Sentences with phrase «museum studies class»

The show was curated by students in The Ross School's Museum Studies Class, led by Visual Arts Chairperson Jennifer Cross.

Originally built as a temporary installation for «A View Through,» a 1975 exhibition organized by a Museum Studies class, Irwin gave permission to reconstruct it in permanent materials in 1976.

«Learning from somebody who's not our teacher is interesting,» reflects Aliyah, a Hood River Middle School student in Segal's museum studies class.

«I regularly access outside professionals,» says Segal, who created a new museum studies class this year for period six.

To commemorate Hood River County School District's 150th anniversary, her museum studies class is turning an old ticket office at the front of their auditorium into a museum.

In Segal's museum studies class — where her students are turning an old ticket office at the front of their auditorium into a museum — these are some of the Common Core standards that she addresses:

Not exact matches

Discovered by Museum of Natural and Cultural History paleontologist Greg Retallack during a 2014 class field trip on fossils at the UO, the Ice Age trackway is the focus of a new study appearing online ahead of print in the journal Palaeogeography, Palaeoclimatology, Palaeoecology.

Earlier in the quarter, the class traveled to California to study the portraits at the Phoebe A. Hearst Museum of Anthropology at the University of California, Berkeley, which will loan the portraits to the Block Museum.

The money will give pupils a range of cultural opportunities including training at the Royal Ballet School in London, film - making classes at the BFI Film Academy and free opportunities to study art and design at their local college or university; and visits to museums and galleries, using quality resources to support their classroom teaching.

And after learning that this year marked Hood River County School District's 150 - year anniversary, Sarah Segal, a HRMS sixth - grade literacy, social studies, science, and language arts teacher, created a museum studies enrichment class to celebrate their local history.

Finally, having studied artefacts from the Staffordshire Hoard of Anglo - Saxon treasures, the class takes the opportunity to make copies of some of them and display them in a working classroom museum, complete with security guard and receptionist!

She's also studied in New York City at the National Academy Museum and School and the Art Students League of New York, where she currently monitors two classes.

Research and Viewing: Fine Art, Archives, and Special Collections: The following guidelines for class access have been developed to facilitate the use of collections while maintaining the safety and security of the irreplaceable objects and material culture owned and entrusted to the Center for Curatorial Studies and Hessel Museum of Art.

A 1978 graduate of the Radcliffe Graduate Seminars Program in Landscape and Environmental Design she has studied at MASSART and the Museum School in addition to studio classes painting with artists in Boston and Cape Cod.

A Sense of Hope: The Photographs of W. Eugene Smith — Museum Techniques Student Exhibition June 8 - July 3, 2003 As their final project, students from the Museum Studies Seminar class have organized an exhibition of the photos of W. Eugene Smith, a native Wichitan.

Born in Boston in 1925, she studied at the Modern School of Fashion Design and attended evening drawing and painting classes at the Boston Museum School.

His mother, who had studied illustration at the Art Institute of Chicago, took him to art classes at the Dallas Museum of Art and had her own passion for flower arranging.

Throughout her childhood, she spent Saturdays at the Art Institute of Chicago, taking figure drawing and painting classes, and then wandering through the museum alone, studying Seurat, Monet, Toulouse - Lautrec.

She attended Washington Irving High School in Manhattan, then studied at and worked for The Brooklyn Museum Art School from 1950 to 1958 where she took classes with the painters Max Beckmann and Rubin Tam.

The History of Perception was first incubated during a class visit to the Smart's study room and is one of several concurrent exhibitions that showcase the ways in which the Smart Museum engages with and shares the intellectual life of the University with the broader public.

Class disciplines include art history, museum studies, graphic design, fashion, production design and many more.

Classes are often scheduled at museums and galleries to study and observe how master artists approach similar problems that we confront in the studio.

Co-taught by Edith Wolfe, Assistant Director of the Stone Center for Latin American Studies, and museum Director Monica Ramirez - Montagut, the class — which traveled to the island in March 2017 — asks how Puerto Rican socially engaged activists and artists address problems of gender, food access, blight, loss of traditions, and other issues affecting their communities.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

«The curatorial studies program offers our students a unique opportunity to learn first - hand what it takes to create a first - class exhibition,» said Spelman President Mary Schmidt Campbell, Ph.D. «It's also a prime example of the College's mission to develop programs and spaces much like the Museum and our planned arts, innovation and entrepreneurship center that harness the power of a liberal arts education.»

Tony Oursler's New Works Tackle the «Uncanny» in Sculpture and at Adobe Museum In his study of the «uncanny,» Sigmund Freud writes, «The uncanny is that class of the frightening which leads back to what is known of old and long familiar.»

And I went to the Bridget Riley show because Gordon Hart, whom I met at Reuben Tam's class at the Brooklyn Museum studied with Bridget Riley, and Gordon wanted to go.

Completed in 2006, without upsetting the intimate mood of the building, the expansion has enabled the development of The Phillips Collection Center for the Study of Modern Art, and has greatly improved the Museum's art appreciation and educational classes.

A 2000 graduate of the Whitney Museum Independent Study Program, Geyer works with photography, video and performance, using both fiction and documentary strategies in order to address larger concepts such as national identity, gender, and class in the context of the ongoing re-adjustment of cultural meanings and social memories.

Kainen's self - education in museums and libraries, where he studied the work of Rembrandt, Diego Velázquez, John Constable, and Paul Cézanne, among others, had a more profound influence on his art than his early classes at the Art Students League and Pratt Institute.

2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