Sentences with phrase «n't use any of his dialogue»

Not exact matches

Mr. Lighthizer, Mr. Navarro and other proponents of a harder line against China have argued that the Chinese tend to use such dialogues as a delaying tactic, and that past trade negotiations with them have not been productive.

It states that while the U.S. believes that» [t] he most efficient and preferred manner of resolving concerns is through bilateral dialogue,» when that doesn't work «the United States will use enforcement tools including those provided under U.S. law, the WTO and other dispute settlement procedures, as appropriate.»

Some of the insights provided by the first phase of liberation theology seem too important to let slip between the cracks — for instance, the centrality of the category «the poor» for biblical interpretation; the awareness of structural, not just individual, evil; the use of the social sciences as dialogue partner for theological discourse; and the need to apply a hermeneutic of suspicion to theology itself.

A good example is Habakkuk's presentation of a dialogue between the prophet and God — the prophet's first complaint is against the sins of Judean society and God explains that he will be using the evils of the invading Chaldeans to punish Judea; the prophet responds by complaining about the evils of the Chaldeans which God then assures will not go unpunished — that they tyranny itself will lead to it's own punishments and that the punishment for Judea's sins is itself redemptive and God assures that he will be able to provide salvation.

Hermann Levin - Goldschmidt has used it to prove that although Buber talks of dialogue, he has not in fact left the mystical monologue which projects a Thou on to things which obviously can not be a Thou.

This was particularly true of the words of Jesus, whose use of direct discourse and dialogue led to confrontation not only with him but through him with the Father.

General principles can not, in my opinion, be laid down at this stage of the (still young) Jewish - Christian dialogue; but when polemic is undertaken in such dialogues, it must always be done in careful and clear awareness of the unpleasant uses to which such polemics have often been put by Christians in the past.

Although we have limited ourselves in this chapter to the discussion of dialogue within the Church, we must not forget that Vatican II also used the term «dialogue» to refer to communication with separated Christians, 10 with non-Christians and atheists, 11 with the entire human family, and with the world.12 This aspect deserves our attention even more than the use of the dialogue model for exchanges within the Church.

One delights in the deftly humorous use of hyperbole — surely this is the intention, for example, of 1: 13 - 19.11.13 But these qualities do not appear in the dialogues.

What spoke to me through this story, is how much this pastor knew the people in his church (you and I have the same definition of church, however I'm using the word here as it applies to this group of people I feel the problem in many churches today (and why dialogue during sermons wouldn't go over well) is that the pastors do not take the time to invest in the people they are trying to teach.

Instead of using the approach he had used on the Areopagus, he focused entirely on preaching about Christ crucified (1 Corinthians 1:23, 2:2)-- a topic that he did not mention at all in his dialogue with the philosophers as it is recorded in the Book of Acts.

With a glorious and powerful figure who seeks to detach us from our God, to ensure the triumph of the world, to use propaganda to revive the temptation with which Jesus was tempted, to bring the church under submission to money or the state, there is no dialogue, for dialogue is not a value of its own and is not the supreme expression of the Christian life.

Awareness of the dialogue with the Oriental Orthodox churches would prod Haight not to use the term «monophysite» without qualification.

The poets of antiquity did not simply narrate events, whether historical or fictional using standard prose, but rather placed the characters of the stories in an active and real - time dialogue.

For the sake of accuracy, «Open» will be used rather than «evangelical» to describe the partner in this phase of the evangelical / process dialogue when all evangelicals would not hold to a specific position.

Attempting to start dialogue with Iraqi leaders during the Allied Forces» occupation of Iraq and subsequent Iraqi rebellions, Lamb's translator — not his usual translator, who was excellent, Lamb was keen to add — used the Arabic for «negotiations» when Lamb had said «dialogue» in English.

