Sentences with phrase «n't lead artists»

«I don't lead artists, I follow them» he shot back.

Not exact matches

Sounds to me like Bill should have stayed in the closet... anyone so blinded as not to be able to see the ARTIST the lord was is just simply BLIND... Children's are GOD»S gift to us and should not be lead astray from the Truth..

Most leading thinkers and artists, even if they were not opposed to Christianity, ceased to take their inspiration from it; secularization became dominant.

As the lead singer of Creedence Clearwater Revival and as a solo artist, John Fogerty's voice has been heard on some of the most beloved songs in the history of rock «n» roll.

«I also hope that this paper and video encourage more scientists to take an artistic approach when they start a new project, not necessarily to create a narrative - based story, but to explore their idea the way an artist explores a canvas, because that makes the mind open to a different form of serendipity that can lead to unexpected results.»

Nerve cells in our brains work together in harmony to store and retrieve short - term memory, and are not solo artists as previously thought, Western - led brain research has determined.

If you have not yet a perfect partner in mind, you always see, which is a spiritual art that tickles your brain, or perhaps the artist who leads the creative part of you the most compatible with you.

I'm a very passionate artist whom works as the lead tech in quality control, therefore you know I know the rules and sometimes love to bend them, not.

The actor, who is nominated for Outstanding Performance by a Male Actor in a Leading Role for The Disaster Artist, did not walk the red carpet or do interviews.

A Grammy - winning artist such as Mary J. Blige should not be expected to devour a film the way she does in «Mudbound» but you will be floored at her interpretation of a mother, leading and supporting her family with a stoic fervor.

Who would have thought that back when The Room was first released as a $ 1,800 grossing flop in 2003, it would lead not only to such a midnight movie renaissance, but also a biopic on the same level as The Disaster Artist?

The problem with the situation is that more times than not it leads to the type of film that Laurel Canyon is: ostentatious in structure, but in that way also a departure from the succinct character observations that brought the young artist the opportunity in the first place.

7: Burt Reynolds was director Milos Forman's first choice for the lead in «One Flew Over the Cuckoo's Nest» but United Artists believed his appeal with average moviegoers might prevent the film from attracting the critical attention they felt was necessary for the film to be a box - office hit.

The 39 - year - old star won for Best Actor in a Comedy for his lead role in The Disaster Artist, but was not on hand to retrieve the accolade.

The self - evident ethical concerns may or may not at some future time lead to litigation between authors and their Agent - Publishers as it has led to innumerable collisions between agents and managers and artists in other industries.

But a visit from a dangerous stranger, who looks uncannily like a subject in one of Derek's older paintings, leads the young artist to a place where the line between life and art seems not to exist at all.

If you don't know much about the design process and are unsure about what your artist wants or needs, just follow the tips above and let them take the lead.

That just leads to less money for the artists who create the things we love, and eventually those things not being made anymore.

One of these is Led Zeppelin, a British rock band that not only revolutionized the music scene but also influenced an entire generation of artists.

This required extra attention from team leads and the project art director to ensure the minute measurements and adjustments an artist made on one part wouldn't throw off the whole.

For a parent or guardian to not educate their dependents as to the nature of their art is criminal and can more than likely lead to catastrophic misinterpretation, but with the release of Call of Duty: Black Ops, we have seen the careful and committed hand of a few very talented artists.

To better get across the «old - timey arcade action» feel he was going for, lead technical artist Julian Love came up with the demonstration you see above (fast - forward to 9:04 if the video doesn't start at the appropriate segment).

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

«We're so thrilled to bring N + + to the PC where the series began,» said Mare Sheppard, Metanet's Programmer, Designer, Artist and Creative Lead.

Not only will you get to see a coffin load of explosive gameplay, but we've also got commentary from Strange Brigade's Head of Creative (Tim Jones) and Lead Artist (Andy Pattinson)!

Members of the GPG family weren't just contributors to classic games like Total Annihilation, Dungeon Siege, and Supreme Commander: We were the lead designers, the lead engineers, and the lead artists.

While the concept artists and designers are busy, the rest of the art team doesn't just sit idly by but keeps themselves busy, figuring out what materials could work, how to lead players from A to B, how to tackle streaming and level set - up, and — after design finishes their design - blocking — starts art - blocking the entire x area from the design - blocking up.

