It's fantasy hogwash, making absolute zero sense, and insulting to anyone that cares anything about
narrative cohesiveness, story development, or even just funny escapism.
Not exact matches
In past films, in particular The Life Aquatic with Steve Zissou and The Darjeeling Limited, Anderson has allowed the glorious moment to puncture the
cohesiveness of the larger
narrative.
But what they lacked was any kind of institutional
narrative that engendered a sense of collective
cohesiveness.