Sentences with phrase «musical sound design»

This was further honed in college and developed later into an appreciation for musical sound design.

Not exact matches

A «new approach» to music, on the other hand, may approach «sonic design» or the «organization of sound» from four perspectives: musical space, time and rhythm, musical language, tone color.»

Toys designed to look like real musical instruments can improve an infant's motor skills, and some of these toys also emit songs and sounds that can be very soothing.

Much like the characteristic sound of a musical instrument, which results from the combination of different frequencies, a characteristic laser waveform can be designed by cleverly combining different frequencies of light.

His camerawork, his musical choices, his sound design, none of his accomplishments (for better or worse) ever feel accidental.

Damien Chazelle, «La La Land» Year: 2016 Cast: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt Distributor: Summit Entertainment / Lionsgate Premiere history: Aug. 31, 2016 Venice Film Festival; wide release Dec. 9, 2016 (United States) Other awards won (selected): British Academy Film Awards (BAFTA) Best Film; Best Actress in a leading role (Emma Stone), Best Direction; Critics» Choice Awards Best Film, Best Director, Best Original Screenplay; Golden Globe Best Motion Picture — Musical or Comedy, Best Actor — Motion Picture Musical or Comedy (Ryan Gosling), Best Actress — Motion Picture Musical or Comedy (Emma Stone), Best Director Other Oscar nominations: Best Picture, Best Actor (Ryan Gosling), Best Actress (Emma Stone, won), Best Original Screenplay, Best Original Score (won), Best Original Song (won), Best Sound Editing, Best Sound Mixing, Best Production Design (won); Best Cinematography (won), Best Costume Design, Best Film

Best Musical Best Revival of a Musical Best Direction of a Musical Best Book of a Musical Best Play Best Revival of a Play Best Direction of a Play Best Performance by a Leading Actor in a Play Best Performance by a Featured Actor in a Play Best Performance by a Leading Actor in a Musical Best Performance by a Featured Actor in a Musical Best Performance by a Leading Actress in a Play Best Performance by a Featured Actress in a Play Best Performance by a Leading Actress in a Musical Best Performance by a Featured Actress in a Musical Best Original Score Best Orchestrations Best Choreography Best Scenic Design of a Musical Best Costume Design of a Musical Best Lighting Design of a Musical Best Sound Design of a Musical Best Scenic Design of a Play Best Costume Design of a Play Best Lighting Design of a Play Best Sound Design of a Play

Last Sunday marked the forty - third birthday of German supermodel Claudia Schiffer, and the video embedded above contains The Sound Of Claudia Schiffer (2000), a short film directed by Nicolas Roeg starring Schiffer herself — who also provides a peculiar voiceover — and featuring an arresting musical soundscape designed by Portishead's Adrian Utley.

The danger the gang encounters along the road is palpable and immersive, thanks to the excellent sound design, and a minimalist musical score that allows you to focus on the action, unlike the average Hollywood blockbuster which smothers every fight scene with a bombastic musical score that more often than not distracts from the action.

