By the time we see a concert performance of said
music near the end of the film, it's like an entirely new beast has presented itself.
Not exact matches
There's that great scene
near the
end of the
film where Chris is showing these young musicians old records in his
music shop, introducing them to Mance Lipscomb and the like.
The soundstage widens slightly for Brion's score as well as the pop songs selected by
music supervisor Hal Willner (and to put a little reverb on Brennan's impromptu vocal performance
near the
end of the
film), but it never draws attention to itself.