Sentences with phrase «naked men followed»

A trio of sepia - toned photographs, displayed at the entrance of the Leila Heller Gallery, documenting four naked men followed by Western soldiers in a rundown village instantly evokes the horrors of Abu Ghraib.

Not exact matches

I myself am a Christian and when I go to mass every Sunday I am taught that our place in Heaven is earned by helping others in need (to clothe the naked, visit the imprisoned, feed the starving etc), Jesus was a man who shunned nobody and welcomed everybody who was willing to follow him.
A young man was following Him, wearing nothing but a linen sheet over his naked body; and they seized him.
Mark alone adds the curious incident of the young man clad only in a linen cloth who tried to follow, and, when he was seized, slipped out of the cloth and fled naked (Mk 14:51 - 52).
Then, the men receive the picture of the naked teen, followed by a call from someone pretending to be a private eye.
Fargeat follows both sides — Jen and the men — of the film's encounters, including a standoff on a rocky, hillside road and grisly game of cat - and - mouse in the house, which subversively turns the man into the naked, vulnerable party.
Played for romantic comedy yuks rather than gravid melo - operatic contortions (and distinguishing itself from other products of the UK comedy mill by not featuring any old men and women or young boys naked), the picture follows the plight of shiftless loser, small - time criminal Jimmy (Robert Carlyle) as he steals a lot of money from three circus clowns and returns to his small Scottish burg to reclaim his lost love Shirley (the insufferable, simpering Shirley Henderson) and their daughter Marlene (Finn Atkins) from the clutches of mild - mannered simp Dek (Rhys Ifans).
The uncomplicated yet ingeniously knotted plot takes a classic noir murder — a man killing his lover's husband so they can be together — strips away the genre clichés and infuses the film with the introspective moodiness, dynamic camerawork, unadorned location shots, and stylized but emotionally naked performances that would become a hallmark of the New Wave pictures that followed by Francois Truffaut, Jean - Luc Godard, Claude Chabrol, Jacques Rivette, Eric Rohmer and Malle himself.
The follow - up to QWOP, Getting Over It With Bennett Foddy has you taking the role of an at least half - naked man sitting in a cauldron who needs to get up the side of a mountain using only a pickaxe and physics.
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