Sentences with phrase «muted color fields»

Here the boldly colored backgrounds and mystical calligraphy surrounding his menagerie of animal - headed people and personified rag dolls in the works seen at the 2000 Whitney Biennial were replaced with muted color fields lightly penciled with patterns suggestive of DNA helices and chemical or mechanical diagrams.

Black Adder (from V Series)(1968) and Rayy Sketch (1970) are classic Stella with their distinct, vibrant - but - muted color fields, bold symmetry, and absence of distinct subject reference.

Not exact matches

In the 1970s, Tworkov redefined his style again, creating ever more refined themes where rhythmic brushwork played against fields of muted color.

Halkin's most recent paintings share with his earliest work a fascination with hieroglyph - like shapes and mottled fields of muted color, though the palette is overall less subdued and the forms less abstract.

In some paintings, the clarity of the grid becomes muted by an all over color field.

Together, though, they strike up a fun dialogue: the height of Bowling's paintings, together with the relative dignity of color field painting, lends them a kind of mute imperiousness next to the playful skittering of Berg's wheely - paintings.

Jake Berthot and David Jeffrey create evocative fields of muted color and spare form.

To create these, Boyce first applied beige primer to perforated steel panels, then layered on pale washes in rose, aqua, or yellow — colors selected from the German RAL system — yielding streaked and muted pastel fields.

Muted dark colors cluster along the edges of «Miller 22» and filaments of line swing the eye outward from the center of periphery of its mottled pale ocher field.

The green of the bridge and yellow of the field in the background are more muted colors than those of other works, but Ghenie's method of dripping and scraping and his overlay of light, squiggly gray lines resembling streaks of rain brings an ominous mood to the work» (K. Osborne - Bartucca, «Adrian Ghenie,» Artillery, June 30, 2015, http://artillerymag.com/adrian-ghenie/ [accessed October 10, 2016]-RRB-.

Was it the somber green - on - green landscape that turned them inward — or the misty quality of the light, the way it «mutes and sours» the color field, as William Cumming puts it?

The monochromatic bands of muted color that bound the central field of calligraphic imagery in Marden's latest paintings and drawings are a distinctly new element in his work.