Former President Jerry John Rawlings posited, «As we hold this dialogue to plot an agenda for a positive performance in 2020, we have to take due note that the re-organisation is a process that involves embracing our party's core ideals and ensuring that we are not swayed by the crass monetization of Ghanaian politics, which used to be alien to our party and which unfortunately, has contributed rather notoriously to the surfeit of negativity and divisiveness plaguing our party.»

In it, he not only displays his understanding that the Internet, when used well, is about dialogue but also shows his stoicism at the route one style of conversation that takes place in the blogosphere

He said: `' we hold this dialogue to plot an agenda for a positive performance in 2020, we have to take due note that the re-organisation is a process that involves embracing our party's core ideals and ensuring that we are not swayed by the crass monetization of Ghanaian politics which used to be alien to our party and which unfortunately has contributed rather notoriously to the surfeit of negativity and divisiveness plaguing our party.»

«As we hold this dialogue to plot an agenda for a positive performance in 2020, we have to take due note that the re-organisation is a process that involves embracing our party's core ideals and ensuring that we are not swayed by the crass monetisation of Ghanaian politics which used to be alien to...

For example, genetically engineered organisms used in the research laboratory to develop new chemical synthesis methods are not likely to require the same level of public dialogue as products that have more uncertainty associated with them, such as organisms with gene drives, which enhance organisms» ability to pass certain genetic traits on to their offspring.

It's not that Elon Musk has said very many inappropriate things, it's that so much of the dialogue about colonizing Mars — inspired, initiated and often influenced by Musk — uses language and frameworks that are a little problematic (and I'm being -LSB-...]

This is not our opinion, it's a 100 % verifiable fact if you read through the terms and conditions of the site where they state that they «generate and respond to communications using automated programs that try to simulate your communication with another human being so none really exists and any dialogue is generated by computer programming.»

Wes Anderson doesn't spell out every little motivation and detail of characterisation or back - story to the audience, but uses the implication of dialogue to make hints.

After its basic premise had been set - up Pathfinder began to feel like a random collection of set - pieces as the characters wandered aimlessly through the woods without any particular logical purpose, and they didn't do a lot of talking either - though that's probably a good thing as the dialogue, on the occasions it's used, is an awful mix of subtitled Viking posturing and native American mysticism (spoken in English, though I suspect the native Americans of the era weren't fluent in the language).

Jackie Brown was met with a level of disappointment when it was released; yes it had the cool ensemble cast, excellent retro soundtrack and prolific use of the «N» word, but where were the violence, idiosyncratic characters and quirky comic dialogue we were all expecting?

In Jerry Maguire, writer - director Cameron Crowe gives meaningful dialogue not only to Dorothy, but to her skeptical sister (played by the wonderful Bonnie Hunt), to Tidwell's wife (Regina King), even to members of a recurring divorcee - support group who could easily have been used for nothing but cheap laughs.

As a sci - fi film, Winterbottomâ $ ™ s works because of the ideas that get transmitted through the dialogue â $ «a feasible anti-virus chatter about not so distant future epidemics combined with a curious use of the English language that minces word with other foreign languages.

I can't think of another game so destroyed by its dialogue as Splinter Cell: Conviction; not by bad lines alone (which are nothing novel in gaming) but by the way Ubisoft's designers and programmers used them.

You can't do anything really cool, like listen to that piece of music without dialogue or SFX, so anyone who's ever used IMDb won't be too knocked out by this.

, contains very little dialogue that isn't reminiscent of other, similar Hollywood blockbusters; and the acting is pretty much of the same, lowest - common - denominator variety, although Ishirara uses his boyish, cherubic face effectively to convey conflicting emotions.

Anyway, I loved the dreamlike atmosphere, the religious symbolism and, especially, the soundtrack and the way the director uses it in the manner of a silent film to highlight and explain the actions (or non-actions), facial expressions and emotions being played out on screen when there isn't any dialogue present.

The recreations aren't particularly realistic (lots of painted backdrops and such) and the dialogue is poorly dubbed regardless of what language you watch it in (I chose English because that's apparently what the actors were using), but none of that really matters.

