Sentences with phrase «mystery stories into»

Not exact matches

Diving into the story, identifying with the characters, and trying to solve the mystery has two effects on me.

The supernaturalism is ingredient in the story; the manners convey the mystery, a mystery which is worked into the story, is the story, by means of the manners.

If the resurrection is the true dénouement of the whole story and not a «happy ending» tacked on to a tragedy, then there is an element in the story itself which brings us to the frontiers of normal human experience, where experience runs out into mystery.

i truly don't think we help the journey by pretending we «know» less than we do (read «know» as «have come to know» or «have been drawn into a community's story by experience, discernment, mystery, and tradition»).

In a special way the image of the cosmos as itself a story or an adventure into mystery provides the key to such a hermeneutic.

The development of doctrine in the early Church — the emergence of the creeds — is the story of how people tried to explain mysteries, that is to draw them down into the grasp of human imagination.

The stories, from an online repository of books in the public domain called Project Gutenberg, fell into one of six genres: mystery, humor, fantasy, horror, western, and science fiction.

This is so late, but I just found a podcast - family ghosts — not ghost stories, but family mysteries, stories of things not quite figured out — a secret relative, or question about how a house fire started — its gripping, turning my 20 minute workout into 50 because I want to listen to it all!

Stirring murder mystery, love story and psychodrama into a mesmerizing slurry, Mr. Pearce turns his native island of Jersey into a sunlit trap where Moll chafes against her domineering mother (an icy Geraldine James) and conservative community.

It introduces itself as a noir murder mystery, but seamlessly veers into a story of man in love with a dancer, looking for redemption in his twilight.

Working from a brilliant screenplay by Steven Zaillian, Fincher's take on the story focuses more on what I've come to understand is really a classic locked room mystery in the Agatha Christie mode — in the case of the murder / disappearance of Harriet Vanger, the locked room is an island whose sole entry point is blocked by an overturned tanker truck — that is concealed within a study of unlimited misogyny and sidetracked into the discovery of a serial killer.

We begin with a compelling love story that evolves into a dissection of marriage in all its facets, a thrilling possible - murder mystery, a scathing indictment of American national media and... well to go much further I'd wade into spoiler territory and honestly, this film is best experienced without them.

It's a harrowing place to begin the story (with the clean - up job excruciating in its unease), but once we get into the proper plot it prefaces — a mystery / slasher genre piece — things get a lot less gripping.

Guy Ritchie's momentum and speed - ramping flourishes distract from the rickety mystery, but I'm not convinced that the old - school detective stories need to be turned into a spectacle - laden action film.

Rather, his motivations stemmed from a desire to explore «the mystery of faith» which created a story that sought greater underlying meaning than other films lumped into the genre.

Dial M for Murder premiered at the Westminster Theatre in London in 1952, only for it to be made into an expert crime mystery thriller by Alfred Hitchcock two years later, while Wait Until Dark, another complex and dark play in the vein of Hitchcock's interests directed by Arthur Penn (who would helm Bonnie and Clyde the very next year), saw the light of day in early 1966 on Broadway, where it instantly attracted the attention of both the audience and Warner Brothers, determined to turn it into a feature film starring none other than Hollywood's sweetheart Audrey Hepburn in a much darker, insidious story than her filmography had ever witnessed.

Despite annoying characters, the film does retain a modicum of mystery as we watch a lot of improbable sleuthing on the part of these teenagers, following a string of clues that even Dan Brown would deem too ludicrous to inject into his stories and expect us to swallow, such as highlighted poetry quotes, thirty - year - old road maps in secret locations, and edits to Wikipedia - style entries to towns that don't really exist.

Interactive Entertainment has released a new LEGO Dimensions story trailer that shows off what happens when the magical mysteries of Fantastic Beasts and Where to Find Them venture into other LEGO Dimensions worlds!

Why none of these stories haven't been turned translated into film is a mystery.

So that means you can peruse this story and Star Wars toy aisles to your heart's content, and you won't ruin the mysteries of Star Wars: The Last Jedi unless you're trying to go into the movie without knowing anything at all.

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The script dives into a cheeky look at the famous imagery behind the character and elevates it's story by allowing itself to debunk the mystery of the man.

It is not ten minutes into the film before Dillon's secret past with Elena and Hope is revealed; The Claim is not really a mystery story.

But this proves to be more than just a ghost story, as the twists turn it into a full - blown mystery that stirs up memories of Alfred Hitchcock's Rebecca.

It's tricky material for even the most skilled of filmmakers, but Garland deftly avoids over-explaining Annihilation «s mysteries (what little of them are explained, that is) or watering down the story into something more mainstream.

