Sentences with phrase «musical numbers works»

The seemingly unlikely incorporation of musical numbers works fabulously; the melodies by A.R. Rahman are haunting and memorable, and they are well - performed (as opposed to «sung,» for the voices are provided by studio singers) by the stars — particularly Khan, whose talent and formidable charisma leaves no doubt as to why he's a Bollywood superstar.

Not exact matches

Tell Jambo anything you might want other folks to know, such as your alma mater, occupation or musical tastes, then Jambo assigns you an ID number and provides software that works with a Wi - Fi or Bluetooth wireless networking connection.

«Of course, we were able to design it completely for the choreography, and having never done a musical and big dancing numbers, there was a steep learning curve to make it work completely,» the production designer said — «but it was great fun.»

EXTRAS: There's a collection of brief featurettes on the cast, working with the Coen brothers, recreating the era and filming two of the movie's musical numbers.

Happily, director Phyllida Law, working from Catherine Johnson's excellent screenplay, moves the story along at a spirited pace by including as many musical numbers as possible.

Movie musicals work because they are narratives peppered with musical numbers.

On the brighter side, the animation is still as eye - popping as ever, the toe - tapping musical numbers are a ton of fun and the all - star voice work is undeniably impressive.

42nd Street (Warner Archive, Blu - ray)-- Released in 1933 by Warner Bros., which specialized in snappy, fast - paced pictures with working class heroes and street smart characters, 42nd Street launched a series of great backstage musicals that featured lavish production numbers in a Broadway culture where the depression was a reality just offstage and the dancers were one flop away from the breadlines.

Some of the theatrical devices of Cocks and Winkler work like gangbusters, since theatre was Porter's primary milieu: lighting transitions, live production audio for the musical numbers, and a freedom from film's typical realistic restraints.

With its instantly classic musical numbers, hypnotizing colour scheme, ridiculously smooth choeography, and Gosling and Stone's palpable level of chemistry (there's a reason why these two have worked together three times now), the film dances its way into your heart with an almost stupid level of ease.

There's no way I'd ever choose the cedarian Fredric March over James Mason, one of my favorite lesser stars, (and likewise Wellman over the great Cukor) but this film works a whole lot better with Gaynor and a lack of musical numbers.

Working from a true story, Frears and screenwriter Martin Sherman have designed a vivid theatrical world, complete with a list of new, vintage - sounding songs, boisterous musical numbers and spiky performances by the two leads.

Semi-Finalists: DATE NIGHT's faux sexy number with Carrel & Fey works pretty well for laughs, WINTER»S BONE has fine music throughout but one scene gives it more play, GREENBERG - if you combine both of Greta Gerwig's musical moments I'll take them but one is too comatose and the other is super super brief.

Students perform musical numbers, tell their best new jokes, tour guests around the school and spend time in the classroom working on fun projects.

Plot points whiz by, and when things threaten to blur, there's a crazy musical number or a tightly worked out physical comedy routine involving a hippo or a penguin.

The works pay homage to Busby Berkeley's dazzling kaleidoscopic musical production numbers from the 1930s.

Given that the number of possible arrangements in a deck of cards is an «astronomically large number» (see above), the program will not run through all the possible combinations of musical notes during the lifespan of planet earth — assuming constancy of electrical power to the work and other contingencies.

Composer Christian Wolff's work Sticks is a musical composition described as «any number of musicians making sounds with sticks of various kinds.»

In 2012 the Pomona College Museum of Art and the Pitzer Art Gallery, Pomona and Claremont, CA, exhibited In The Shadow of Numbers, Charles Gaines Selected Works from 1975 to 2012 [9] which involved a collaborative musical performance with Terry Adkins.

Thus, instead of focusing on individual creative disciplines (such as painting, printmaking, sculpture, photography), and attaching overriding importance to individual works of art, Fluxus artists worked together in order to blend different artistic genres (visual, literary and musical) into a number of «events», involving installation art, conceptualism, happenings and photography as well as various types of performance art.

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