Sentences with phrase «mystery form of art»

Not exact matches

Place seems in its reality transformed, and by the mystery of the movie as an art form.

The question puts us into the heart of the mystery of the Incarnation and into the question of the religion / art event as expressive form.

This was followed by the development of a big pool of knowledge about the human body and it's mysteries, together with more efficient methods for shaping it into an ideal art form.

Forming a new «league» with sorceress Zatanna, otherworldly Deadman, and Jason Blood and his powerful alter ego Etrigan the Demon, this team of Dark Arts specialists must unravel the mystery of Earth's supernatural plague and contend with the rising, powerful villainous forces behind the siege — before it's too late for all of mankind.

A countercultural masterpiece about the act of seeing and the art of image making, Blow - Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park.

Balliett has devised a best - selling formula that works — kids solving mysteries involving great works of art — but each time she varies the art form, so that each...

There are now Critique.org workshops for every genre and every form of creative endeavor — songwriting, music performance, art, photography, film & video, web site design, apps, screenplays, comics, non-fiction writing, literary and mainstream writing, childrens, mysteries, thrillers, romance, and of course «Critters,» our first workshop, for science fiction, fantasy and horror... — you name it, there's a workshop for it.

In the opinion of the personal academic essays helper, the main objective of literature courses is uncovering the mystery of the art of the words to students, to show the richness of English and world literature as well as to teach how to form your own point of view, to develop artistic taste, and to express your ideas logically.

Critical Analysis Essay In the opinion of the personal academic essays helper, the main objective of literature courses is uncovering the mystery of the art of the words to students, to show the richness of English and world literature as well as to teach how to form your own point of view, to develop artistic taste, and to express your ideas logically.

Her art draws upon her fascination with the laws of the physical universe and investigates the astonishing mysteries of light, form and interior space.

1, no. 8, November 1970; (introduction) John Hoyland (catalogue), Beaux Arts, London, 2003 Maloon, Terence, «Hoyland Retrospectively» in John Hoyland, Paintings 1967 - 1969 (catalogue), 1979 Maloon, Terence and John Edwards, «Two Aspects of John Hoyland» in One, no. 2, 1974 Marginson, R.D., (foreword) John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 McEwen, John, «Colour as Form» in John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; «Colour as Form» in John Hoyland, Paintings Australia 1980, (catalogue), University Gallery, University of Melbourne 1980; «John Hoyland: new paintings, 1986» in John Hoyland (catalogue), Waddington Galleries, London, 1987; Affinities in Paint (catalogue), Crane Gallery, London, 1991 Moffat, Alexander, «Reinventing the Real World» in The British Art Show (catalogue), Orbis / Arts Council, London, 1984 Moorhouse, Paul, The Mystery of Ordered Form: The Art of John Hoyland (catalogue), Royal Academy, London 1999 Read, Herbert, Contemporary British Art, Penguin Books, London, 1964 Robertson, Bryan (introduction), Paintings 1960 - 67 (catalogue), Whitechapel Gallery, London, 1967; (introduction), John Hoyland (catalogue), Galleria dell» Ariete, Milan, 1970; (introduction), John Hoyland, Paintings 1967 - 1979 (catalogue), Arts Council, 1979; (introduction), John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980; A Line in Painting: Part One — British Art (catalogue), Gallery Fine, London, 1999 Robertson, Bryan, and Russell, John, Private View (with photos by Lord Snowdon), Nelson, London, 1965 Thompson, Colin, «The Importance of the Maclaurin Trust Collection» in The Maclaurin Collection (brochure), Maclaurin Gallery, Rozelle, Ayr Thompson, David (introduction), The New Generation (catalogue), Whitechapel Gallery, London, 1964 Waddington, Leslie (introduction), John Hoyland (catalogue), Waddington Galleries, London, 1983 Wright, Philip (introduction), John Hoyland, Prints 1968 - 89 (catalogue), Austin / Desmond Fine Art, London, 1990

Lanfranco explores the physical and esoteric mysteries of such naturally occurring forms that have been referenced throughout art history, spirituality, and philosophy.

He held in high regard the work of Henri Gaudier - Brzeska, who embraced tribal art and its ability to convey power and mystery through three - dimensional form.