Sentences with phrase «n field painting»

place n nationality n spouse n field painting n training michaelis school of fine art de ateliers n movement n works n patrons n a student of painting at the university of cape townâ $ ™ s michaelis school of fine arts during the early 1970s dumas gained exposure to the (4 words, 24 characters)

Not exact matches

Recent figures on who took the high - school AP exam in computer science paint a picture of a professional field that appears to be moving backward, not forward.

What I appreciate about Jones» book is that whether you are a search marketing guru or you work in another marketing / communications field, it paints things in a light that you may not have thought about before.

The ACCC will not oppose the proposed acquisition by BlueScope Steel Ltd of Fielders Australia, concluding that although «BlueScope has market power in the supply of painted coil inputs through its COLORBOND product lines, this level of market power would not be altered by the acquisition.»

The reason free market proponents have such a field day painting the public sector as inefficient is because so many public services involve complex, difficult to measure tasks which market mechanisms can not handle.

Materials science Hot fields include semiconductors and nanomaterials development, but don't forget about the synthesis of plastics, paints and lubricants.

This fundamental misrepresentation of yoga therapy not only undermines the author's point that greater attention needs be paid to the safety and function of yoga postures, but also paints a grossly inaccurate and harmful caricature of the field.

Field of Lost Shoes doesn't tread any particularly new ground, but it certainly treads over very solid ground and Wiedmann has painted on a particularly grand canvas, writing emotionally rich music that is very easy to like and will surely prove very popular amongst those people who like the no - holds - barred - when - it - comes - to - emotions approach of 1990s John Barry or James Horner (and who are willing to give this score a chance).

Don't forget your local Eagle Scouts — we had one who volunteered to paint the entire field wall, and another one was happy to build our sound wall.

Yes, arts learning may have social and moral and professional benefits, but if people don't value the materials of the fields themselves — if they can't say that if High School X doesn't acquaint students with Renaissance painting, classical music, and modern dance, its graduates will be undereducated — then arts educators lose in the competition for funds and hours in the day.

When not immersed in the field of giftedness, Vanessa enjoys volunteering, playing with her son, reading, painting, writing, and traveling.

Painting plastic parts in the field tends not to end well, a new one painted at the factory is ideal.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

«Do what you do best (repairing clocks) and hire the best to do what you can't do (case work, painting dials, etc.) I guess that pretty much applies in any field you want to excel in.

Whether you choose to take part in activities such as whitewater rafting, painting and carving, yoga or mountain biking or just relax around the villa and wander into the padi fields and woods for a stroll, it is impossible not to slow right down to the Balinese pace of life here where tranquil bliss surrounds you.

However, from the looks of it, not only will Duke be breaking jaws with his bare hands, he'll run around a drenched football field shooting down giants, crushing aliens with a monster truck and even pick up a brush and paint, just because he can.

And then you back off and you think about it, or somebody comes in the studio and you talk about what you do and you conceptualize things that didn't necessarily come out of any clear plan... a field of vision depends on what's in your mind... what you really see is not just how you're painting or what it looks like.

Parkinson writes that «Opticality seems an important sub plot in this show, and its» not just the Peter Young or the stunning Cantus Firmus by Bridget Riley that I have in mind, there is also the early Sean Scully painting East Coast Light 2, the pulsating Auditorium by Dan Walsh, Depth of Field by Richard Kirwan, as well as the strangely photographic Flirt by Jane Harris and Untitled (fold) by Tauba Auerbach.

In his recent work, González seems to want to test the power of his own reinvention of the pictorial field by veiling starkly divided compositions with the sort of tremulous grid that not even he could duplicate from one painting to the next.

Just to cover the historical end of the spectrum, there are two big museum shows: Color as Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Field Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at Field: American Painting, 1950 - 1975 at the Smithsonian, the first full show dedicated to the color field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at field movement (OK, so the show's not in New York, but it's full of New Yorkers); and Color Chart: Reinventing Color from 1950 to Today at MoMA.

Frank Stella's approach and relationship to Color Field painting was not permanent or central to his creative output; as his work became more and more three - dimensional after 1980.

In your paintings, you replicate DuBois» fields of color, but you don't reveal their context.

This is not your parents» (or Clement Greenberg's) color - field painting.

His ability to explain what was wrong with a Color Field painting or a Neo-Dada sculpture interested me far less than his belief that such stuff could not possibly affect the work he was doing.

These paintings do not feature the luminous color fields that made Rothko famous.