Best Film — National Board of Review Film of the Year — London Critics Circle Best Picture — Boston Online Film Critics Best Picture — Online Film Critics Society Best Picture — Chicago Film Critics Best Picture — Utah Film Critics Association Best Picture — Florida Film Critics Circle Best Picture — Kansas City Film Critics Best Picture — Austin Film Critics Best Picture — San Diego Film Critics Best Director — Boston Online Film Critics Best Director — Los Angeles Film Critics Best Director — Washington D.C. Area Film Critics Best Director — San Francisco Film Critics Circle Best Director — Online Film Critics Society Best Director — Southeastern Film Critics Best Director — Phoenix Critics Circle Best Director — Chicago Film Critics Best Director — Vancouver Film Critics Circle Best Director — Utah Film Critics Association Best Director — Florida Film Critics Circle Best Director — Kansas City Film Critics Best Director — Austin Film Critics Best Director — San Diego Film Critics Best Director — Indiana Film Journalists Best Director — Oklahoma Film Critics Circle Best Director — Black Film Critics Circle Director of the Year — London Critics Circle Best Director — Critics» Choice Award Best Actress for Charlize Theron — Kansas City Film Critics Best Cinematography — Boston Online Film Critics Best Cinematography — New York Film Critics Online Best Cinematography — Los Angeles Film Critics Best Cinematography — San Francisco Film Critics Circle Best Cinematography — Online Film Critics Society Best Cinematography — Southeastern Film Critics Best Cinematography — Chicago Film Critics Best Cinematography — Utah Film Critics Association Best Cinematography — Florida Film Critics Circle Best Cinematography — Black Film Critics Circle Best Edited Feature Film (Dramatic)-- American Cinema Editors Best Editing — Boston Online Film Critics Best Editing — Boston Society of Film Critics Best Editing — Washington D.C. Area Film Critics Best Editing — San Francisco Film Critics Circle Best Editing — Online Film Critics Society Best Editing — Las Vegas Film Critics Best Editing — Chicago Film Critics Best Editing — San Diego Film Critics Best Editing — Central Ohio Film Critics Best Editing — Alliance of Women Film Journalists Best Editing — Critics» Choice Award Best Editing — BAFTA Awards Best Original Score — Boston Society of Film Critics Best Musical Score — Indiana Film Journalists Best Score — Phoenix Critics Circle Best Production Design — Los Angeles Film Critics Best Production Design — Washington D.C. Area Film Critics Best Production Design — Chicago Film Critics Best Production Design — Critics» Choice Award Best Production Design — BAFTA Awards Best Costume Design — Las Vegas Film Critics Best Costume Design — Critics» Choice Award Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards Best Visual Effects — Las Vegas Film Critics Best Visual Effects — Florida Film Critics Circle Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society Best Hair & Makeup — Critics» Choice Award Best Hair & Makeup — BAFTA Awards Best Action Film — Las Vegas Film Critics Best Fantasy Film — Art Directors Guild Best Action Movie — Critics» Choice Award Best Stunt Ensemble — Screen Actors Guild Best Sound Design — San Diego Film Critics Best Equality of the Sexes — Women Film Critics Circle Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award Best Female Action Star for Charlize Theron — Women Film Critics Circle Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists

Outstanding Achievement in Art Direction ICO (PlayStation 2) Sony Computer Entertainment Inc. / Sony Computer Entertainment America Outstanding Achievement in Animation Oddworld: Munch's Oddysee (Xbox) Oddworld Inhabitants / Microsoft Outstanding Achievement in Sound Design Metal Gear Solid 2 (PlayStation 2) Konami / Konami Outstanding Achievement in Musical Composition Tropico (PC) PopTop Software / GodGames Outstanding Achievement in Game Design Grand Theft Auto III (PlayStation 2) DMA Design / Rockstar Games Outstanding Achievement in Visual Engineering Halo: Combat Evolved (Xbox) Bungie / Microsoft Outstanding Achievement in Game Play Engineering Grand Theft Auto III (PlayStation 2) DMA Design / Rockstar Games Outstanding Achievement in Character or Story Development ICO (PlayStation 2) Sony Computer Entertainment Inc. / Sony Computer Entertainment America

Sets and costume design, Mark Thompson; lighting, Bruno Poet; projection design, Jeff Sugg; sound, Nevin Steinberg; musical supervision, arrangements and additional music, Nicholas Skilbeck; wigs, hair and make - up, Campbell Young Associates; fight direction, Kate Waters.

Oscar Hopes Best Picture Director Actor (James Corden) Actress (Emily Blunt) Supporting Actress (Streep, Kendrick) Supporting Actor (Johnny Depp) Adapted Screenplay (although musicals do terrible here) Cinematography Production Design Costume Design Makeup and Hairstyling Original Song Sound Mixing Sound Editing

Theater Guild Producers: Kenneth McEldowney, Jean Renoir Production Manager: Kalyan Gupta Distribution: United Artists Screenplay: Jean Renoir, Rumer Godden, from the latter's novel Photography (Technicolor): Claude Renoir Jr., operator Ramananda Sen Gupta Production Design: Eugène Lourié, Bansi Chandra Gupta Sound: Charles Paulton, Charles Knott Music: classical Indian, Schumann, Mozart, Weber («Invitation to the Dance») Musical Director: M. A. Partha Sarathy Editor: George Gale Cast: Nora Swinburne (Mother), Esmond Knight (Father), Arthur Shields (Mr. John), Thomas E. Breen (Captain John), Radha Sri Ram (Melanie), Adrienne Corri (Valerie), Patricia Walters (Harriet), Suprova Mukerjee (Nan), Richard Foster (Bogey), June Hillman (narrator)

The outstanding musical score and sound design is one - of - a-kind, with its industrial bleating and scraping.

