Like I've said before, I didn't hate the film, but I did not by any means like it.
I didn't mind the violence, but it's the absurd stillness of the film that I thought was rather dull, pointless, indulgent and with all those pregnant pauses where nothing really happened, ultimately it was just extremely boring... I saw this one yesterday and hated it as I had
not hated a film in a long time.
I don't hate the film, it panders to me like a MFer, but it is not without its charms, just that the schtick wears thin after a while, it gets its points across pretty much after the first act, then it dawdles its way to a sort of silly finish.
I didn't hate this film, didn't love it, I merely liked it.
However, weirdly, I didn't hate this film.
Not exact matches
A
film critic always
hates to admit that he hasn't seen a
film, so I was relieved when the movie turned out to...
What is amazing to me, is that the word «
hate» or «hateful» is being used against this
film and people that produced it (I am
not saying it is
not).
It was
not about a
film or
hate speech... it was about 9/11.
The
film made about Islam and its prophet are
not hate speech, but offensive speech which has already been confirmed by the U.S. Supreme Court (remember the U.S. vs. Larry Flint?)
I'm
not sure the
film even needs such a premise to be effective, (in fact, it may distract from the main point a bit... and I
hate to think there are people who need it to be reversed in order to empathize), for what really moved me was its depiction of bullying, which is based on real reports from LGBT kids.
A
film critic always
hates to admit that he hasn't seen a
film, so I was relieved when the movie turned out to be Cinema Paradiso.
CNN: We don't teach
hate, says church where anti-homosexual song
filmed About 20 protesters gathered on Sunday outside the Apostolic Truth Tabernacle here to voice opposition to a viral online video that was taped in the church and shows a young child singing song with lyrics that offer a harsh message for homosexuals.
We also
hated to see so many hardworking coaches getting ripped off by other companies who up - charge for storage and restrict
film exchange — it's just
not good for the game.
These past few weeks haven't exactly been baby bliss with my little one feeling the full of effects of teething and to take out some of my frustrations I have decided to write down all things I
hate about stupid f *** ing teething, in true 10 things I
hate about you (best
film ever?)
Members of Thatcher's cabinet, both allies and
hated «wets», have expressed surprise at
not being consulted for the
film.
And that's
not all; our study also found that almost 1 in 10 singles would happily sit through a
film they
hate for the sake of a date.
The Three Stooges is a
film that you don't particularly like, but at the same time you don't
hate it.
I wouldn't even say I enjoyed it, but I couldn't find a reason to really
hate the
film when looking at it from its target audience's perspective.
I didn't expect much from this movie, in fact I expected to
hate it, but Spiders is a much better movie than many other horror
films that has been released this year.
It is
films like this that make me question whether or
not I ended up loving it or
hating it.
The
film doesn't take a clear stance in regards of the actual utility of an institution like this, we see how the patients there mock around and make fun of the fact that they are being institutionalized there, and at the same time they
hate the way that their parents brought them there, as well as the harsh instructions that they must go through every morning and every day.
A
film can have the funniest jokes in the world, but it's all for nothing if we
hate the characters; likewise it can have great characters and a fascinating story, but if the humour isn't well - crafted, then all is lost.
I understand why some people
hated it, because they didn't get the picture or simply because they don't like this type of
film.
In my History of Documentary
film course, the classes were always split: there were those who loved it and those who
hated it because it didn't tell a story.
Anyone who
hates this movie because it does
not comport with their beliefs about the «real story» is either a racist or simply misses the point: Phiona overcomes great odds to achieve what she does in the
film.
I really
hate the video game look in
films too but I don't think that District 9 is one of the main offenders.
«Clean» might be a
film in code about the most infamous of all rock - and - roll widows, but I hope
not, since Allison Anders» «Sugar Town» had already done a fine job of eviscerating (again, in code) this woman, who nevertheless, love her or
hate her, arguably served the important and underrated function of muse for the troubled drug - addled musician.
The people you worry will be offended will
not see this
film b / c they have no sense of humour and b / c they like to complain and preach
hate - much like yourself.
Surprisingly enough, Jack's motive for
hating Christian and Ana is
not that Ana became a fiction editor at a publisher and her major contributions, as seen in this
film, are finding an author named «Boyce Fox» (could've sworn my accountant worked at Boyce Fox) and increasing a font size by two points.
