Sentences with phrase «n't turn your screen on»

It isn't a smart cover, so it won't turn your screen on or off, the screen protector is light and flimsy, and though it's supposed to support the tablet upright with an Apple - like folding cover, it doesn't support it well enough.

Not exact matches

The group agrees that if A.I. is part of a conversation, it shouldn't butt in out of turn; if it's on a computer or phone, it shouldn't take over your screen or dismiss whatever you're working on.

Elsa was utterly disappointed that hers didn't turn out as pretty as the ones she had seen on our screens.

She slid it in front and I figured nothing had changed since I could still see everything, albeit a tinge darker, then she turned the laptop to be on the side of me and I realized I could not see the screen.

From the dimmable LED lights that give off a soft, natural light, to the dual power supply (throw in some AA batteries or charge the light with a micro USB cord), or the deluxe touch screen functionality to turn the lights on and off, you can't go wrong with this product.

Sometimes Monitor Turns Off: The screen on the parental unit is designed to turn off after a few minutes to save battery however sometimes the sound also turns off which means your baby could be screaming for hours and you may not realizTurns Off: The screen on the parental unit is designed to turn off after a few minutes to save battery however sometimes the sound also turns off which means your baby could be screaming for hours and you may not realizturns off which means your baby could be screaming for hours and you may not realize it.

At night, I turn the brightness down all the way, and the Kindle app has an invert mode where it puts white on black background instead of black on white background, so it's pretty dark, and I found that a pretty comfortable experience and certainly preferable to my previous way of reading in the dark which was getting out a little AA battery — powered book light that I had to clip onto my Kindle — which seemed so backward that you have to have a second electronic device attached to your first electronic device — but [the] eInk screen on the Kindle doesn't light itself.

«When you turn on a TV set,» says Jeremy Gittins of the American software giant Microsoft, «you don't get error messages coming up on the screen.»

On the screen of my camera they looked pretty sharp, but on my computer they turned out not to be as sharp as I thoughOn the screen of my camera they looked pretty sharp, but on my computer they turned out not to be as sharp as I thoughon my computer they turned out not to be as sharp as I thought.

Simply put, it represents the work of a filmmaker so exhilaratingly in command of his craft that he can, among other things, turn a single image of two people standing next to each other — fully clothed, their bodies not quite touching — into one of the most sublimely erotic moments we have ever beheld on the screen.

This isn't uncharted territory on screen — one might even view «Let the Sunshine In» as a parallel - universe Nancy Meyers movie — but it's rare for stories of older female singledom to turn the mirror inward quite so candidly.

In the final, incredible scenes at Candie Land, easily the peak of the film and some of the best scenes of the year, everyone on - screen is hiding something from Django pretending to be a mandingo expert to Broomhilda pretending she doesn't know him to Samuel L. Jackson's memorable turn as a loyal butler with plenty to hide.

The cursor on the screen will turn red, and it will not register a hit.

Not often does Evansville see the return of a native son - turned - Hollywood Top Dog, so Showplace East was brimming with eager viewers on the night of Michael Rosenbaum's movie screening + talkback, hoping to rub elbows and share their I knew - you - whens.

Born in 1937 in West Cliff - on - Sea, England, screenwriter - turned - director Dick Clement cut his teeth on the small screen in his mid - to late twenties, as a BBC television writer and director, including such now - classic programs as the sitcom The Likely Lads (1964), the Dudley Moore and Peter Cook series Not Only... But Also (1965), and the brief Steptoe and Son successor Mr. Aitch (1967), starring Harry H. Corbett.Clement segued into big - screen comedy in 1966, co-scripting (with Ian La Frenais) the Michael Winner - directed picture The Jokers.

I didn't even have to download it, when I turned it on for the first time, it was on the main screen.

Lisa is an amazing character: infuriating, arrogant, anxious, guilt - ridden, vulnerable, aggressive, precocious... a teenager turning young adult, yes, but a fully realized human being who constantly surprises because she contains a multitude of impulses and contradictions that we're not used to seeing on the screen.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The turn - based approach Fire Emblem is famous for is gone in Fire Emblem Warriors, and in its place you'll find hordes of enemies to cut your way through (in real time, naturally), screen - filling special moves and a surprisingly deep character development system which not only allows for levelling - up, but permits you to augment each protagonist's abilities on a more granular level, such as selecting and improving their weaponry.

