There is something tragic yet naïve about his 1991 painting Study for the Illiad, populated by endearingly clumsy
naked figures of men and women: standing, stumbling, falling, and laying down.
In contrast Transition shows
a naked figure of a man walking into a pool of water.
Not exact matches
Away from the mob, a man
of «Honour» is flogged at a whipping post by «Vilany,» assisted by an ape in devilishly flamboyant garb, while the
figure of «Honesty,» stripped
naked, is bludgeoned by «Self Interest» atop a wheel
of fortune as a minister intones a prayer over him.
While Paul's thought is by no means always clear, and perhaps from letter to letter not always exactly the same, it is nevertheless certain that his concept
of resurrection can be clearly distinguished from that
of the traditional «bodily resurrection».27 Paul does not speak in terms
of the «same body» but rather in terms
of a new body, whether it be a «spiritual body», 28 «the likeness
of the heavenly man», 29 «a house not made by human hands, eternal and in heaven», 30 or, a «new body put on» over the old.31 In using various
figures of speech to distinguish between the present body
of flesh and blood and the future resurrection body, he seems to be thinking
of both bodies as the externals which clothe the spirit and without which we should «find ourselves
naked».32 But he freely confesses that the «earthly frame that houses us today ’33 may, like the seed, and man
of dust, be destroyed, but the «heavenly habitation», which the believer longs to put on, is already waiting in the heavenly realm, for it is eternal by nature.
Still scoffing, I peered at the
naked figures fleeing towards the pit
of Hell, out
of my usual faintly morbid interest in the alleged terrors
of damnation.
If you really want to help Me celebrate the birthday
of My Son Jesus, then commit yourselves to
figuring out how to feed your hungry, clothe your
naked, protect your abused, and shelter your poor.
Brian Mautz, an evolutionary biologist at the University
of Ottawa in Canada, generated computer images
of naked male
figures, varying them to represent the normal range
of height, hip - to - shoulder ratio and penis size.
These full -
figured women are the gold standard by which all other women should be measured, and a man who is fortunate enough to enjoy the fruits
of these Goddesses in all their
naked glory, has truly experienced heaven on earth.
You quickly find yourself caught up in a rebellion to overthrow the oppressive regime
of Pagan Min, a
figure known as much for his sense
of style and charisma as for his cruelty and
naked brutality.
The film, both written and directed by Shana Feste, the filmmaker behind «Country Strong,» «Endless Love» and «The Greatest,» has its quirky comedic elements: from Laura's (Farmiga) penchant for picking up stray animals, to her son, Henry's (Lewis MacDougall) talent for drawing
naked pictures
of authority
figures.
With Good Luck Chuck just around the bend, and making such a desperately
naked play to position itself as the next Wedding Crashers, I
figured it's time to re-post a slightly redacted version
of that film's original review, originally published in Screen International upon its theatrical release in 2005.
I had never tried to tell my father's story in words before now, but my first completed sculpture
of him was the reason for our trip: a three - foot mahogany
figure of my father
naked, kneeling on a half - foot - square base, his back arched like the curve
of a crescent moon, his downcast eyes fixed on his very long fingers and the large palms
of his hands.
Oh yeah, and look at that, the final boss fight against Kefka is called Dancing Mad, a fight where Kefka has changed into a nearly
naked angelic
figure of doom.
This is that special mixture
of awesome and just dumbfounding - I mean, you can't really make a
naked Norman Reedus or Guillermo del Toro
figure, but this is still pretty much peak Kojima.
I play with sexual humor, [and] that is the reason why most
of the time the
figures [in my work] are totally
naked.
«George's Basketball,» «Ada,» and the cutout
of a bather in a bikini called «Maxine» (her
figure naked when seen from behind) are among the first full - throated moments in American Pop Art.
This mythic
figure is mostly
naked in each scene with powerful thighs, sagging breasts, and protruding stomach — the very antithesis
of the ideal female form in Western culture.
