New York, Kunsthaus, Zurich, Hammer Museum, Los Angeles, Walker Art Center, Minneapolis, Tate Modern, London, ICA London, Museum Boijmans Van Beuningen, Rotterdam, the 2006 Gwangju Biennale, Stedelijk Museum, Amsterdam, 2005 Sjarjah Biennial, Centre Pompidou, Paris, Centre d'Art Contemporain, Geneva, and the Museum of Modern Art, Tokyo.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

He has had solo exhibitions in recent years at the Museum of Modern Art, Fort Worth, Texas (2012), Museum of Contemporary Art, Denver (2009) and at BALTIC Centre for Contemporary Art, Gateshead (2005), with work featured in group exhibitions at venues including the Albright - Knox Art Gallery, Buffalo, NY (2011), the Ullens Center, Beijing (2010), the Contemporary Arts Museum, Houston, Texas (2008), Deste Foundation, Athens (2007), Kunsthalle Wien (2007), Museum of Contemporary Art, Shanghai (2007), The Royal Academy of Arts, London (2006), and the Museum of Contemporary Art, Chicago (2003).

- Recent solo exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2with Your Eyes, Kumu Art Museum, Tallinn, 2018; CC Foundation & Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice; Earth Potential, City Hall Park, Public Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015; Art Basel Hong Kong, 2015; Pattern of Activation, Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.

Lucchini works with galleries in Germany and Switzerland and has had many exhibitions in museums, including solo shows at the Mendrisio Palazzo Pollini, Ferrara; Pallazzo dei Diamanti; Locarno Pinacoteca Casa Rusca; and Neuchatel Museum of Art and History, Switzerland.

Solo exhibitions (selection): Kubus, Wien (with Richard Hoeck, 2013); Museum Ludwig, Cologne (2011); Kunsthalle Zurich (2009); Cabinet des Estampes at Museum of Modern and Contemporary Art, Geneva (2004); The Morris and Helen Belkin Gallery, University of British Columbia, Vancouver (with Mike Kelley, 2000); Le Magasin, Centre National d'Art Contemporain de Grenoble; Kunstverein Hamburg (1999).

The Cleveland Museum of Artis showing a complete solo exhibition with the work of Alex Katz from the 1950s this summer.

We warmly invite you to view this exhibition featuring the works from her most recent solo show at Sumpu Museum in Shizuoka, accompanied with new works.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

Cain's forthcoming projects include a solo exhibition this fall at the Aspen Art Museum in collaboration with the Aspen Skiing Company.

Join us for a family workshop offered in conjunction with the exhibition «Leonor Antunes: I Stand Like A Mirror Before You,» which marks the Portuguese artist's first solo exhibition in New York and features site - specific works in the New Museum's Lobby Gallery.

Solo exhibitions include the Carnegie Museum of Art, Pittsburgh, Witte de With, Rotterdam, Neuer Aachener Kunstverein, Aachen, Artspace, Auckland and the Hammer Museum, Los Angeles.

She has presented her work at the MCA Chicago, PS1 MoMA, the New Museum, The Kitchen, the Queens Museum, the International Biennale of Contemporary Art in Prague, and most recently with a solo exhibition at DePaul Art Museum.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Yun - Fei Ji: The Intimate Universe, at the Ruth and Elmer Wellin Museum of Art, Hamilton College in Clinton, New York is the Beijing - born artist's largest solo exhibition to date in the United States, with works from 2006 to the present.

Solo exhibitions include the Carnegie Museum of Art, Pittsburgh, Witte de With, Rotterdam, Neuer Aachener Kunstverein, Aachen, and a survey exhibition at Artspace, Auckland, New Zealand.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

After exhibiting for several years, Gastaldon's career finally caught fire in 2006 with solo gallery shows in Zurich, London, and Paris, a spot in Art Basel's Statements section, and a solo museum exhibition in Switzerland.