Not exact matches
The artist Christopher D'Arcangelo — another
mythic figure that Garcia Torres has addressed in earlier work — created another challenge in this regard, opting in 1978 to remove his name from the announcement and printed materials associated with an exhibition that he was asked to take part in
at Artists Space in New York.
«Fresh, original voices in L.A.: A deceptive look
at a
mythic figures,» Los Angeles Times, October 28 Ammirati, Dominic.
In her often
mythic work, Schimert selects iconic
figures - Ophelia, Sir Lancelot, Neil Armstrong, Nixon, and, for her MATRIX exhibition
at the Berkeley Art Museum, Oedipus - and merges their stories with her own in an abstractly narrative space composed of drawings, sculpture, wall drawings, and film.
The
mythic figures and beasts merge various myths (Egyptian, Assyrian, Meso - American, Greco - Roman), sitting uneasily
at the juncture of spectacle and satire, but their sheer detail and scale (one
figure, Demon with Bowl, stands several storeys high) makes the jaw drop.
It is the nude human
figure in both these paintings, truncated and
at times in violent motion that is «the starting point for Bacon's
mythic imagination.»
Mir's paintings present a world populated by
mythic figures, creatures, machines, and fragments of ambiguous forms that are
at odds with their surroundings.
In the world Si - Qin constructs, the artist is not only a regenerative creative force like the
mythic namesake of the exhibition, a central
figure within Navajo mythology who grows old each winter and is young again come spring, but also an architect looking
at extant forms of culture in order to transfigure them, discovering which traits can be refashioned to abstract or practical effect.
In the world Si - Qin constructs, the artist is not only a regenerative creative force like the
mythic namesake of the exhibition, a central
figure within Navajo mythology who grows old each winter and is young again come spring, but also an architect looking
at extant forms of culture in order... [read more»]
Berkson is right about Bischoff working in a pastoral mode, but he fails to recognize that the dream - like worlds of «
Figure at Window with Boat» and the later
mythic paintings are obsessed.
However, by including such figurative works as «
Figure at Window with Boat» (1964) and the later
mythic paintings, «
Figure, Boat, Clouds» (1971) and «
Figure with Tree» (1972), the exhibition suggests that there are more sides to Bischoff's figurative paintings than his urban scenes, and the full extent of what he did between 1952 and» 72, is still unknown, particularly on the East Coast.
The
mythic figures are too big and uncomfortable, not quite
at ease in the natural world, which is made up of slathers of paint.