As the
name implies, the dividend appreciation
index fund seeks to track a benchmark
against stocks that have a history of increasing dividends over time.
And what point does James Barr score
against the canonical method by telling us (in the text, not the notes) that Childs»
indices are so poor that «the
name of Karl Barth (or, indeed, my own) is cited in the text at numerous places which have been overlooked in the
index»?
His solo exhibitions include: We have been called many
names, Nils Stærk, Copenhagen (2017); West is everywhere you look, Francesca Minini, Milan (2016); They Watched Us fora Very Long Time, La Criée Center for Contemporary Art, Rennes (2015);
Against MyRuins, Nils Stærk, Copenhagen (2014); We have everything, but that's all we have, Mendes Wood DM, São Paulo, (2013); This Thing Called The State, Oslo Kunstförening, Oslo (2013); Even Heroes Grow Old,
Index, The Swedish Contemporary ArtFoundation, Stockholm (2012).