Not exact matches
In contrast to this background
of smooth
planes in
muted colors, giant screens occasionally lower from the ceilings to show scenes
of catastrophe in high enough definition that they seem to Jeffrey «immediate and real, a woman sitting life - sized on a lopsided chair in a house collapsed in a mudslide.»
5 x 24 inches, the largely black paintings slow you down until your eyes adjust to the indirect light (signaled by small concentrations
of muted colors) in the otherwise darkened room (interlocking black
planes).
These eventually gave way to sculptures in which papier - ma ̂ché aggregates
of undulating curves, protruding appendages, and architectural
planes are delicately wrought and then speckled like quails» eggs or awash with odd
colors that are sometimes
muted, sometimes psychedelic.