Sentences with phrase «n't made it to the big screen»

Not exact matches

On a monthly basis, BrandIndex rigorously screens the data on 1,400 + major brands to determine which have made the biggest significant gains based on its own merits, not a crisis bounce back.

You don't make a whole lot of money doing this unless someone randomly decides to add a big screen TV to their shopping cart after they've followed your link... which has been known to happen from time to time.

What does it matter when we die what is important is what we do with our life now.The struggles people find themselves is because of living a sinful lifestyle you cant play with fire and not get burnt there are consequences.Jesus wants to bring forgiveness and healing and remove the guilt and shame that you are feeling.Ive have been there i was just as guilty i do nt believe theres a big screen that replays our life if it is it, it will be about what we have done for God as our sins are covered under the blood of Jesus.The judgement for christians is that we must give an account of what we did for Jesus while we were here did we make the most of opportunities given to tell others to reach out others with his love.Mat 25:14 - 30 the Parable of the talents talks about judgement and for me it is all about what we do for Jesus the ones who are faithfull in the small things are set over much.The one who did nt use his talent that God gave him was punished for his lack of faith.So for those who are struggling with sin and life Jesus loves you and has a plan for your life just trust him to help you and he will.To be fair its wont be easy you will have to make some hard choices but he promises to help you through its all about choosing him over choosing what we think best because he knows whats best for us.Its important the choice you make as it will impact your life for eternity.brentnz

The third of C.S. Lewis» «Narnia» books to make it to the big screen almost didn't happen when Disney lost the faith after the «disappointing» returns for «Prince Caspian,» with its worldwide box office gross of $ 419 million.

Its simple make ways to change it... wy won't d board take d fans for a ride when same fans rush to buy ticket, merchandise etc boycott matches n see what will happen but dsame fans will run to emirate to watch trash football now one will protest or bring banner to match»»» I made a suggestion some weeks back u should go in groups what ever will b d out come let it be... if d board falls to act leave emirate for them n watch the matches at home from ur big screen...... Wenger out... Why no do a day protest.....

The 2014 FIFA World Cup winner — who hasn't been getting much game - time this season — is set to make his big screen debut in the German comedy «Macho Man» according to the Metro.

Not sure if it is just my browser but as the photos are so big (size and quality) they take ages to load on screen and make the site become really slow?

Those include a formidable physique joined to a relaxed, self - referential sense of humor («that's a big arm, don't fight it,» he advises), a gift for green - screen sincerity and the ability to say lines like «something's not right here» and «you're making a big mistake» with a straight face.

It's increasingly hard to remember a time when every superhero film made wasn't made as part of a wider universe, as instalments in an ever - growing web designed to bring the head - scrambling continuity of comics to the big screen.

In the case of talented stage and screen beauty Kristen Bell, it wasn't so much a matter of if she was going to be a star after realizing her dream during an early performance as a banana in Raggedy Ann and Andy at the tender age of 12 — but when she would finally make the big time.

While I have no doubt that he believes this fiction (in spirit if not particulars, perhaps), Brashear's story — even in its big - screen dilution — is so manifestly about long - term, institutionalized racism, that such a comment appears patently naive, even disingenuous (the movie even makes the case, somewhat ironically, that the Navy's greatness is proved by the fact that someone so exceptional as Brashear would want to be part of it).

Megan McDonald's third - grade spitfire Judy Moody makes her moody leap from the page to the big screen with much of the spit, if not her fire, intact.

Sadly, Roth fails to capture the indescribable coldness, distant and somber rawness of the vintage vehicle that made the matured Bronson the rugged - faced revenge seeker that one did not cross four decades ago on the big screen.

Though Mark Wahlberg and Will Ferrell haven't appeared in a movie together before this, the two stars have a few things in common: both arrived on the big screen after successful careers elsewhere (Wahlberg as a pop star in Marky Mark and the Funky Bunch, Ferrell as a comedian and Saturday Night Live cast member), and both produce shows for HBO (Wahlberg's Entourage and How to Make It in America, Ferrell's Eastbound and Down).

Two of the most iconic extra-terrestrial beings put into film at 20th Century Fox are making their returns to the big screen in a big way, but don't worry, these are solo films.

