The three came together to create
a muted color story that's both rich, yet vibrant.
Not exact matches
Whether you're into bright pops of
color,
muted jewel tones, or classic black and white, finding and sticking to a
color story allows for optimal mixing and matching.
The books have simple
stories, titles like «Celestine and Ernest's Picnic,» and Vincent's enchanting illustrations, which are characterized by graceful lines,
muted colors and blurred edges that focus your attention on animals that, in their poignant delicacy, evoke Beatrix Potter.
His masterful composition of
muted colors and tense but understated score, his visual focus on the characters rather than their actions, and his subtle but powerful use of camera elevate this
story above its exploitative trappings.
The
muted photography feels like an attempt to match the frequently serious
story beats, but it's all wrong, robbing viewers of the splashes of
color that made «Guardians Of The Galaxy» so memorable.
Dunkirk's
muted color scheme further saps the
story of its potential power.
The
story involves three levels (with three blunt
color schemes:
muted, bold, and bolder)-- reality, a burlesque version of reality, and the representation of the lead's seductive dances as action sequences.
Most of the
story takes place at night and at sea, so the 3 - D consequence of dimmed light and
muted colors results in a far too dark and dull look to the film.
Though not quite life - changing itself, the Fan brothers» quiet
story is nevertheless invested with an element of agreeable magic which is underscored by their use of
muted colors to evoke the mysteries of the night.
A great way to drop potential readers into the world of your
story before they read a single word is with an atmospheric cover design featuring monochromatic, dark,
muted colors.
But the
color itineraries in the recent work have a kind of
mute narrative drive — like contending, mimed
stories — unlike anything seen or felt in the earlier work.
Ominous parts of the
story remain untold in Kristalova's work, and her
muted color choices — flesh tones are used sparingly — give her characters a somewhat ghoulish appearance.
I had seen and studied many of Andersson's works in reproduction and while her
muted color palette and references to period interiors sometimes cast a vintage - like shadow over her surfaces, an effect that I might normally find gratuitous or off - putting, her strange way of telling a
story with no resolution or creating an in - between space transported me to a timeless realm where I was free to imagine with reckless abandon.