There isn't anything too significant to these, although the dialogue - free version of the ending set to «Easy» does seem better than the one used in the film.

In fact, one of the minor quibbles with the game is that is doesn't employ its voice cast enough, and instead uses text for the bulk of its dialogue.

The original mono mix hasn't aged as well — it's shrilling in the highs, and dialogue levels are a bit rough in spots — but similar to Fox» Son of Fury and the Castile DVDs, Newman's score has been isolated on a separate track, and as a special bonus, contains the true stereo remixes used for the 2000 soundtrack CD from Film Score Monthly, plus additional score and source cues from a surviving music & effects mix not used for the CD.

«The gods» is an often used piece of dialogue that doesn't quite fit with the chosen setting and whenever the actors deliver lines with such, it jars slightly.

**** Zachary F November 29, 2012 this movie is sooo funny Jon C November 29, 2012 a fun, crude, and hilarious comedy two girl roomates formulate a plan to make their own sex hotline in order to make ends meet hijinks and raw laughs ensue between two very different people who embrace their sexuality via telephone the performances from both Graynor and Miller are pretty damn fun to watch the dialogue is insanely funny and gratuitous there's a very strange cameo in here too by Nia Vardalos Justin Long adds a nice touch being the supporting gay best friend mentoring these two girls it's just very awkwardly humorous listening to these people talk in this kind of film, there's interestingly no actual sex happening on screen, no boobs, no ass, no exposed body parts the plot mainly focuses on the bonding relationship bewteen the two leads which is a good break from the usual norm we're used to I can't help but feel though that the filmmakers didn't have anything left at the end, some of it felt unfinished and unresolved for all those problems, «For A Good Time, Call..»

Haynes brilliantly uses the restrictions of the genre to critique cultural expectations: Cathy's purposefully stilted dialogue remains bound by the front - office conventions of post-WWII Hollywood (interestingly, Frank's isn't), and unlike the men in the film, her options are as limited as the choice between a happy or a sad ending.

From cinematographer Hoyte van Hoytema's lush visuals, thanks to 65 mm IMAX film (projected at 70 mm in theaters); the realistic use of practical effects further adding to the mise - en - scène; the visceral sound design transporting the audience alongside the soldiers; Hans Zimmer's heart - wrenching score; the lack of dialogue, gracefully showing and not telling the story, Dunkirk is an exercise in not only perfecting the art of filmmaking but advancing it forward.

Of course, plenty of crass jokes and dialogue are to be expected, and while Super Troopers 2 is primarily centered on a rivalry between the familiar squad and some Canadian Mounties soon to be out of a job, using that rift to pepper the comedy with some zingers on both sides rooted in current events (Americans have a go at how high the Canadian drinking limit is while Canadians fire back lambasting the United States» gun control issue and gross levels of obesity), the proceedings aren't concerned with getting political or forcing social commentary down anyone's throaOf course, plenty of crass jokes and dialogue are to be expected, and while Super Troopers 2 is primarily centered on a rivalry between the familiar squad and some Canadian Mounties soon to be out of a job, using that rift to pepper the comedy with some zingers on both sides rooted in current events (Americans have a go at how high the Canadian drinking limit is while Canadians fire back lambasting the United States» gun control issue and gross levels of obesity), the proceedings aren't concerned with getting political or forcing social commentary down anyone's throaof crass jokes and dialogue are to be expected, and while Super Troopers 2 is primarily centered on a rivalry between the familiar squad and some Canadian Mounties soon to be out of a job, using that rift to pepper the comedy with some zingers on both sides rooted in current events (Americans have a go at how high the Canadian drinking limit is while Canadians fire back lambasting the United States» gun control issue and gross levels of obesity), the proceedings aren't concerned with getting political or forcing social commentary down anyone's throaof a job, using that rift to pepper the comedy with some zingers on both sides rooted in current events (Americans have a go at how high the Canadian drinking limit is while Canadians fire back lambasting the United States» gun control issue and gross levels of obesity), the proceedings aren't concerned with getting political or forcing social commentary down anyone's throaof obesity), the proceedings aren't concerned with getting political or forcing social commentary down anyone's throat.