Sure, you don't want the studios to cut corners to the point where movies start looking cheap and silly — a big reason why superheroes and aliens have been making such a huge impact on movie screens in recent years is that we can finally make them look cool instead of tacky.

In deciding to adapt Ian McEwan's 1997 novel «Enduring Love» for the big screen, scriptwriter Joe Penhall risked forever being stalked by the book's legions of adoring fans, not least for the many changes in detail and emphasis he had made to the source material.

Filmmaker Destin Daniel Cretton and his co-screenwriter Andrew Lanham really want us to know that this is a real story, not just one made for TV — although the film frequently looks and feels more appropriate to a small screen than a big one.

Considering how that film was not exactly a commercial success, this may not sound like a big deal to many of you but as someone who believes that bleak and bruising comedy - drama to be one of the great unsung movies of the decade — the kind of film that the great Billy Wilder might have made once upon a time — I went into the screening with the kind of over-the-top sense of anticipation that many felt as they walked into «Avengers: Infinity War.»

Again, it's not as obvious as it would be on a Switch screen, but the characters are all made of incredibly low - poly models when compared to its Switch big brother, and then when you factor in muddier textures, less visual effects and a generally blurrier overall image, it's hard to take to this version after playing it on Switch.

Marvel Studio better bring on Black Panther to the big screen cause if they do nt i believe they are scared that the white audience will not watch black panther thats why they not making a live action movie

For Laure, this is a spiritual act (one of many baptisms in the film), and for De Palma it's a correction: he flips Billy Wilder the bird by saddling his femme fatale with a crisis that matters, even if her personal pain is not readily apparent when she and a group of thugs break into the Cannes Palais, hoping to swipe a fortune in diamonds from Regis Wargnier's whorish girlfriend Veronica (Rie Rasmussen), with whom Laure makes out in a bathroom stall while Wargnier's hideous East - West plays on the big screen.

This twist came out of nowhere, which isn't a bad thing in and of itself, except that so many more left - turns were to follow that it started to feel like Affleck was so overwhelmed by translating Lehane's novel for the big screen that he just decided to throw in all of «what happens» in the book without figuring out how to make us care about any of it.

Elsewhere, T'Challa's character is set to make his big - screen debut next year in Captain America: Civil War, but I rather not get excited until after Black Panther's cameo in Civil War is finished.

Not all of X-Force's original squad made it to the big screen (Apologies to Boom Boom, fan favorite Cannonball, Feral, and Warpath) but you can expect to see many of the original cast of cut - ups from the August 1991 issue of X-Force # 1.

She is currently on the big screen reuniting with Du Vernay for «Selma» — and much like Tessa Thompson makes an emotional impact in the few scenes she has on screen — and can be seen on TV in the Ioan Gruffud series «Forever,» a show we've as yet not caught up with, but her stint on «OINTB» has kicked her up several profile levels to the point that she'll hopefully be headlining something soon.

«Good Luck Chuck» gives Dane Cook his second opportunity to team up with a hot chick (this time, it's Jessica Alba) who helps take the attention away from the fact that the film isn't very funny, and as «The King of Queens» rides into the sunset, Kevin James tries again to make it on the big screen in «I Now Pronounce You Chuck and Larry.»

Whether or not he's telling the truth remains to be seen, but one thing is certain: with Anderson behind the camera and a cast that includes Hoffman, Amy Adams and Joaquin Phoenix (making his big screen return after wasting the last few years making «I'm Still Here»), «The Master» will likely be a contender in nearly every major category come awards time.

While it would be cool to see The Dude on the big screen again, I can't imagine a scenario where it would make any sort of sense.

There needs to be a few minor changes to suit the big screen if you cant accept it then do nt watch it the movie needs to make money.