I was one of many that was convinced that, as soon as the Switch made its debut, the 3DS would fade away quickly, with game releases drying up and there no longer being a need for me to pick up the quirky dual - screen handheld, but instead, between games like Fire Emblem Echoes, Metroid: Samus Returns and soon Pokémon Ultra Sun and Ultra Moon, there's more than enough reasons to invest in a fresh 3DS, not just keep turning on your old one.

, the ubiquitous Jennifer Aniston (whose track record participating in big screen frivolous fluff bombs persist) and Kate Hudson (who has not had anything solidly eventful on screen since her Oscar - nominated terrific turn 16 years ago in the exceptional Cameron Crowe directed musical nostalgic gem «Almost Famous») he is merely stacking the deck and throwing pseudo poignant paint on the wall hoping to blindly devise an insightful, emotional picture.

You like all of these people, sure, but Ledger's terrific turn as the Joker and the captivating tragedy of his passing pretty much made everyone antsy when he wasn't on screen.

First portrayed on screen by Andrés García in 1979 Mexican film Carlos el Terrorista, Sánchez's story inspired 1997 effort The Assignment (although not The Jackal from the same year, as commonly believed), and now Olivier Assayas» mini-series turned feature film Carlos.

Not surprisingly, the acting here is consistently superb, from Ronan adding another wonderfully complicated character (with a perfect American accent) to her repertoire to a supporting turn from Metcalf that gives her the rare opportunity to dig into her talents on the big screen in the way she gets to on stage and television.

Her biographical drama «Woman Walks Ahead» will play at the Tribeca Film Festival next month, while her villainous turn in «X-Men: Dark Phoenix» won't be seen on the big screen until February 2019.

With Xenoblade Chronicles 3D, though (the first game made specifically for the New 3DS, in that it won't work on an old one) I had to turn it off, because there was just too much happening on - screen.

A furore has erupted at Cannes as the Film Festival turned women away from a screening of pro-LGBT romance Carol, starring Cate Blanchett, for not wearing high heels on the red carpet.

Reason: With his film Smashed opening last fall with a commendable performance from Winstead, it is certainly curious to see where the acting / directing duo will go next, especially with the presence of Woodley, who hasn't been seen on the silver screen since her award winning turn in The Descendants.

Kill List not only qualifies as a fantastic thriller, but it truly showcases some of the best horror elements seen on screen in many years with its twists and turns, all done in unwavering slow - burn style.

The track also expands on the action on screen, including a discussion of «extreme rendition», a government policy started during the Clinton administration and continued by Bush that plucks suspects off streets anywhere in the world and turns them over to governments not unopposed to interrogation that includes torture.

When an uncredited A-lister turns up to kickstart the third act, Interstellar begins to feel more like those disaster movies that Irwin Allen used to make, bulging with enough star wattage to keep our eyes on the screen and not rolling to the back of our heads.

It seems that in 2015 you won't be able to turn around and not see Vikander in one of her starring roles on screen this year, she has EIGHT films.

He shares with character - based theater a taste for sudden revelations, yet he doesn't allow for the fact that these coups de theatre don't always function on - screen as they do onstage: a plot turn that we find convincing or at least acceptable in a play may not work that way in a movie.

Obviously, there's still a ways away to go in the Rift technology, but being able to look down and see an entire city at your feet, then look behind you and see a whole landscape and then turn back around and have crows circling and flying straight towards you (that bit isn't so exciting) that are, in all actuality, little more than pixels on a screen — it goes without saying that this is undoubtedly the most exciting technological advancement to come out of the 21st century.

Not every actor - turned - director with a distinctive on - screen presence necessarily brings that presence to bear on their filmmaking; I'd go so far as to say most of them don't.

But in 2015, a group of women in their 50s — some of whom had medical conditions — were turned away from the screening of Todd Haynes's Carol for not wearing high heels on the red carpet.

Though «Bowfinger» can't match up to the previous bests of either Martin or Murphy, for both stars (on screen together here for the first time) it marks a notable up - turn in form.