Curated with verve and sophistication by Diana Widmaier Picasso, and seductively titled from a work
of Ed Ruscha's depicting (go
figure) an Alp, it nonetheless begged to shock with a flagrance
of merged bodies, frontal erection, the fetishist mannequins
of pop artist Allen Jones, life - size interactions led by Dirty — Jeff on Top (that's Koons, entering La Cicciolina), and a recreated modelling studio featuring two stark -
naked live models who came off more like strippers.
In that exhibit Hoff showed two ceramic sculptural
figures of women, both
of which evoked an almost tribalistic aura
of feminine powers,
naked and primitive in our urban twenty - first century world.
Antony Gormley, best known for his work Angel
of the North and recently One & Other is dotting thirty - one
of his life - size cast iron and fiberglass
naked figures around prominent New York landmarks as well as along rooftops and other high spots.
In Red
Figure, 2017, acrylic on canvas, 122 x 152 cm, the last work completed, a naked female figure in strong red hues, casually seated with a strong poise, holds out her arm with a decapitated male head in the palm of her
Figure, 2017, acrylic on canvas, 122 x 152 cm, the last work completed, a
naked female
figure in strong red hues, casually seated with a strong poise, holds out her arm with a decapitated male head in the palm of her
figure in strong red hues, casually seated with a strong poise, holds out her arm with a decapitated male head in the palm
of her hand.
South's paper constructions have a faint echo
of the stylistic rendering
of objects and
figures in Philip Guston's paintings from his «cartoon» phase, which is also brought to mind by Floor / Ceiling's illumination by bare, hanging light bulbs, with the
naked bulb a frequent motif in many
of Guston's works.
The lean, angular frame
of Bourgeois's longtime assistant, Jerry Gorovoy, provided the form for Arch
of Hysteria, the exquisitely graceful (or painful, depending on how you look at it) bronze sculpture
of a
naked male
figure bent backward and hanging by a thread.
They have depicted themselves as
naked figures in their pictures, recasting the male nude as something vulnerable and fragile rather than as a potent
figure of strength.
The rosy pink color that dominates the Bortolami show's eight paintings — four large seasonal scenes
of defiantly numinous
figures, Dionysian grapes, leafy curlicues and metallic silver daubs; three other large paintings; and one modestly sized portrait
of a
naked cat, facing away from the viewer into a stoically indifferent opacity, its body like a chicken's carcass, its red tail like a snake charmer's cobra, poised to strike — brings to mind the mysterious pink lasers that transmit divine messages in Philip K. Dick's novel VALIS.
Prudence Heward exhibited frequently during her lifetime and she often received positive reviews — although some
of her
figure paintings, such as The Bather (1930)(Art Gallery
of Windsor) and the Agnes Etherington Art Centre's Hester (1937)(one
of her paintings depicting a
naked black woman), provoked hostile reactions in the press.
As a tabletop bronze, The Damned Women (before 1890) from The Gates
of Hell becomes a lesbian fantasy, while the swooping
figure of Iris from the second, unrealised Monument to Victor Hugo (1891), stripped
of her wings and head, becomes a classically fragmented and shamelessly erotic
naked gymnast.
diameter) demonstrates this mortal unease, as the tiny,
naked and blindfolded
figure of a man is flung towards the jaws
of a ferocious, stylized beast breathing fire, a cloud
of black smoke smothering the many writhing nude
figures trapped in its lower jaw.
The exhibition brings together two large works on leaded panels
of glass — two
naked female
figures seated in profile, impassive, emitting shooting stars — a series
of delicate aquatint etchings, large bronze wall reliefs and a suspended sculpture, the shadows
of which transform the gallery into a barely perceptible dabbled glade, along with a stunning jacquard tapestry depicting two eagles in descent against a chalky sky.
KAWS» deep black Michelin - like
figure CHUM (2009) stands determinedly next to graphic paintings by Gokita, offering his protection to the
naked and faceless vulnerables posed in the images, while ACCOMPLICE (2010)-- a matte black toy bunny sculpture with large Xs covering his eyes — stands hunched in defeat across the room, out
of sync with the bright canvases that surround him.
