Your look at
musical hallucinations gave no idea of the perceived volume of the music Sylvia was hearing in her head all day (18 January, p 8).
At the time of the experiment,
her musical hallucinations happened to consist of sequences from Gilbert and Sullivan's musical HMS Pinafore.
But not all people who have hearing problems get
musical hallucinations.
She discovered that playing real music suppressed
her musical hallucinations.
Sylvia's scans showed that
her musical hallucinations seemed to be generated by a network of higher brain regions, including those that process melodies and sequences of tones, and areas involved in imagery and memory.
Your look at
musical hallucinations gave no idea of the perceived volume of the music Sylvia was hearing in her...
Not exact matches
A statistical analysis indicated that the relationship between
hallucination proneness and
musical aptitude is mediated by microstructure in the corpus callosum.
New research published in Schizophrenia Research conducted at the University of Liverpool links brain structure to an individual's likelihood of experiencing
hallucinations and to their
musical aptitude.
The researchers observed that participants with higher
musical aptitude showed lower
hallucination proneness.
«Brain structure linked to
hallucinations and
musical aptitude.»
If
musical aptitude increases the white matter integrity of the corpus callosum,
musical training could potentially counteract an individual's predisposition of
hallucinations.
An incredible
musical score by Atticus Ross features an appropriately mixed - up tapestry of snippets of Wilson's music, and bizarre soundscapes replicate what it might have been like in Wilson's head during his aural
hallucinations.
Pulse Park is inspired by Roberto Gavaldón film «Macario» (Mexico, 1960) in which the protagonist has a hunger - induced
hallucination wherein individuals are represented by lit candles, as well as by the minimalist
musical compositions of Conlon Nancarrow, Glenn Branca and Steve Riech.
Tony Conrad (1940 — 2016) composed and performed with La Monte Young and John Cale in the Theatre of Eternal Music; appeared in and prepared the
musical soundtrack for Jack Smith's Flaming Creatures (1963); directed the experimental film Flicker (1966, which has been known to induce
hallucinations); sang backup vocals for Lou Reed and Cale's pre-Velvets band The Primitives; collaborated with Mike Kelley and Tony Oursler; and was part of the media studies faculty at the University of Buffalo.