They will be dependent on the ether of Mormonism or some other made up
myth made religion.
Not exact matches
Jeebus was
made up from other gods and
myths from previous
religions that existed before.
World
religions are all
made up of
myths and fairy tales.
Your
religion is based on many
myths that preceded it, yours is no different than ALL of the other
religions... man
made stories, man
made myths, man
made gods.
In the USA you are free to believe that Jesus was the saviour, or that he wasn't, or that he never even existed, or that
religion in and of itself is a man
made myth.
NOWHERE has it been shown that God is using an ACTUAL Creature... again God is using things that people KNOW... they knew of MYTHICAL things like dragons... they knew that other
religions had drgaons... they were aware of them having dragons in their
myths... God simply chose to use that to
make a point... show me WHERE it says it was an actual creature...
What we do know, however, is what is NOT true, and that is man
made concepts and
myths from the Tooth Fairy to Santa Claus to the Easter Bunny to every single man
made religion from Ra to Thor to Zeus to Jesus (and a few thousand more scattered around).
Einstein was a smart man... and right about
religion... just
myth and fable to
make «some» people feel good.
The new manifesto urges humanity to «leave behind the magical thinking and
myth -
making that are substitutes for tested knowledge of nature,» notes that
religions «have their origins in pre-urban nomadic and agricultural societies of the past» and are irrelevant to the «postindustrial global information culture that is emerging,» and calls for a World Parliament.
People are finally understanding that
religion is all man
made, just like the Mormon
myths of golden tablets and ancient Mormons in South America.
The first forty minutes is designed to
make you think that
religion in general, and specifically the stories about Jesus, are all a
myth based on Egyptian astrology.
No
religion could be close to the hearts of the Turks if it condemned reason and relied on
myths and superstitions, favored laziness and lethargy instead of encouraging action and enterprise,
made man the slave of man, and forced him to worship nature as god.
Whether formulated by Durkheim (a system of beliefs and practices related to sacred things), by Weber (that which finally
makes events meaningful), or by Tillich (whatever is of ultimate concern)
religion in its «classical» sense refers not so much to labels on a church building as to the imagery (
myth, theology, and so forth) by which people
make sense of their lives — their «moral architecture,» if you will.6 That human beings differ in their sensitivity to and success in this matter of «establishing meaning» there can be no doubt.
Furthermore, Eastern
religions, despite that wealth of fantasy,
myth and legend which
make them quite unacceptable to modern minds with an historic sense, possess a keen perception of the spiritual as opposed to the material.
Seriously, all
religions are man
made myths plain and simple.
NO ONE that has dies has ever come back in any way shape or form... NEVER... EVER in the history of this earth...
religion is a
myth perpetrated by those who can't handle reality and or want money and or power... it
makes you feel good when bad things happen....
If we are going to be fair to all
religions, either remove the ersatz science that teaches out of th ebible, or
make every kid get a science textbook, a bible, a koran, the upanishads, maybe throw in a little shinto and native american
myth etc....
Also, it is a
myth out there that Malaysian women don't like mean other than their own race or
religion but it is not completely true as Malaysian women are really attracted towards Americans and they
make up a great pair.
Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores
myths and
religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees,
making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.