But after Saoirse Ronan delivered yet another showstopping performance in Lady Bird and Margot Robbie took a career - transforming turn in I, Tonya, we can't help but get excited at the prospect of the two squaring off against one another on screen.

As TCM's Oscar - celebratory month winds down, they've still got a few new ones to throw at us — the first musical to win a Best Picture Oscar, The Broadway Melody, shows on Monday; an actual good Merchant - Ivory film in A Room With a View turns up on Thursday; and fantastic underrated film noir The Killers plays on Thursday; finally, one of my personal all - time favorite films, Stage Door, hits the screen late Saturday / early Sunday (trust me, picture quality is higher than the still above; couldn't find a decent cap).

Despite all that, Berlin's profile remains somewhat lower than the glamor - puss Euro festivals of Cannes and Venice, which is refreshing for attendees who rarely have to negotiate awkward Red Carpet traffic systems, and probably won't get turned away from screenings based on footwear.

The Hero: Idris Elba is getting bigger and bigger roles on both the big and small screen, but as of yet he hasn't really had that big Hollywood role to turn him into a true A-lister.

But it's hard not to at least keep things amusing when Segel is on the screen, who can turn most feeble gags into something more thoughtful and understatedly clever.

Selecting French, of course, enables all of the on - screen lyrics to be presented in French as well, which suggests that at least a touch of effort went into this DVD (that's assuming the French version didn't already turn up in some market).

First up is Light Source & Imagery's 22 - minute «The Making of Norbit», in which Eddie Murphy walks the knife's edge of self - awareness («When I put on these makeups, I get to go to some whole other place... that I couldn't go with [my real face] on»), Thandie Newton hails the movie as a palate cleanser to a string of demanding roles / films (to think Jonathan Demme remade Charade for her when all he had to do was put Eddie Murphy in a fat - suit), and we see nifty demonstrations of how the split - screens were accomplished; turns out that much of the time Murphy is only playing Rasputia from the neck up, a good - natured obese woman filling in for the body.

The last time Universal screened one of their big summer comedies at South by Southwest, it turned out to be «Bridesmaids «-- a movie that not only went on to be a massive financial success (and a breakthrough for its cowriter / star Kristin Wiig) but a critical one as well, even earning an Academy Award nomination for its screenplay.

And then he's not, and those little mannerisms that Clooney uses to make us love him on screen turn fake and even cruel.

Turning off the regenerative braking (which is very easy to do through the infotainment screen) improves things but it reveals the brake pedal doesn't have a linear and progressive influence on the brakes.

, AUDI QUATTRO W / REAR SPORT DIFFERENTIAL, TECHNOLOGY PACKAGE - inc: Audi connect w / 6 - month trial subscription, TFT 7» color display screen, MMI high control panel, WVGA, control knob w / joystick and buttons in center console, Operates climate control, central locking, instrument cluster, vehicle diagnostics, cellular phone, navigation, CD and radio functions, Parking System w / Rearview Camera, Audi Side Assist, lane change assistant, operates at speeds above 19mph, visual warnings located in exterior mirror housings, Radar technology located behind rear bumper (not visible), Can be turned off, HDD Navigation w / Voice Control, speech - to - text engine and controls cellular phone, CD, radio and navigation, Radio: 1 CD / DVD - Player & HD, Bluetooth streaming audio and SiriusXM Traffic w / 4 - year subscription, FRONT LICENSE PLATE HOLDER - inc: For states that require front license plates MUST SELECT Front License Plate Holder (6W3) or Without Front License Plate Holder (6W9) on all orders.

Something that may prove inconvenient for some users is the integration of the climate control system into the central display: you can't adjust the temperature or turn on A / C without touching the screen.

Good: Comfortable, Adaptive Cruise Control, spacious interior, plenty of USB slots, driving visibility Neutral: Adaptive Cruise Control (cuts out at 20 mph), push button shifter, mediocre turning radius Bad: No analog dials for audio or A / C, horrible touch screen, no way to permanently disable Auto Stop / Start I purchased the Pilot because of the safety features not available on the Sorento like forward collision mitigation with automatic braking system and LED daytime running lights, and mostly because of Honda's reliability.