His fields of color can, at times, suggest interior spaces and their soft, flickering light is not unrelated to the French master's painting.

Color field, curiously enough or perhaps not, became a viable way of painting at exactly the time that acrylic paint, the new plastic paint, came into being.

Veils may sound flimsy, and color - field painting has had to battle a reputation as lightweight compared to Abstract Expressionism before it and Minimalism to come, but these are not like the physical curtains that often heighten the illusion in trompe l'oeil painting.

Critic Helen Sumpter suggests in her recent essay on Gabb: «It's almost as if Gabb had taken something of the cool colour field paintings of Barnet Newman and turned them into something like the gestural action paintings of Jackson Pollock... These extraordinary artworks could also be seen as somewhat flighty but if they've become sculpture, paintings should at least stay fixed in their final form, shouldn't they?

In Innes's own words, «It wasn't sufficient for me to cover a painting in a single color and then inscribe the field with a line.

But like Elmer Bischoff and David Park, with whom he made the turn to figurative painting a few years later, Diebenkorn was asking questions that abstract expressionism couldn't always answer, even though, as the early works in the show at the Royal Academy (until 7 June) suggest, he was a loyal and talented disciple: the LA Times described him as «one of the most gifted artists in the American non-objective field».

Pollock's energetic «action paintings», with their «busy» feel, are different, both technically and aesthetically, from the violent and grotesque Women series of Willem de Kooning's figurative paintings and the rectangles of color in Mark Rothko's Color Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstract).

Initially, the airplanes were not only painted but existed also as three - dimensional models that were mounted on the canvas and thereby, just as their two - dimensional pendants, involved them in the field of the painted «plane».

Gorchov, then, does not disassemble and disperse the elements of color - field painting.

This is not simple figure - ground painting, and the fields in the paintings are never static.

Although Blayton employed techniques from Abstract Expressionism and Color Field painting, she noted that her work did not grow out of any particular artistic tradition, but rather the feelings generated by her own thoughts.

Work like this trusts the artist's impulse in a way that art immediately after color - field painting did not.

His esteemed intellect not only undergirded his gorgeous, expressive paintings — frequently featuring bold black shapes against fields of color — but also made Motherwell one of the leading writers, theorists, and advocates of the New York School.

A seemingly all - white painting soon reveals itself to have a multi-planed surface with carefully defined fields that are not pre-determined but are arrived at organically.

He represents the 21st Century stand for the irrepressible vitality and necessity of painting, where the exercise of painterly thought is a field of existence in which the exchange between the author and the viewer happens by osmosis, not by pre-selected channels.

Heavily invested in the phenomena of color interaction in painted space, Maslansky highlights how its effects can not only hide and reveal the mechanics of pornography, but delay general apprehension in the visual field.

While for Rothko the side of the painting had color to it that not only showed the stages of its making but also indicated an environmental continuity between the painting and its site of placement, this strip, finished with a neutral light - reflecting color, signified a concept of separation between the discrete field of painted canvas and its surroundings.

But painting did not come to a standstill, and in recent years activity in the field has developed rapidly, especially among younger artists.

Kahn didn't completely eschew the modes of Expressionism and Color Field painting, and combined these two styles along with his subconscious visions of nature.

Since the mid-nineties, Martin's work has frequently referenced to artist colleagues from the fields of painting and music — an homage not only pop stars, but also those who existed and exist outside the mainstream; in some cases, viz..

This exhibition proposes a new reading, emphasizing that the achievements of her training in the field of abstract painting did not disappear when her work turned to textiles, and that the artist addressed pictorial abstraction in a unique way, manifesting itself very quickly through an openness to spatial concerns.

Her ideas about surface, scale, and color are not only daring; they presaged the work of artists as varied as Barnett Newman, Milton Avery, Mark Rothko, Morris Louis, and Mary Heilmann, as well as Color Field painting, Lyrical Abstraction, and contemporary postmodern abstraction.

For all the surprise it caused over the Atlantic, abstract expressionism was not the start of something, but rather a beautiful ending, the epic finale of a long tradition of Romantic nature painting, gone up in the fireworks of Newman's zips, Pollock's drips and the smoky miasma of Rothko's colour fields.

I can't help believing that Hoyland must have seen Frankenthaler's work, too, even if he failed to mention it to Gooding (this wouldn't be the first time that she's been left out of discussions of color - field painting, beyond the usual brief & grudging references to the fact that she started the whole school).

I had arrived on the shore of color field painting several years before but found that I wasn't bringing anything new to the table.