White Snow Placemat Drawings, WS, 2013 — 14, a set
of six scallop - edged paper place mats, each depicting an assortment
of quickly drawn,
naked, dripping, hairy
figures engaged in various acts
of dominance or submission, set the tone for this simultaneously abject and exuberant show.
Her sci - fi touches inspire a shiver
of dread: the alabaster skin, the psychologically disturbing scenarios, or the blinking eyes projected onto the
figure of a
naked woman in «Pause.»
The Antony Gormley, Pole II, although modelled like all his work on his own
naked body, is far from obviously erotic, a stylised human
figure standing on its head, resembling a pile
of boxes.
The two
naked figures — a black man and a white boy, almost - but - not - quite touching — were intended to be displayed in front
of the Whitney Museum
of American Art.
In this work, a
naked male
figure appears to be stepping into the right panel but he casts no shadows and two bright red arrows
of unequal length point towards him.
In Elliott Linwood's «Outbreak (Detail),» the
naked figure is sprawled out against the vastness
of a crater, an image
of extreme fragility and haunting finality.
The
Nakeds takes as its starting point selected drawings
of the single
figure by Egon Schiele.
I do like the idea
of «the model» however — the
naked figure, posing to be drawn in the studio, or the human form hired to dress with ones hot designs for the new season.
This injection
of «
naked» urbanism into the not - so -
naked frame
of the gallery suggested the stripped - down
figure of the artist - as - flaneur - in - the - buff parading another form
of sly institutional critique.
On one hand, the dreadlocked
figure — sometimes in a business suit, sometimes
naked — is blinded or constrained by the ties, perhaps an allusion to male responsibility, or, as Whyte has suggested, a more sophisticated form
of Western bondage.
Appearing in a series
of sculptural situations, often on the point
of collapse, or running through some seemingly meaningless protocol, Griffiths» creation is a tragi - comic
figure: a
naked, puppet - like Caucasian male who seems not to know that his strings — if they ever held him up — have now been decisively cut.
The first single from Odd Blood, «Ambling Alp,» is an invigorating self - help anthem with cryptic allusions to boxing matches
of the»30s, and is accompanied by a disorienting video that simultaneously points to the youthful exuberance
of photographer Ryan McGinley and the mystical deserts
of Alejandro Jodorowsky's El Topo —
naked young bodies leaping and tumbling down sand dunes as a strange, shape - shifting
figure clad in nomadic robes looks on from horseback.
The exhibition includes a series
of watercolours the
figures in which Austen likens to «
naked ghosts» — survivors or victims
of some unknown tragedy.
Of course, as art historian Linda Nochlin famously observed, it was difficult for women to paint nudes when historically they weren't even allowed to attend figure - drawing classes because of the naked people necessarily presen
Of course, as art historian Linda Nochlin famously observed, it was difficult for women to paint nudes when historically they weren't even allowed to attend
figure - drawing classes because
of the naked people necessarily presen
of the
naked people necessarily present.
Elsewhere you find a collection
of naked baby dolls, and stuffed
figures with too many arms, but what connection each separate element has with the others is difficult to say The piece is at once visually over-elaborate and intellectually incoherent.
When Livin and Dyin finally reaches its denouement, it does so in the collapsed shapes
of the cartoon
figures of Wile E. Coyote, Kool - Aid Man and Roger Rabbit, as well as a life - size sculpture
of the
naked artist himself.
Known for her explicit male nudes that quote and subvert the art historical tradition
of male gaze onto female body, in her portraits feature artists, musicians and writers
of both genders, dressed and
naked, representing a pantheon
of significant cultural
figures.
They have depicted themselves
naked, recasting the male nude as something vulnerable and fragile rather than as a potent
figure of strength.
In «Closer», Blanca finds himself in an embrace
of found serenity — the artists
naked body interlocked by two young female
figures, allegories
of eternal beauty.
While her
naked, fornicating
figures fell under the swift guillotine
of 1960s censorship, today the octogenarian is running off
of several straight years
of gallery attention.