You should want people to
hate you for
hating a
film, don't cower from negative attention.
The line is meant to take a shot at the almost universally
hated X-Men: The Last Stand, and while X-Men: Apocalypse is nowhere near as bad as Brett Ratner's
film from 2006, it's
not without some shortcomings of its own.
I don't find his childish humour or annoying voices amusing in the slightest and Little Nicky has to be near the top of my most
hated films list (particularly cos it features so many cameos of respected performers).
Beyond the Black Rainbow (d. Panos Cosmatos) When the dust settles and the smoke clears, I do wonder if guys like Juan Carlos Fresnadillo and Pascal Laugier won't finally get their due as the spearhead of a horror revolution, the two of them landing with new
films in the same year that Drew Goddard and Joss Whedon received a round of applause for their genre -
hating The Cabin in the Woods.
It was (is) maintaining a positive overall rating and people are praising it saying just how wonderful it is; hearing all this made the anticipation even greater, which I
hate because most
films don't live up to the hype.
The director tells Jason Solomons how his
films - including She's Got ta Have It, Malcolm X and She
Hate Me - have changed Hollywood, and how they haven't
But yet again, that's the great thing about
film...
not everyone has to like... I, for one,
HATED lost in translation and will NEVER see what the fuss about that movie was.
We
hate thinking about this
film as Agnès Varda's valedictory sign - off — can't she just continue to make charming documentaries forever?
I was prepared to
hate this
film, to dismiss it as redundant, unnecessary, and simply
not that good, based on the overrated nature of Trank's first superhero movie.
Kudos to Aronofsky for
not caring if we love or
hate this polarizing
film.
It's a
film so utterly silly that you'll
not only find yourself laughing about it the next day, you'll probably
hate yourself for being rapt up in it while it is running.
I didn't
hate Ruffalo's work in Spotlight, but I think that the
film is a mediocrity anyway (only Schreiber suggests what it could have been).
While I am the furthest thing away from being an Insane Clown Posse fan, I can't help but be intrigued by the
film's plot description which revolves around Schilling's character
hating children yet has forced to look after her 12 - year old niece who runs away to become a Juggalo.
FRUITVALE STATION (2013)-- I'm
not hating on the world guys... RIDDICK (2013)-- I'm
not hating on the world that allows this movie to keep going... THE EAST (2013)-- I'm
hating on the world, and cinema for this movie... MUSEUM HOURS (2013)-- Let me think about art some more... FROZEN (2013)-- Let me wish for more great musical songs per
film... THE HOBBIT: THE DESOLATION OF SMAUG (2013)-- Let me wish for shorter
films... CALL ME KUCHU (2013)-- Let me wish for equality... THE TWELVE CHAIRS (1970)-- Young Frank Langela makes me feel weird... TOUCH OF EVIL (1958)-- Charlton Heston is badass guys...
Such stories need a gay best friend except that this
film's candidate for that post - Patton Oswalt's career - defining Matt - turns out against the odds
not to be gay, even if a mistaken assumption on exactly that topic led to a grievous
hate crime against him many years before.
None of that matters half as much as telling me how much you loved a
film, or even how much you
hated it (but it better
not be a movie I like because you don't want to know what happens next).
I've
hated their last two
films, and now they're remaking a
film that doesn't need to be remade... perfect.
WITH 36
FILMS, INCLUDING: A LITTLE STIFF, I DO
N'T HATE LAS VEGAS ANYMORE, IN THE BATHTUB OF THE WORLD, TRIPPING WITH CAVEH, I AM A SEX ADDICT, AND THE SHEIK AND I
I
hate thinking about this
film as Agnès Varda's valedictory sign - off — can't she just continue to make charming documentaries forever?
Directors like Besson and his many minions, Mathieu Kassovitz (
Hate, The Crimson Rivers), Jean - Pierre Jeunet (Amelie), and others have since created a French industry that makes
films expensive and commercially savvy enough to compete with Hollywood imports, and they don't really give a shit what the naysayers think.
Although the
film doesn't make time to fully investigate his body of work, which, from his bitter liberalism (the dubiously titled «comedy of
hate») to his pre-cancer embracement of smoking («I go through two lighters a day,» he'd often quip), is admittedly problematic, it nevertheless refuses to shy away from these darker corners of his existence.