Biggest opening for a non-team-up superhero movie: Superhero movies with more than one hero like «The Avengers» tend to make more money than their single - hero counterparts, but «Black Panther» has not only beaten a five - year record held by «Iron Man 3,» but is also posting a higher opening than films like «Avengers: Age of Ultron» and «Captain America: Civil War,» films that have showcased all of Marvel's biggest heroes and, in the case of «Civil War,» featured Black Panther in his big screenBiggest opening for a non-team-up superhero movie: Superhero movies with more than one hero like «The Avengers» tend to make more money than their single - hero counterparts, but «Black Panther» has not only beaten a five - year record held by «Iron Man 3,» but is also posting a higher opening than films like «Avengers: Age of Ultron» and «Captain America: Civil War,» films that have showcased all of Marvel's biggest heroes and, in the case of «Civil War,» featured Black Panther in his big screenbiggest heroes and, in the case of «Civil War,» featured Black Panther in his big screen debut.

he Incredible Hulk may be the latest superhero to make the jump to the big screen, but he's probably going to disappoint more than a few fans this summer — namely because he isn't so much a superhero as he is a psychiatrist's worst nightmare.

While I wouldn't mind seeing Wasp buzz around a new movie sooner rather than later, the screenwriters are making a wise and gracious move by holding off until Ant - Man and the Wasp to let her make her true big screen debut.

It puts less pressure on the movies I'm making, because I often am not taking big salaries, or any salaries on these movies, because I want as much to be on the screen as possible.

The boys aren't bad either, and, in addition to Phoenix, it's exhilarating to recognise, in various disguises, hairdos and toupees, actors that have shaped both American independent cinema, Hollywood and / or cable television (The Sopranos, The Wire, Boardwalk Empire) for the last twenty years: Owen Wilson offers an understated performance as a former saxophone player who has to fake his death; the always impeccable Martin Donovan is a lawyer for the Golden Fang (he's also, by the way, Japonica's father, which serves him right); Benicio del Toro shines as the man passing as «Doc's lawyer»; Josh Brolin drew a lot of kudos for his performance as Doc's nemesis, an LAPD detective nicknamed Bigfoot with the bad habit of kicking people's door and dreams of making it to the big screen; Martin Short; Eric Roberts, Michael Kenneth Williams etc...

An adaptation of David Ebershoff's novel The Danish Girl has finally made it to the big screen, and if this trailer doesn't scream «Inevitable Eddie Redmayne Oscar nomination,» we're not sure what does.

I wouldn't put it past Lionsgate to decide on a straight to DVD spin - off, but I think it's safe to say that Saw VIII won't be making an appearance on the big screen in 2011.

, but there's little doubt that genre fans who don't make the trip to Fantasia and Fantastic Fest are rabidly happy that TAD rolls in the numerous big genre titles of the year to the big screen here in Toronto.

The animation itself isn't as flashy as the usual big - time anime that makes it to the big screen here in Australia, but like all good animation, it hits the right expressions at all the critical moments.

Apparently Tarantino shared the screenplay with a «small circle of actors» and got so upset that someone let it loose that he decided not to make the film next at all and instead plans to publish the script with the potential to revisit the idea of bringing it to the big screen in the next five years.

It's a big - screen showcase for the human tenacity for survival, if not of our ability to make evolutionary cinema.

If you're no longer able to make money off of a property on the big screen, why not take it to the small one?

Many performers from Saturday Night Live have gone on to have great success beyond the show, but even if they make the transition to the big screen, it's not easy for a comedian to be taken seriously as a dramatic actor.

Nothing so great releases to DVD this week (yes, Life of Pi does, but really, it was the glorious big screen 3D that made it worth seeing) so we thought, why not make some recommendations for the holiday?

Execs at Warner Bros. made a big deal about how they did not feel the need to cut down the film after it received remarkably high marks at its first test screening; even so, some trimming is clearly in order.

What makes the movie work as an animated film is that it doesn't have to cater to the non-superhero fans like the big screen blockbusters do.

There's plenty of positive buzz surrounding the film right now, fortunately, and who knows - if A Wrinkle in Time hits it off with audiences, this might not be the only entry in L'Engle's Time Quintet that makes it to the big screen.

Annihilation is astronomically better than the two aforementioned films, which makes it an even greater shame that it can not be experienced on the big screen, as it was clearly designed to be.

Winslet is not the only one making her first transition from the big screen to the small screen.

Iger also noted that the studio has the rights to 7,000 characters, so there are a lot of heroes and villains who still haven't made their big - screen debuts that the studio can use.