Not exact matches
Beck sees the
music videos and animations as steppingstones — proof that Riot can create exciting action
sequences, emotionally poignant moments, and any other building blocks needed to tell immersive stories in any medium.
NPR has featured recipes in addition to a math - y
video with v dramatic
music (it's currently playing as I type and it's making everything feel like a fight
sequence in an action movie.)
Ruby's Studio: The Feelings Show: Adorable host Ruby guides kids on a magical journey of learning through a feelings themed art project, original
music videos, gorgeous animated
sequences, and puppetry.
With the exception of a couple of
music video like
sequences, «Polisse» attempts to use a documentary like realism in a story that is framed by Melissa (Maiwenn, who also directed, and not at all well), a photographer, being assigned to follow the unit.
Bonus: • Audio Commentary with Director Tim Burton • «On the Set with Bob Kane» Featurette • «Legends of the Dark Knight: The History of Batman» Documentary • «Shadows of the Bat: The Cinematic Saga of the Dark Knight» Parts 1 - 3 • «Beyond Batman» Documentary Gallery • Prince
Music Videos • Profile Galleries • Storyboard
Sequence • Trailer • Digital Copy • Hardcover Book
A typical example of the mid -»80s «Rat Pack» film, Oxford Blues featured a soundtrack with several forgettable rock songs written expressly for the movie, interjected at intervals into the narrative through
music video - style
sequences.
For fans of the earlier movies, not all is lost: Sie's background as a
music video director and «Step Up» series helmer is readily apparent, and what «Pitch Perfect 3» lacks in catchy tunes, it more than makes up for in genuinely creative and rousing musical
sequences.
It's to former
music video director Liz Friedlander's credit that, despite the schmaltz and the non-sequiturs, the dance
sequences generate so much energy and goodwill that the wider shortcomings (including a lame subplot showing the perils of criminal activity) hardly seem to matter.You may even tap your feet.
A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute
music video that splices action
sequences from the film together with bloopers and sets it to
music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.
In the end they just come across as overblown
music videos instead of action
sequences.
He also knows how to cut together a pop / rock / rap soundtrack to action
sequences and give them the propulsion necessary to get audiences prone to
music -
video editing a few moments of excitement as the principal characters go into their respective battles throughout the fictitious Midway City.
Extras: New audio commentary featuring jazz and film critic Gary Giddins,
music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new
video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title
sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring
music and animation from «King of Jazz.»
Although other films might've depicted a fun - filled female - bonding
sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged
music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.
Ever since a Gears of War trailer used the Gary Jules cover of «Mad World» (from the Donnie Darko soundtrack) a couple of years ago,
video game developers have started to realize that slow mo
sequences and atmospheric
music makes a much stronger impression than rapid fire editing and nu - metal.
Lynch transfers his own mercurial consciousness to his characters, and his two best films are about being trapped and being vulnerable, though each one has happy intervals of escape, all conceived in musical terms — a song about heaven in Eraserhead and the magnificent celebratory
sequence behind the final credits of Inland Empire, a Felliniesque
music video staged around Nina Simone's «Sinnerman.»
You can also create custom playlists of tracks to play through in
sequence and there's even a nifty gallery option for taking photos in the
music videos.
Starting with «Goldeneye,» the title
sequences («Quantum of Solace» aside) have been designed by commercial and
music video director Daniel Kleinman.
The new, previously unreleased bonus features will include: • Audio commentary • Full - length documentary, «The Making of Lilo & Stitch» with scene selections and notes • 2 Animator Conversations: «Andres Deja discusses Lilo» and «Alex Kupershmidt discusses Stitch» • Deleted scenes & Early Concepts • Chris Sanders» Photo gallery • 2 new
music videos: «Your Ohana», «Suspicious Minds» by Gareth Gates • The Style Book of Chris Sanders • The Story of Stitch • A Conversation with Joe Grant and Dean DeBlois • Ric Sluiter Interviews Maurice Noble • Dean DeBlois pitches a New
Sequence • Mulan: «Mulan's Decision» • Dumbo: «The Train Arrives»
The special features included are a Martial Arts Awesomeness
Music Video which features the best fight
sequences in the beat of «Kung Fu Fighting».
Though it most comes alive in game
sequences, which are depicted with many layers of sound and perspective and set to short clips of hip hop, hard rock and at one point Bill Withers, the film also depicts parties, publicity, and the filming of a rap
music video.
For Your Eyes Only M Audio Commentary Featuring Sir Roger Moore M «The Complete Special Features Library: Mission Dossier» — Audio Commentary Featuring John Glen and Actors M Audio Commentary Featuring Michael G Wilson and Crew M «Declassified: MI6 Vault» o Deleted Scenes and Expanded Angles o Bond in Greece, Bond in Cortina o Neptune's Journey M SEARCH CONTENT EXPANDED «007 Mission Control» Interactive Guide Into the World of For Your Eyes Only — REFINISHED IN HD Exotic Locations Featurette M «Mission Dossier» o REFINISHED IN HD Inside For Your Eyes Only o Animated Storyboard
Sequences M Sheena Easton's «For Your Eyes Only»
Music Video M «Ministry of Propaganda» — Original Trailers, TV Spots, Photo Gallery and Radio Communications
Trish Sie made a name for herself directing finely choreographed and YouTube - smashing
music videos for the band OK Go, and her eye for shooting the many
music sequences is undeniable.
