Starring James Cagney as ruthless bootlegger Tom Powers, The Public Enemy — aside from its obvious focus on the criminal underworld — first taught Scorsese the idea of using
music as counterpoint, particularly in the final scene where Cagney arrives home dead with the lighthearted «Forever Blowing Bubbles» playing in the background.
Puttnam, who worked with him on Midnight Express, intended to use electronic
music as a counterpoint to the traditional songs of the period, setting Abrahams» performance in HMS Pinafore against the synth - driven montage of Liddell running over the Scottish hills.
Not exact matches
The development of such a comprehensive view has long been a need, for it has become clearer and clearer
as we have become familiar and involved with a constantly widening horizon of different musical aims and practices, that the old «common practice» theories of harmony and
counterpoint could no longer be overhauled or extended, but had by necessity to be replaced by a way of description and analysis that treated the «common practice» of Western
music from the late seventeenth to the end of the nineteenth centuries
as only one instance of a much wider musical method and practice that could be applied to all of Western
music, from its origins to the present,
as well
as to
music of other cultures.»
While the pair has their own narrative downbeats to hit, their
music functions
as a kind of Greek chorus, bridging storylines and even supplying some mordant thematic
counterpoint.
And that
music, from Jonny Greenwood, doesn't so much amplify the drama
as dance and whirl with it, in both unison and
counterpoint.
Hoyland's painting has often looked
as though it was aspiring to the condition of
music — this has been mirrored in the vocabulary of critics, who have tended to describe paintings like the aptly titled «Don't Explain» of 1983 in terms of rhythm and
counterpoint.
In
music, «
counterpoint» implies the juxtaposition and merging of different melodies in a single piece, which Washington employs
as a metaphor for the positive effects of diversity.
These small paintings thus act
as a
counterpoint to the larger works, suggesting how
music and memory intertwine.
We differentiate now between formal tensions and color tensions, just
as we differentiate in
music between
counterpoint and harmony.