It shows the influence of Cassavetes in its comic dramatization of the trials of male bonding and the struggle for emotional integrity, but where Cassavetes captures the tooth - and -
nail wildness of first - generation Americans clawing their way into the middle class, Anderson's film recalls an older, more disciplined, although no less self - excoriating, tradition — the WASP modernism exemplified by Ernest Hemingway and Howard Hawks.