Bonus features include a commentary track with director Julie Anne Robinson and co-producer Jennifer Gibgot, a behind - the - scenes set tour with young co-star Bobby Coleman, an alternate opening
sequence, deleted scenes and not only the
music video for «When I Look At You» by Miley Cyrus, but a making - of featurette for the
video.
Bonus: • Q&A Commentary with Director Robert Zemeckis and Producer Bob Gale • Audio Commentary with Producers Bob Gale and Neil Canton • «Tales from the Future» Featurettes • «The Making of Back to the Future» Featurette • «Making the Trilogy: Chapter One» Featurette • «Back to the Future Night» Featurette • Michael J. Fox Q&A • Deleted Scenes with Optional Commentary from Producer Bob Gale • Outtakes • «Nuclear Test Site
Sequence» • Original Makeup Tests • Photo Galleries • Theatrical Teaser Trailer •
Music Video • «U-Control» Interactive Feature
A number of bonus features from Spider - Man 2's original DVD are not included here: another Spidey Sense graphic subtitle trivia track, Train's «Ordinary»
music video, four making - of webisodes, the 15 - minute «Interwoven: The Women of Spider - Man», «Enter the Web» (multi-angle B - roll from the filming of four
sequences), a gallery of Alex Ross» paintings of scenes from the original film used in the opening credits, a trailer for and making - of featurette on Activision's Spider - Man 2
video game, and, least importantly, DVD - ROM content supposedly consisting of weblinks and an S - M 3 countdown which I couldn't even get to work (trying to use InterActual these days is a disaster).
Wright already gave the trick a try in the
music video for Mint Royale's «Blue Song,» but that was just a dry run to this ecstatic prologue — a
sequence that shifts gears from Elgort's dorky - cool lip - sync routine to a hair - pin chase, featuring balletic 180 - degree drifts and a game of three car Monte, all precisely cut to the tempo of «Bellbottoms.»
· Deleted Scenes with commentary by James Cameron · Behind - the - Scenes Featurettes · Construction Timelapse · Deep Dive Presentation — Narrated by James Cameron · $ 200,000,001: A Ship's Odyssey — the Titanic Crew
Video · Videomatics · Visual Effects ·
Music Video — «My Heart Will Go On» by Celine Dion · Trailers · TV Spots · Still Galleries o Titanic Scriptment by James Cameron o Storyboard
Sequences o Production Artwork o Photographs o Ken Marshall's Painting Gallery o Concept Posters and One Sheets o By the Numbers o Bibliography · Titanic Parodies o MTV's 1998 Movie Awards skit o Saturday Night Live skit o Titanic in 30 Seconds
Rounding out the set is a short featurette on Shadowplay (the company responsible for the opening title
sequence), some
video storyboard comparisons, and a
music video.
This film, however, has another inspired highlight: a dream
sequence that takes Alan Tracy to a nightclub in space where a marionette version of Cliff Richards performs in a crazy
music video with a rocket - powered guitar.
For all its absurdity, this
sequence is actually kind of enjoyably campy, held together by a game Stanley Tucci as the boozy wizard and one of the most incredible sights I have ever seen: a black knight whose hair is flat - ironed and gently braided into a half - up, half - down hairstyle, like a medieval version of Andre 3000 in the «Hey Ya»
music video.
Tagging along to one of the best final boss
sequences in a
video game, the battle
music when fighting the Essence of Metroid Prime is sheer win.
Although the exotic locations, tautly scripted action
sequences, and iconic theme
music associated with James Bond's cinematic exploits seem like perfect
video game fodder, 007's foray into interactive entertainment has often been sullied by tumultuous...
After a three - year stint in London, where he worked on a
music video for Beck and animation
sequences for the 2005 film The Hitchhiker's Guide to the Galaxy, OReilly moved to Berlin to start making his own animated shorts.
The introduction
video that plays before you even press start had me captivated as soon as I saw it, the
music is intense, the action
sequences are super well done, and the blend of action and drama go really well together in it.
In the
video Sweet Nightingale (2005), a vast examination of uniformity and difference, a crowd performs a
sequence of gestures choreographed to the
music of Gustav Mahler.
Porter's new
video, Actualidades / Breaking News, uses these trinkets and toys to illustrate a
sequence of scenes structured like sections of a newspaper — «Arts and Leisure,» «Fashion and Style,» «World News,» and «Religion,» for example — and features
music composed and arranged by Sylvia Meyer.
With no preset narrative and no specific protocol
sequence, everything is a mix of past, present and possible, across multiple circuits: «The news, amazon.com, a make - up tutorial, a movie trailer, fake or real, a Benjamin essay, a French - English dictionary, some porn, our most private correspondence, a fashion photography book, an art magazine, yet another funny cat
video all appear together and interchangeable — not to mention our
music, photographs, texts, contacts and other material stored in other programs.
Jafa's new
video work, A Kingdom Come, serves up a visual paean to Black Christian worship ceremonies, tropes and rituals, and builds on Jafa's anthological obsessions with
sequencing flows of African American orality,
music, stagecraft, and unbridled, electrifying performance into gripping cinematic tapestries.
In particular, Anger has been cited as a major influence on the aesthetic of
music video, with its emphasis on dream
sequence and elevated affect, and his own soundtracks have featured collaborations with Mick Jagger and Jimmy Page, amongst others.
Typical responsibilities of a
Video Editor include: editing film pieces, collaborating with the production team, ensuring logical
sequencing, cutting files digitally, and inputting
music.
My background includes assembling raw footage, selecting usable
sequences, tweaking content, and utilizing specialized software to produce exceptional final products for
video productions in news, sports, concerts, commercials, and
music videos.