National Sawdust (NS), an unparalleled, artist - led, non-profit venue, is a place for exploration and discovery.

yet... it's not the artists that are leading the discussion (with a few notable exceptions).

My mother told me the story of why he became an artist, which was to be able to offer the very images of African - Americans that he sensed and knew were a part of history — the very history he wasn't being taught in high school that led to asking the question that led to his expulsion.

The Whitney Museum's director, Adam Weinberg, explains, «Our role has been, historically, to follow the lead of artists, and that can mean territory that is not so comfortable, even for curators and directors of institutions.

It seems that as an artist, being so detail oriented can really lead to exhaustion if you don't just tell yourself, that's enough!

has led us to the conclusion, so far, that art is not a free, autonomous activity of a super-endowed individual, «influenced» by previous artists, and, more vaguely and superficially, by «social forces,» but rather, that the total situation of art making, both in terms of the development of the art maker and in the nature and quality of the work of art itself, occur in a social situation, are integral elements of this social structure, and are mediated and determined by specific and definable social institutions, be they art academies, systems of patronage, mythologies of the divine creator, artist as he - man or social outcast.

What if, following Steiner's lead, all artists refused to show at any gallery that does not cut its workweek to 20 hours?

I read this with great interest but there is one problem that is not being addressed here: buying art online can lead to some huge disappointments — Almost any painting / drawing can be made to look much better posted on facebook than when you see it «in person», plus (many) online artists can puff up who they are and their backgrouns — which entitles them to inflate their prices.

Together these two experiments represent an artist - led rebellion against the market and its professional classes — collectors, dealers, curators, academics (and, yes, critics)-- that is best summarized by a Bruce maxim: «An art world built solely to feed the industry isn't an interesting place to live.»

National Sawdust (NS), an unparalleled, artist - led, non-profit venue, is a place for exploration and discovery.

Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual artistic practices.

Handling artists not only allows for control of their remaining unsold work, but it also offers access to their catalogues raisonnés, a thorough accounting of every piece by the artists and who owns them — which can lead to future sales.

Over the weekend, a slew of more than 40 local and visiting artists, as well as organizations like the Chinatown Art Brigade (a grassroots effort tackling the divisive issue of gallery - led gentrification in their neighborhood) demonstrated that preservation doesn't have to be backward - looking.

Writing in the Art Newspaper, Mordant, a former commissioner and the lead fundraiser for the new Australian Pavilion in the Giardini, said that «the proposed restructure is not in Australia or the artists» best interests.»

Leading artist Anish Kapoor has reworked Joseph Beuys» seminal work, I Like America and America Likes Me by changing the title to I Like America and America Doesn't Like Me as a protest against the horrors that are unfolding in Donald Trump's America.

Beep and elysiumgallery are not - for - profit, artist - led organisations.

Be sure not to miss booths by Blain Southern from London and Berlin; Galleria Continua from San Gimignano, Beijing, Les Moulins and Havana; Gagosian from New York, Beverly Hills, San Francisco, London, Paris, Rome, Athens, Geneva and Hong Kong, featuring a vibrant contemporary program; Galerie Lelong from Paris, representing prominent contemporary artists and estates from the United States, Latin America, Europe, Asia, and Australia; Pace Gallery from New York, Palo Alto, Paris, London, Hong Kong and Seoul, a leading contemporary art gallery representing many of the most significant international artists and estates of the 20th and 21st centuries; Galerie Perrotin from New York, Paris, Hong Kong, Tokyo and Seoul; and David Zwirner from New York; among others.

Professional fees for a master class led by visiting artists, curators, or lecturers are eligible (artistic staff, including resident artists or adjunct and full - time teachers, do not qualify as visiting).

Yet avaf, an artist collective that also appeared in the 2004 Whitney Biennial, tries not to make the words too legible, and stairs lead to a neon logo about as upsetting as Citibank's — and even less meaningful.

What you will not find is an older art, younger artists, diversity, or the leading names of today.

About Banner Repeater — Banner Repeater is a not - for - profit organisation and has been supported by ESF Hackney Council, as well as Arts Council England, Elephant Trust, Chelsea Arts Club Trust (2011/12 Artist - led space award), and Dr. Rossana Pittelli (specialist in Fine Art) the Italian Cultural Institute.

Whether or not that's true, the show has led curator and writer Lynda Morris to tell us about the international network of conceptual artists from 1967 - 1977, revealing new relationships between galleries and museums.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.