Sentences with phrase «narrative around art»

The ambitious show will build a comprehensive narrative around the art and influence of black women artists (Camille Billops, Beverly Buchanan, Lorraine O'Grady, Howardena Pindell, Betye Saar, and Carrie Mae Weems among them) who, during the beginnings of second - wave feminism, «worked beyond and at times in antagonism to Eurocentric narratives of feminism and feminist art,» she says.
The handwritten letters in Thomson's neon piece not only highlight the artist's affection for Nauman, continuing with this idea of the sentimental in Emin's work, but also instigate a larger narrative around art - historical lineage made evident through appropriation.

Not exact matches

The narrative revolves around the art of a portrait, at the hands of a perpetual perfectionist, thus meaning we have to wait, ages, and ages, and ages, for him to get it right.
Not only is it important to me that these diverse and exceptional students have access to the traditional liberal arts cannon through our classes, but it is crucial that their experiences are informing how those texts are taught and that their participation in the liberal arts college tradition is changing the narrative around who belongs in this type of college environment.»
This time around, it adopts a sort of narrative, where players control Allied soldiers trying to recover art from Nazi thieves.
Reading the rhetoric around the Japanese RPG, there is a sense that the narrative - heavy JRPG is a «lost art» that games have left behind.
The narrative around Land Art — Michael Heizer's Double Negative being a prominent example — is of course well - known, but other major pieces, like Noah Purifoy's expansive Joshua Tree installation and Leonard Knight's Salvation Mountain, remain marginalized, viewed as visions of outsider eccentricity, even though Purifoy was in no way an outsider.
I»M DOWN, a series of participatory public actions realized at and around 18th Street Arts Center, uses performance and language to illustrate narratives of absence and loss around displacement through migration, gentrification, and social violence.
NICOLE BRAY: My personal art collection centers around the idea of Warrior Women, strong female artists who are redefining sexuality, identity, and personal narratives.
The exhibition at Middlesborough Institute of Modern Art (until 4 June 2017) examines the relationship between personal narratives and social conditions and includes a newly commissioned project that, six months in the making, features four local people who have transformed their own situation and that of the community around them.
LOCATION: New York, New York SPECIALTIES: Computer art; visual narrative; photography, video, and related media; fine arts (painting, sculpture, printmaking) TUITION: $ 36,500 TIME TO DEGREE: 2 years NOTABLE FACULTY: Mark Tribe, Marilyn Minter, Laurel Nakadate NOTABLE ALUMNI: Inka Essenhigh, Barnaby Furnas, Keith Haring, Andrea Fraser, Sarah Sze, Sol LeWitt BIGGEST SELLING POINT: SVA is more than the snazzy ad campaign you may have seen plastered around New York's subway system.
Expanding Narratives uses the formal relationship between the figure and the ground in art history as a conceptual springboard into discussions around visual representation, the museum space, and the role of the Smart Museum's collection in fostering the exchange of diverse perspectives.
Originally studying English Literature at Cambridge University, Perret works against an extensive backdrop of art historical and literary inspirations and drawing from this vast catalogue of influences, Perret addresses sustained narratives which revolve around ideas of feminism, modern utopias and the consumption of art and literature.
With a career spanning almost three decades, Francesca Fuchs is a well - known Houston - based artist whose paintings draw from art historical and personal references, evoking a strong sense of narrative around themes of memory, family, and home, and how they define our sense of place and self.
The first iteration in a three - part exhibition series, Expanding Narratives uses the formal relationship between the figure and the ground in Western art history as a conceptual springboard into discussions around visual representation, the museum space, and the role of the Smart Museum's collection in fostering the exchange of diverse perspectives.
«For this original performance, Jonah Bokaer uses movement to explore the timely subject of human migration around the Mediterranean Basin, a narrative of personal significance to the artist, who is of Tunisian heritage,» said Andrea Grover, Century Arts Foundation Curator of Special Projects at the Parrish, and curator of Platform.
The incident has launched a productive dialogue around the stakes of representation and the persistence of «afropessimism» in art and the media, whereby mainstream narratives about blackness continue to focus on, and even fetishise, violence and disenfranchisement, to the exclusion of other themes.
Examining the role that African art and culture plays in the genesis of Rythm Mastr's main storylines — particularly as a gateway to this alternative reality — this paper posits Marshall's project as a revisionist history in graphic form that offers a world of possibilities outside of the commonly accepted narrative constructed around African art and modernism and its institutional legacy.
The Museum of Modern Art doesn't mess around with its vaunted permanent collection and core narrative.