The sound design might be Prey's biggest asset, however, with DOOM's Mick Gordon returning for a more subdued space romp that lets him flex his musical muscles.

Working from a true story, Frears and screenwriter Martin Sherman have designed a vivid theatrical world, complete with a list of new, vintage - sounding songs, boisterous musical numbers and spiky performances by the two leads.

They explore the film's distinctive blend of sound design and musical score, and discuss the producers» wise decision to start the sound design while the shoot was still going on.

In Part 2, Ai - Ling Lee (nominated for Best Sound Editing and Best Sound Mixing) and Mildred Iatrou (Best Sound Editing) discuss weaving the sung performances into a magical musical design soundscape

Teachers meet this mandate by linking academic subjects with the arts: The math curriculum, for example, incorporates principles of design, and science teachers use musical instruments to study sound and stage lighting to demonstrate the properties of light.

The production features scenic design by Tony ® Award - winner Scott Pask (Pippin, Book of Mormon), lighting design by Tony ® Award - winner Kenneth Posner (The Coast of Utopia, Pippin), costume design by Suttirat Larlarb (Of Mice and Men), sound design by Tony ® Award - nominee Jonathan Deans (Pippin, La Cage aux Folles), hair and make - up design by Richard Mawbey, projection design by Jon Driscoll, music supervision by Fred Lassen, musical direction by Ryan Cantwell and casting by Stewart / Whitley.

It looks fantastic, the combat is epic and thrilling, and the sound design and musical score by the insanely prolific Jasper Kyd round out an impressive sequel.

Artists visited the Sony CSG Audio department in London and experienced how Couthier had grouped stems based on sonic characteristics so he could design sidechaining rules which only target musical elements potentially in conflict with specific sound and dialogue content.

«The result is a blend of sound design and orchestra, creating a powerful musical statement that immerses the player in the intense and dark world of Rise of Nightmares.»

Sorcery is almost here, landing on PS3 on May 23rd in Europe, and 22nd in the US, and to mark the impending release, Sony have released a brand new video taking a look at the sound design in the game, and some of the musical elements.

Coding, game design, visual design, musical score, and sound design, were all done by Steph.

Awarded to the game with the most memorable, interesting, or otherwise outstanding musical score or sound design.

The Best Audio Award recognizes the overall excellence of audio in a game - including musical composition, orchestration, sound design, sound effects, etc..

The world of Hyrule has never been so well - realised, with the game's bright cell - shaded graphics, vibrant character, location and object designs, as well as beautiful musical score and ambient sound effects creating a superb sense of place.

The game's entire sound design is merely comprised of a handful of 5 second musical loops, with absolutely no sound effects whatsoever.

All the major landmarks such as Bowerstone, Mistpeak and Aurora make an appearance, but are instead built into a board game format full of colourful toy characters and jovial audio design; imagine a classic Disney and Koji Kondo musical love child and you'd have a pretty good idea of what Fable Heroes sounds like.

After viewing a display of original musical scores, he began to formulate his own surrealist theories correlating the graphic design to the sound of musical scores, noting, «One thing I became convinced of, and that has proven to be quite the case: that only the really great composers... are the ones who have good looking scores.»

Sommer was intent on expanding the limits of where beauty could be found, and after viewing a display of original musical scores, he began to formulate his own theories correlating the graphic design to the sound of musical scores.

zobernig has laid down special conditions for the presentation of this video: it must be projected onto a large screen and — in accordance with the musical intention of pomassl's sound design — at high volume.

Curated by Adelina Vlas, the AGO's Associate Curator of Contemporary Art, Sandra Meigs: Room for Mystics (with Christopher Butterfield) will be located on the 5th Floor of the AGO's Contemporary Tower (the Vivian & David Campbell Centre for Contemporary Art) and consists of 30 large - scale paintings stationed throughout the gallery floor space, 13 fabric wall banners, a large mobile hung from the ceiling, a custom - designed sound system, and a recurrent 15 - minute musical performance by the Vox Aeris brass trio.

Credits: Original script written by Cara Despain; Original score and sound design by Andrew Shaw; Read by Scott Fetzer, Patrick Fugit, and Jenny del Rosario; Musical vocals by Scott Fetzer.

Games nowadays are as complex in sound design as any blockbuster movie or musical performance.

It's excellent build, compact design and clean but musical sound make it a perfect on the go companion.

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