Would listening to
music while painting interfere or help with the process of creating musicality, rhythm in your work?
My abstract art is conceived from my life experiences and observations then developed depending on my mood and other differing influences like listening
music while I paint.
Not exact matches
She held fast to that dream throughout high school, toiling over her art portfolio and racking up
painting awards, all the
while maintaining top grades, earning her grade 10 Royal Conservatory of
Music certification for piano, and playing saxophone in seven different bands.
I am listening to
music today
while painting a commissioned piece.
For instance, making or listening to
music, executing or viewing a landscape
painting, or preparing or eating exotic foods would be considered appropriate occasions for esthetic evaluation,
while ordinary pursuits like operating a lathe, feeding a baby, or
painting a house would not.
Watch more than 30 artists
paint outdoors
while you enjoy barbecue, live
music, a quick -
paint competition and more.
While NYC Mayor Bill de Blasio was at a Texas
music festival peddling his national agenda, Cuomo was quick to jump in on some Big Apple issues that critics say the mayor has sorely neglected — agreeing to meet with public - housing tenants over their heat, mold and lead -
paint woes.
The story will be told through the
painted imagery like the gameplay,
while also being brought to life with movement and
music.
I love drawing and
painting and dancing around in my underwear
while cleaning and listening to
music!
The
Painted Veil's own trailer (16x9) rounds out the premiums
while previews for For Your Consideration, The Astronaut Farmer, and
Music and Lyrics (4x3, all) cue up on startup.
Join us for an evening of creativity, laughs, and
music while one of our talented artists from YEG's own Art After Dark guides you and your family through a masterpiece
painting created by YOU!
Surrounded by colonial - era shop - houses, this charming family - run restaurant is fitted with warm lighting, wooden furnishing, ceiling fans, and vintage
paintings while traditional
music plays in the background.
Richter was listening to the
music of John Cage
while he worked on these
paintings and titled them after the composer.
He claimed that the
music would put him in a trance that enabled him to work and gave him a sense of rhythm
while he
painted.
She is primarily inspired by beautiful color, incredible
music, outrageous fashion, raw and loud works of art, and likes to take risks
while transforming her
paintings into stories.
The interplay of jazz
music, poetry and
painting fed his soul and provided the necessary freedom to develop his own visual language,
while rhythm and beat were constant, grounding him and inspiring many of his
paintings.
While music and films are referenced in works such as Bush of Ghosts (1980) and The Thief of Baghdad (1983), other
paintings hold a personal significance, including 311 Castro Street (2001), Heilmann's childhood address, and Primalon Ballroom (2002), a
music venue in San Francisco in the 1940s and 50s and later artists» studios.
The aim of Ritchie's overall project is to expand the space of
painting and drawing into six collaborative disciplines: architecture, city planning, video, performance, theater, and
music — all
while still retaining properties unique to
painting and drawing.
In the 1970s, Bayrle's
painting coexisted with
music by groups like Kraftwerk and Can, who through focused sonic repetition referred to the structures of the postmodern world (highways, computers)
while resisting western
music traditions.
While teaching at the Bauhaus school in Germany during the 1920s, Paul Klee, a trained violinist, often composed
paintings with the organization of classical
music in mind.
His
paintings embody his love of literature,
music and science,
while reflecting his deep range of emotions and personal turmoil.
Instead of throwing
paint, the performer used his hair, feet and body as the instruments to transfer
paint onto the stage floor
while performing a dance of his own making set to
music.
While drawing is at the centre of his practice, the artist also works across an extensive range of media including sculpture, large - scale installation, animation,
painting, photography and
music.
While some may consider psychedelic art to be exclusive to the period of the 1960s, its influence is still alive today at
music festivals, in festival - favorite
music genres like psychedelic drone, as well as in contemporary
paintings, art installations, and concert theatrics.
Many of Cain's strokes, drips, and flat planes of
paint recall movements past — largely male - dominated genres —
while her specific colors, pleasurable and redolent of popular culture,
music, fashion, and perceived grounds of femininity, invoke an artist navigating her lived world.