Her work, which fuses indigenous and Western art histories into a unique vision that bridges Native and non-Native cultures with elegant narratives, has been exhibited around the world.
The dominance of the cisgender gaze and the desire to shift narratives away from binary formations of gender (male / female) and sexuality (straight / gay) have recently gained greater attention in the discourse around contemporary art.
The Studio Museum has had an undeniable impact in diversifying the staff of cultural organizations and raising awareness around African American and African diaspora art historical narratives in the sector.
Calle's work springs up around «the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist,» as curator and art critic Christine Macel puts it.
Staged in K11 Art Foundation's pop - up venue, a space previously used to show future building projects that continue to change the urban landscape around Hong Kong, HACK SPACE forms an alternative hacker narrative, weaving moments from the history of western hacker activity with artworks that rethink space through unconventional methodologies of making and thinking.
Some 362,250 square feet of galleries showcase the reinstalled permanent collection, arranged around a new narrative that tells a more expansive history of modern art.
The basic facts of the narrative, which centers around Hitler's grand plan to purify German culture of Modernist, Bolshevist and Jewish influence, are well known, and it culminated in the infamous 1937 «Degenerate Art» exhibition in Munich.
Yet the critical debates around the work of Caro and the New Generation sculptors also levied pressure on the Greenbergian paradigm by foregrounding the experiential dimension of viewing encounters, demonstrating how critical and artistic investments in the Modernist art object became entangled with new ideas about the individual as well as perception, materiality, narrative, and experience.
In positioning himself between worlds — the art world, his family and community, peripheral spaces he seeks to inhabit — Murillo has made room for a new visual language, one that draws as easily and subversively on his personal narratives and the narratives around the places he has visited, as it does on traditional vocabularies of painting, installation, and sculpture.
This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.
Focusing primarily on American art with a further emphasis on New York, Molesworth has written this narrative around key socio - political events, deliberately avoiding common dominant «appropriation» vs. «neo-expressionist» characterizations.
Defining ideas, cultural time stamps, relationships, emotions, timelines and narratives — either behind the canvas or on it — these are fascinating and fun puzzles pieces we move around and put together in our minds when we study historical works of art.
Her closest peer is Frank Stella, but while Stella elaborately diagramed the dead end of hardcore formalism — the idea that art is a sort of Nautilus machine for the eye muscle — Murray heralded painting's desire to get wet again, roll around in pigment, humor, narrative and sex.
But to answer your question, yes, there are a lot of artists here who are doing work that I feel close to, and it evolves around ideas of treating art as a language, and consequently inventing narratives that come out of that, and not in the 1960s sense of the Gombrich great narrative of art, but something that is a construct.
«Narrative is a difficult art; narrative should flow as flows the brook down through the hills and the leafy woodlands, its course changed by every bowlder it comes across and by every grass - clad gravelly spur that projects into its path; its surface broken, but its course not stayed by rocks and gravel on the bottom in the shoal places; a brook that never goes straight for a minute, but goes, and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe three - quarters of a mile around, and at the end of the circuit flowing within a yard of the path it traversed an hour before; but always going, and always following at least one law, always loyal to that law, the law of narrative, which haNarrative is a difficult art; narrative should flow as flows the brook down through the hills and the leafy woodlands, its course changed by every bowlder it comes across and by every grass - clad gravelly spur that projects into its path; its surface broken, but its course not stayed by rocks and gravel on the bottom in the shoal places; a brook that never goes straight for a minute, but goes, and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe three - quarters of a mile around, and at the end of the circuit flowing within a yard of the path it traversed an hour before; but always going, and always following at least one law, always loyal to that law, the law of narrative, which hanarrative should flow as flows the brook down through the hills and the leafy woodlands, its course changed by every bowlder it comes across and by every grass - clad gravelly spur that projects into its path; its surface broken, but its course not stayed by rocks and gravel on the bottom in the shoal places; a brook that never goes straight for a minute, but goes, and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe three - quarters of a mile around, and at the end of the circuit flowing within a yard of the path it traversed an hour before; but always going, and always following at least one law, always loyal to that law, the law of narrative, which hanarrative, which has no law.
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