It starts as an intriguing enough mystery, evolves into a suitable second - act quest; however, some third - act «twists» just derail whatever narrative momentum the story manages to build, and muddles both the mythology and character relationships developed up to that point, leaving us with an awkward ending that doesn't feel much like an ending so much as a chapter break.

Starring Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Christopher Eccleston, Adewale Akinnuoye - Agbaje, Kat Dennings, Ray Stevenson, Zachary Levi, Tadanobu Asano and Jaimie Alexander with Rene Russo and Anthony Hopkins as Odin, «Thor: The Dark World» is directed by Alan Taylor, produced by Kevin Feige, from a story by Don Payne (credit not final) and screenplay by Christopher Yost and Christopher Markus & Stephen McFeely (credit not final) and is based on Marvel's classic Super Hero Thor, who first appeared in the comic book «Journey into Mystery» # 83 in August, 1962.

Fleischer leads us into this perverse noir world, but it only dallies with its noir atmosphere and instead turns into a straight mystery story — effectively filmed in a semi-documentary style that emphasizes police procedures over character studies or creating suspense over suspects.

The plot of director Mark Palansky and Mike Vukadinovich's screenplay is little more than a murder mystery, and it's one that doesn't even incorporate the central gimmick into the story enough for the concept of a memory - recording device to really matter.

Story wise, it almost turns into a gripping murder mystery.

On top of the story, which revolves around the mystery of why the aforementioned Elder Dragon has appeared in the game's new region, there have been some quality - of - life changes that ease your transition into the world of monster hunting.

I caught up with writer - director Lauren Wolkstein for a quick chat recently to talk about the challenges of adapting a short story into a feature - length film and how she managed to maintain the mystery and thrill of the original short.

Loosely adapted from David Grann's nonfiction book, James Gray's ambiguous and lyrically orchestrated historical epic turns the story of the early 20th - century British explorer Percival Fawcett (Charlie Hunnam, in a revelatory performance) and his search for a lost civilization in the wilds of Brazil into a symphony of mystery, obsession, and transcendence.

The story starts as a slow - burn mystery, following Kate Macer (Emily Blunt), a wary FBI agent slung head - first into a shady government task force mission meant to cleanse the U.S. / Mexico border of drugs, corruption, and violence.

Journey into Mystery — A deep dive story piece with the writers, director and producer Kevin Feige about the inspirations for «Thor: Ragnarok» within the comics.

Retaining the charm of a classic horror game with focus on survival and exploration, White Day attempts to bring Asian horror elements into the mix and presents an interesting story premise that urges you to uncover its mysteries.

There are plenty of laughs throughout (some you won't catch the first time around, and others you'll never catch as a Yank), but as the story transitions from a comedy into a murder mystery, the audience is forced to sit patiently through some dreadfully bare moments.

Action, mystery and romance weave dramatically through the story as one soul is shaped from a killer into a hero, and a single act of kindness ripples across centuries to inspire a revolution in the distant future.

As the story unfolds, both Mildred and Dixon are compelled to change; what starts out as a murder mystery slowly turns into something else entirely.

(Just the list of categories into which Avi's books fall is impressive: comedy; mystery; adventure and historical fiction; fantasy; animal tales; ghosts; young adult; early reader; short stories, and biography!)

In a fictional universe, players uncover clues and solved mysteries of an intricately woven story that plunges players into the world of high stakes corporate espionage.

Conflicting accounts of Durant's story, from Durant and others, have stirred even more mystery into the pot.

The narrative is simple and pulls the reader into the story with its mystery.

This beautifully crafted, kid - friendly mystery combines two parallel stories set 50 years apart — one told in text, the other solely in illustrations — which eventually intertwine into a deeply satisfying conclusion.

Her first foray into storytelling was the short story «Night Rose,» chosen by international best - selling author Jeffery Deaver for inclusion in the Mystery Writers of America anthology A Hot and Sultry Night for Crime.

When I wrote mystery short stories and sent manuscripts into Ellery Queen and Alfred Hitchcock mystery magazines, slush pile readers would scoop up manuscripts by unknown writers to take home and look at.

Deon Meyer's engrossing South African thriller pits Detective Benny Griessel against a mystery that unravels like the threads of a complex tapestry... Because the novel is set in contemporary South Africa, race relations and the legacy of apartheid are an inevitable topic, and Meyer works his social commentary into the story while remaining true to his characters... Thirteen Hours draws to a satisfying conclusion, with answers that prove surprising.

She's always been interested in writing, first trying her hand at science fiction, then dabbling into mysteries and adventure stories.

Eloquently written and with powerful insight into human and animal nature, Doctor Death is at once a gripping mystery and a poignant coming - of - age story.

Set between the wars, The Haunting of Maddy Clare has a wistful, melancholy tone and a spot - on period sensibility that gradually draws you into a mystery combined with a ghost story and a romance, all perfectly balanced.