The Harlem Renaissance, with its celebration of African American
music, art, literature and history, was in full force, as paintings such as William H. Johnson's vibrantly coloured Street Life, Harlem (1939) and Arthur Dove's Swing Music (Louis Armstrong)(1938, below) suggest, while the latter also reflects the rising force of abstraction, its irregular shapes in varying reds and yellows against a deep black background evoking «red hot» jazz in a darkened s
music, art, literature and history, was in full force, as
paintings such as William H. Johnson's vibrantly coloured Street Life, Harlem (1939) and Arthur Dove's Swing
Music (Louis Armstrong)(1938, below) suggest, while the latter also reflects the rising force of abstraction, its irregular shapes in varying reds and yellows against a deep black background evoking «red hot» jazz in a darkened s
Music (Louis Armstrong)(1938, below) suggest,
while the latter also reflects the rising force of abstraction, its irregular shapes in varying reds and yellows against a deep black background evoking «red hot» jazz in a darkened space.
I listen to the
music many times, study the score, and take my forms from Abstract - Expressionist brush studies I
paint while the
music is playing.
February's programming features Charles Harlan's minimalist installations and sculptures made from industrial materials and the detritus of suburban environments; Adam Stennett's realistic Survival
Paintings, which he made
while residing in a sustainable - living tent on Long Island (the artist currently has his tent pitched in the backyard of Pioneer Works); and live
music from Bil Afrah Project and Lions, a seven - piece group playing classic 1960s and «70s» Ethiopian
music.
He is also very particular when it comes to the choice of setting and work atmosphere — for instance, he enjoys
painting while listening to classical
music at night.
Proliferating across art forms, from performance and
music to film, video, photography,
painting and sculpture, the artists embraced semantics, historicism, new feminism, celebrity, and market competition,
while also establishing a strong DIY culture, speaking out through instigating magazines, events and criticism, to the point that an inevitable backlash began, with people wanting something less hermetic that would directly address impending crises such as AIDS and Reaganomics.
Richard Prince has observed that Dahn's work «went through an incredible number of styles of
painting very quickly,» tearing through techniques, moods, and approaches to material and application in his work, even
while adhering to figuration and a consistent engagement with popular
music, as well as a consistent interest in mixing imagery drawn from disparate sources.
Listening to late Coltrane
while he
painted, Condo realized that «he was obliterating his own
music» and that he could also «obliterate my own fingers in
painting.»
In the 1952 «event», the Black Mountain lecturer MC Richards and the poet Charles Olsen read poetry from ladders; Rauschenberg's «White
Paintings» hung overhead
while he played Edith Piaf records on an old phonograph; David Tudor played the piano; Merce Cunningham danced in and around the audience (chased by a barking dog); and Cage sat on a step - ladder for two hours - sometimes reading a lecture on the relation of
music to Zen Buddhism, sometimes listening silently.
While Pollock and his pals continued to express an interest in becoming the
painting, Cage was more and more interested in not becoming the
music.
While citing such diverse pop - culture influences as animated cartoons, comics, and album - cover art, as well as early 20th - century abstraction, Petersen creates a rhythmic space within his
paintings suggestive of the syncopations of jazz
music.
But
while Lerner has certainly been influenced by the
music and art of East Asia and Africa, the content of the
paintings remains completely insular to the work.
While at Exit Art, he curated «New Mirrors:
Painting in a Transparent World»; and co-curated «Summer Mixtape Volume 1,» an exhibition exploring the role of pop
music in the work of emerging artists.
While the
paintings are silent, the
music brings a verbal and cultural history that pertains more to what Sam was listening to in a particular moment — when Lou Reed died, for example.
While an exhibition in Berlin confronts his
paintings with masterpieces by old masters, the American artist meets his Italian colleague to talk about art,
music and rebirth.
Over the past fifteen years I've been listening to primarily jazz and classical
music while I'm
painting; my early musical foundation in piano, violin and voice probably contribute a lot to the continued interest.
While his confessional poetry and
music explore these issues with startling honesty, Childish's
paintings are more subtle.
Here, you can learn to
paint and draw
while enjoying
music and community.