It's clear that the screenwriters (Ross, series creator Suzanne Collins and State of Play screenwriter Billy Ray) are using the expanded viewpoint to begin sowing seeds for the sequel — specifically Snow's words about «a spark» needing be contained — dialogue that not - so - subtly refers to the title of already - in - progress sequel film, Catching Fire.

Soderbergh frequently makes his presence felt as a formal annotator — periodically halting the action with freeze - frames, using elaborate color - coding schemes (as if to remind us of The Underneath, much as Keaton reminds us of Jackie Brown), and crosscutting between successive scenes with the same characters (the dialogue in the first becoming offscreen narration in the second), recalling Nicolas Roeg's Don't Look Now (as well as Roeg's mentor Alain Resnais).

- Fun games to get the students to speak in the target language (see explanation under the slide)- A listening activity on what you saw and did not see at the zoo - Vocabulary slides with lovely pictures - Plenty of mini-whiteboard games on colours with animals and on opinions about animals - Grammar explanation on negative forms and verbs of opinion - Several writing activities about your favorite restaurant - Survey activity on likes and dislikes - Translation exercises - A writing activity to use longer sentences and verbs of opinion + infinitive - Grammar explanation on the partitive with worksheets to practice - Grammar explanation on infinitives and conjugating - er verbs - A lesson on infinitives and how to conjugate - er verbs - A worksheet explaining the steps of conjugating an - er verb - A fun mime the verb game - A mini-whiteboard game to practise conjugating - er verbs - Grammar explanation on numbers and quantities - Learn high numbers to be able to give prices and quantities - Mini-whiteboard activities about numbers and quantities - Games with prices - Dialogue worksheets to build up to role - play activity - A number worksheet - Put the dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a Dialogue worksheets to build up to role - play activity - A number worksheet - Put the dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a dialogue back in order worksheet to help with role - play activity - A grammar explanation of «il y a» and «il n» y a pas» - Grammar explanation «on peut + infinitive» and other grammar revision - A song with lyrics created and sang by me with a link to the Youtube video - Vocabulary building activities to teach directions - A grammar explanation on the imperative with exercises to practice - A grammar worksheet on the imperative in French - An iPhone activity - A grammar explanation on modal verbs - A grammar explanation of prepositions with «de» and exercises to practice - A grammar worksheet on prepositions in French I hope you will enjoy my resources and if you have a question on a particular slide or activity, please do not hesitate to contact me or leave me a message.

I would say putting people first, improving wellbeing by including all and eradicating poverty via holistic and sustainable approaches are focal points which in many ways are not separated from my strong commitment to vulgarizing education, sharing and learning, communication, cultural exploration and inter-cultural dialogue, art, environmental protection and broadening the use of transformational technologies as a way of combating poverty, achieving millennium development goals and reducing suspicion and development lapses in Africa and the world.

The book drive illustrated not only the development of critical awareness but also the ways newly formed insights through personalization, dialogue, and praxis can be used to enact changes that benefit others.

In the Socratic Seminar, the teacher's main role is to facilitate a dialogue but not a debate, through questioning thathelps students take greater responsibility for their own thinking and talking.These discussions are used as the foundation for a variety of writing responses that enable students to reflect upon the dialogue, deepen their own thinking and clarify their own ideas.While often used in English Language Arts classrooms, Socratic Seminars can be used in social studies, science even art and music classrooms.

Use dialogue — not as a break from narrative — but to show more of your characters, move the story along and more.

My only contention with this book (and reason for not adding the 5th star) is because of the very frequent use of Spanish words, phrases and even full out dialogue.

Dialogue is something I don't use at all in poetry, so it was one part of the novel that really felt like the opposite of work.