What's strange is that this doesn't feel like a superhero movie until the characters turn up in their suits and display their arsenal of thingamabobs, and that's a compliment.
Not exact matches
Vulture, or Adrian Toomes, played by a very well - cast Michael Keaton — who probably got this role for appearing as another man with wings in «Birdman» — is one of the rare villains in the MCU that has a personal vendetta against the
superheroes who doesn't
feel like a desperate tie - in.
These pies were ugly and lopsided and made us
feel like we had special
superhero powers that all of those who could
not claim Susie as a relative would never have the honor of beholding.
I also
feel obliged to tell you that big ears do
not equate
superhero like - hearing powers.
But Nardini's anatomical focus on core strength isn't so much about getting six - pack abs as it is «igniting that ninja -
like superhero feeling in our practice,» in her words.
Nobody has ever seen anything
like «Black Panther» —
not just an entire civilization built from the metal stuff inside Captain America's shield, and
not even just a massive
superhero movie populated almost entirely by black people, but also a Marvel film that actually
feels like it takes place in the real world.
There are more stylistic riffs,
like the opening «documentary» Peter creates, that make an otherwise fairly safe
superhero film
feel fresh and
not overly manicured.
The storytelling vocabulary of
superhero movies doesn't have to be constricted (FX's extravagantly inventive TV series «Legion» is proof) but it
feels quite constricted here; it always has been, notwithstanding occasional outliers
like «Thor: Ragnarok,» «Black Panther» and «Ant Man.»
That doesn't bug me with Iron Man becuase that is Tony Stark in a nutshell, but otherwise there's
not a whole lot of other
superhero movies where it
feels like anyone actually gives much of a shit about each other.
But it isn't all good because Wonder Woman is also let down by the trappings of having to tell an origin story, and there are moments when the film
feels like a box - ticking exercise in how to create a
superhero origin, especially during the final act when — shock!
Carter might be a
superhero, but she doesn't
feel like one.
Does it seem both groundbreaking and classic because it doesn't
feel like a modern
superhero movie, especially those with the Marvel brand?
It's
not like directors haven't been replaced on
superhero projects before (see also: Jenkins, Patty; MacLaren, Michelle; Wright, Edgar), so why Fox
felt they had to gut it out with Trank is a mystery.
I can't see how anyone could be dissatisfied with this movie I preferred it to the other two as I think it captured batman perfectly bane was perfect how anyone can disagree after batman and robin is beyond me??? Cat women was perfect there was no poor casting IMO character development was fine story was fine and beautifully shot soundtrack stunning all involved made an absolute masterpiece even tho I guessed most plotpoints in advance they still
felt like a surprise to me I don't see the point in any other
superhero franchise making any more movies as bb tdk and tdkr will never be surpassed
The 11 - foot CGI Hulk may look a little cartoonish, the addition of rabid Hulk dogs is downright lame, and the use of comic book panel editing is an acquired taste, but it still looks and
feels like a
superhero movie, even if it didn't turn out exactly the way we wanted it to.
And by the way, I
feel like also the great thing about having done «Watchmen» and «Sucker Punch» is that the deconstructive intellectualizing, even though maybe people don't see «Sucker Punch» that way, it's certainly the way I perceived it — intellectualizing action, or
superheroes.
They're certainly moving the camera a lot — frankly it
feels like they're auditioning for a
superhero gig and
not for nothing, they're up for the Flash movie — and making some choices,
like using models for transition scenes instead of typical cutaways or beauty shots.
Although this isn't Hollywood's first attempt to turn a historically black
superhero into the main event, headlining their own tentpole film — consider Wesley Snipes run as the vampire - hunter Blade, Halle Berry's turn as Catwoman, Will Smith's alcoholic anti-hero Hancock or even Shaquille O'Neal's turn as Steel — this
feels like a first in part because of how much effort has been poured into its making and, more importantly, how readily it embraces its fundamental blackness, from its colorful African settings to its tribally - influenced makeup, hairstyle, and costumes to its predominately black cast and crew, a verifiable assemblage of talent that'll turn even the most skeptical of heads.
But that they're
not even getting made
feels like the canary in the studio's conformist, cartoon -
superhero coal mine.
The hard truth is
superhero movies aren't for everyone and it
feels like Hunnam's style may
not fit the genre.
I don't
like calling out other sites, but I
feel it's important that our readers know that when we report on an «exclusive» from Latino Review, especially with regards to
superhero news, the item must be taken with massive amounts...
Then he leaps from
feeling like Peter Parker to arguing that
superheroes should
not be diverse, and in particular, should
not be Asian, saying «that only risks undercutting the genre's universal appeal.»
Ultimately Age of Ultron does
feel a bit sloppy and even hollow, as Whedon touches so very briefly on things
like the dangers of artificial intelligence, what it means to be a
superhero and even whether the Avengers are truly a force for good, and then doesn't come back to them because he has a checklist of things to hit.
In most levels I really did
feel like an all - powerful
superhero that couldn't be stopped by mere mortals with guns.
Don't let that put you off though as its an exciting experience and one that makes you
feel like a bad ass
superhero every time you finish a level.